Kåre Johan Mjør
Datos Biográficos
| ID | 4135540 |
|---|---|
| NOMBRE | Kåre Johan Mjør |
| NOMBRES | Kåre Johan |
| APELLIDO | Mjør |
| FIRMA | MJØR K J |
| AFILIACIONES | Western Norway University of Applied Sciences |
| ORCID | 0000-0002-3296-8214 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAS | 2 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2003 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 1 |
Verda av i går
Kvifor har Russland invadert Ukraina? Kvifor var Russland alt før fullskalainvasjonen i februar 2022 så fiendsleg innstilt til Vesten? Kvar skar det seg? Dette bokessayet leitar etter svar i to bøker frå dei siste åra
Sovjetunionens kollaps
I dette essayet drøftar og samanliknar eg nyare framstillingar av og forklaringar på oppløysinga av Sovjetunionen. Det gjev innsyn i den faghistoriske debatten om temaet og samanlikar denne debatten med tendensar i nyare russisk historiepolitikk (minnepolitikk) og dermed med meir politiserte framstillingar av temaet. Hovudkjeldene for bokessayet er Collapse: The Fall of the Soviet Union av Vladislav Zubok (2021) og Memory Makers: The Politics of …
Russia – the “True Europe” or a “Unique Civilization”
“Russia as the true Europe” has become a popular idea in Russian political discourse and ideology production. However, it conflicts with another dominant commonplace idea: “Russia as non-Western” or “Russia as a unique, distinct civilization.” Yet “Russia as the true Europe” is an idea that has circulated frequently, especially since the conservative turn of the Putin regime from 2012 onwards. Here, Russia is represented as the defender of “true …
The concept of creativity in Georges Florovsky’s thought
This article discusses the meanings of “creativity”— tvorchestvo —as we encounter it in Georges Florovsky’s thought, first and foremost in his magnum opus Ways of Russian Theology (1937). Tvorchestvo had by this time become a key concept in Russian pre-revolutionary and later émigré thought. It is associated above all with Nikolai Berdyaev’s philosophy, but it also plays an important role in Sergei Bulgakov’s philosophy of economy. In both cases,…
Ivan Karamazov as a Philosophical Type—but which one
The article analyses a set of philosophical statements made by and attributed to Ivan Karamazov in Dostoevsky's The Brothers Karamazov, in order to answer the question as to what kind of philosophy Ivan may be said to express in the novel. My close reading reveals that there is a significant distinction between, on the one hand, Ivan's most radical statements, that is his rational egoism and the idea that "everything is permitted," which are alwa…
Universalising idealism
The article analyses the idealist dimension of late nineteenth- and early twentieth-century Russian religious thought as it appears in key works by Vladimir Solov’ev (1853–1900), Sergei Bulgakov (1871–1944) and Nikolai Berdiaev (1874–1948). Under the impact of Schelling in particular, these thinkers took religious experience and human consciousness as a starting point for their projects. On the one hand, the article shows that this had a very sig…
Smuta
In the post-Soviet context, various cyclical models of recurrent Russian “Times of Troubles” (smuty) have become increasingly popular. This perspective emerged first in Soviet dissident circles (Alexander Yanov, Aleksandr Akhiezer), who used it as a means to expose as mistaken the Soviet belief in continual historical progress on Russian soil. In post-Soviet Russia this critical approach has been continued by members of the “Akhezier circle,” the…
Metaphysics, Aesthetics, or Epistemology? A Conceptual History of "Tvorchestvo" in Nineteenth-Century Russian Thought
This article analyzes the history of the Russian concept of tvorchestvo (“creation,” “creativity”) from its emergence and early usages in the early nineteenth century, in particular in the writings of Nikolai Nadezhdin, Nikolai Stankevich and Vissarion Belinskii, and up to and including the philosophy of Vladimir Solov’ev. While the concept later on became a key term and pivotal philosophical issue for thinkers such as Nikolai Berdiaev and Sergei…
Philosophy, Modernity and National Identity
This article explores the huge interest among Russian philosophers and intellectuals at the turn of the twentieth century in the history of Russian philosophy, an interest that was, it is argued, new. In the early twentieth century, a Russian philosophical past was created not so much by means of comprehensive narratives, but rather in works on individual thinkers. This article analyses the studies of Vladimir Solov'ev, Hryhorii Skovoroda, Petr C…
Russlands dialektiske forhold til Europa
Desire, Death, and Imitation
Smuta
In the post-Soviet context, various cyclical models of recurrent Russian “Times of Troubles” (smuty) have become increasingly popular. This perspective emerged first in Soviet dissident circles (Alexander Yanov, Aleksandr Akhiezer), who used it as a means to expose as mistaken the Soviet belief in continual historical progress on Russian soil. In post-Soviet Russia this critical approach has been continued by members of the “Akhezier circle,” the…
Desire, Death, and Imitation
Russlands dialektiske forhold til Europa
Philosophy, Modernity and National Identity
This article explores the huge interest among Russian philosophers and intellectuals at the turn of the twentieth century in the history of Russian philosophy, an interest that was, it is argued, new. In the early twentieth century, a Russian philosophical past was created not so much by means of comprehensive narratives, but rather in works on individual thinkers. This article analyses the studies of Vladimir Solov'ev, Hryhorii Skovoroda, Petr C…
Smuta
In the post-Soviet context, various cyclical models of recurrent Russian “Times of Troubles” (smuty) have become increasingly popular. This perspective emerged first in Soviet dissident circles (Alexander Yanov, Aleksandr Akhiezer), who used it as a means to expose as mistaken the Soviet belief in continual historical progress on Russian soil. In post-Soviet Russia this critical approach has been continued by members of the “Akhezier circle,” the…
Metaphysics, Aesthetics, or Epistemology? A Conceptual History of "Tvorchestvo" in Nineteenth-Century Russian Thought
This article analyzes the history of the Russian concept of tvorchestvo (“creation,” “creativity”) from its emergence and early usages in the early nineteenth century, in particular in the writings of Nikolai Nadezhdin, Nikolai Stankevich and Vissarion Belinskii, and up to and including the philosophy of Vladimir Solov’ev. While the concept later on became a key term and pivotal philosophical issue for thinkers such as Nikolai Berdiaev and Sergei…
Universalising idealism
The article analyses the idealist dimension of late nineteenth- and early twentieth-century Russian religious thought as it appears in key works by Vladimir Solov’ev (1853–1900), Sergei Bulgakov (1871–1944) and Nikolai Berdiaev (1874–1948). Under the impact of Schelling in particular, these thinkers took religious experience and human consciousness as a starting point for their projects. On the one hand, the article shows that this had a very sig…
Ivan Karamazov as a Philosophical Type—but which one
The article analyses a set of philosophical statements made by and attributed to Ivan Karamazov in Dostoevsky's The Brothers Karamazov, in order to answer the question as to what kind of philosophy Ivan may be said to express in the novel. My close reading reveals that there is a significant distinction between, on the one hand, Ivan's most radical statements, that is his rational egoism and the idea that "everything is permitted," which are alwa…
The concept of creativity in Georges Florovsky’s thought
This article discusses the meanings of “creativity”— tvorchestvo —as we encounter it in Georges Florovsky’s thought, first and foremost in his magnum opus Ways of Russian Theology (1937). Tvorchestvo had by this time become a key concept in Russian pre-revolutionary and later émigré thought. It is associated above all with Nikolai Berdyaev’s philosophy, but it also plays an important role in Sergei Bulgakov’s philosophy of economy. In both cases,…
Russia – the “True Europe” or a “Unique Civilization”
“Russia as the true Europe” has become a popular idea in Russian political discourse and ideology production. However, it conflicts with another dominant commonplace idea: “Russia as non-Western” or “Russia as a unique, distinct civilization.” Yet “Russia as the true Europe” is an idea that has circulated frequently, especially since the conservative turn of the Putin regime from 2012 onwards. Here, Russia is represented as the defender of “true …
Verda av i går
Kvifor har Russland invadert Ukraina? Kvifor var Russland alt før fullskalainvasjonen i februar 2022 så fiendsleg innstilt til Vesten? Kvar skar det seg? Dette bokessayet leitar etter svar i to bøker frå dei siste åra
Sovjetunionens kollaps
I dette essayet drøftar og samanliknar eg nyare framstillingar av og forklaringar på oppløysinga av Sovjetunionen. Det gjev innsyn i den faghistoriske debatten om temaet og samanlikar denne debatten med tendensar i nyare russisk historiepolitikk (minnepolitikk) og dermed med meir politiserte framstillingar av temaet. Hovudkjeldene for bokessayet er Collapse: The Fall of the Soviet Union av Vladislav Zubok (2021) og Memory Makers: The Politics of …
Philosophy (7 obras) · Aesthetics (5 obras) · Epistemology (5 obras) · Literature (5 obras) · Political science (5 obras) · Sociology (5 obras) · Art (4 obras) · History (4 obras) · Philosophy (4 obras) · Eastern European Communism and Reforms (3 obras)