Surasak Jamnongsarn
Datos Biográficos
| ID | 4140396 |
|---|---|
| NOMBRE | Surasak Jamnongsarn |
| NOMBRES | Surasak |
| APELLIDO | Jamnongsarn |
| FIRMA | JAMNONGSARN S |
| AFILIACIONES | Srinakharinwirot University |
| ORCID | 0000-0002-1050-8639 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2022 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 0 |
Artificial intelligence applications and pedagogical challenges in music education
This mini review synthesizes recent advancements in the integration of artificial intelligence (AI) within instrumental music education, emphasizing both computational methods and pedagogical frameworks. Drawing from the top 50 highly cited Scopus-indexed documents, the review identifies dominant AI techniques such as deep learning, transformer architectures, and generative models. These technologies enhance practice efficiency, personalize instr…
From abstract ethics to situated practice
The rapid proliferation of artificial intelligence (AI) across professional and educational domains has intensified ethical discourse, yet much of the existing literature remains anchored in abstract principles, policy prescriptions, or technical safeguards. Less is known about how AI ethics is articulated in relation to professional practice, contextual judgement, and interpretive decision-making across applied fields. Addressing this gap, the p…
The Reflection of Myths in Luk Thung Songs
This study aimed to investigate myths in Luk Thung songs by using qualitative research using a total of 7 songs, which composed by Jenpob Jobkrabuanwan and sang himself during 1995-1997. Data was collected through interviews with people who had worked with the composer and experts in Luk Thung songs, as well as from articles, books, and related theses. Semiotics and the concept of myths was used as tools to analyze the reflection of myths in song…
Aesthetic Transformations of Ogoh-Ogoh
Thousands of Ogoh-Ogoh (towering giant effigies) are paraded across Bali to welcome the arrival of the Saka New Year (Nyepi Day), which falls every March or April. This article examines the evolving aesthetics of these processions, tracing their shift from ritualistic giant figures meant to repel the destructive power of bhuta kala to contemporary hybrid mythic–popular forms that incorporate global pop-cultural icons and local socio-political cha…
Commodification of Kecak Ramayana as Tourism Art in Melasti Beach, Ungasan Village, District of Kuta Selatan, Badung, Bali
This research examines the integration of Kecak Ramayana into Balinese traditional tourism art, focusing on the tourism art industry in the Beach of Melasti, Ungasan, Bali. The central theme explores the commodification of art’s role in attracting tourists and enhancing their imaginative experiences, delving into its impact on the ritual values and spiritual aspects of Kecak Ramayana. Utilizing a qualitative approach with interviews, observation …
The Study of the Cross-Cultural Dialogue between Traditional Southeast Asian and Chinese Music in the Belt and Road Initiative Context
This study explored the role of the China-ASEAN Music Week, an integral component of the Belt and Road Initiative, in facilitating cross-cultural exchange and enhancing cultural understanding and social cohesion. Focused on Nanning, Guangxi, as a pivotal center for the dissemination of traditional Southeast Asian music, the research employed Music Week as a case study to analyze the channels, impact, and dynamics of cultural interaction. It highl…
Jazz Guitar Reharmonization in Malay Asli Music
Jazz reharmonization techniques are a well-established area of focus in Western music. However, their application to non-Western genres, such as Malay Asli music, is, at best, an unexplored area of music. This disconnect is rooted in the absence of a theoretical model, one which exists within a broader Eurocentric approach to music pedagogy that privileges Western harmony. Jazz reharmonization of Malay Asli presents challenges in cross-cultural r…
Ladrang Siyem
Ladrang Siyem: The Royal Anthem of Thailand, in Javanese Gamelan Version. During 19th century, Thailand modernized by associating itself with the "West" or Westernization; consequently, musical concepts from the West were implemented. Sansoen Phra Barami, also known as the Thailand Royal Anthem, is a musical composition composed to pay tribute to the King of Thailand. Therefore, the Western musical style was utilized in the composition. The Thai …
The Dialectics of the Performance of the Kecak Ramayana in Uluwatu, Bali, Indonesia
The Ramayana kecak is a popular tourist art in Bali that is rich in symbolism. The audience watches only from the front of the stage, which is formalistic in nature, witnessing different scenes, characteristics of figures, structures, and dramatic factors. The performers are not aware that the backstage is the realm of rituals and a part of the deep experience of spiritual beliefs. The front stage and backstage should be viewed as complementary d…
Communication Presentation of Indonesian Identity Figures at the Ramayana Ballet at Prambanan
This study focuses on the performing arts of tourism by examining the identity of performing arts that communicate local culture. Remembering the identity of a country becomes very quickly and easily captured through the performing arts of tourism. This article examines the identity of performing arts that tell the story of the Ramayana, which is characterized by Indonesia. In this communication process, there are two interactive paths, namely fr…
The Musical Heartbeat of the Tai Phake
Sin obras prominentes en esta página.
Communication Presentation of Indonesian Identity Figures at the Ramayana Ballet at Prambanan
This study focuses on the performing arts of tourism by examining the identity of performing arts that communicate local culture. Remembering the identity of a country becomes very quickly and easily captured through the performing arts of tourism. This article examines the identity of performing arts that tell the story of the Ramayana, which is characterized by Indonesia. In this communication process, there are two interactive paths, namely fr…
The Musical Heartbeat of the Tai Phake
Ladrang Siyem
Ladrang Siyem: The Royal Anthem of Thailand, in Javanese Gamelan Version. During 19th century, Thailand modernized by associating itself with the "West" or Westernization; consequently, musical concepts from the West were implemented. Sansoen Phra Barami, also known as the Thailand Royal Anthem, is a musical composition composed to pay tribute to the King of Thailand. Therefore, the Western musical style was utilized in the composition. The Thai …
The Dialectics of the Performance of the Kecak Ramayana in Uluwatu, Bali, Indonesia
The Ramayana kecak is a popular tourist art in Bali that is rich in symbolism. The audience watches only from the front of the stage, which is formalistic in nature, witnessing different scenes, characteristics of figures, structures, and dramatic factors. The performers are not aware that the backstage is the realm of rituals and a part of the deep experience of spiritual beliefs. The front stage and backstage should be viewed as complementary d…
The Study of the Cross-Cultural Dialogue between Traditional Southeast Asian and Chinese Music in the Belt and Road Initiative Context
This study explored the role of the China-ASEAN Music Week, an integral component of the Belt and Road Initiative, in facilitating cross-cultural exchange and enhancing cultural understanding and social cohesion. Focused on Nanning, Guangxi, as a pivotal center for the dissemination of traditional Southeast Asian music, the research employed Music Week as a case study to analyze the channels, impact, and dynamics of cultural interaction. It highl…
Jazz Guitar Reharmonization in Malay Asli Music
Jazz reharmonization techniques are a well-established area of focus in Western music. However, their application to non-Western genres, such as Malay Asli music, is, at best, an unexplored area of music. This disconnect is rooted in the absence of a theoretical model, one which exists within a broader Eurocentric approach to music pedagogy that privileges Western harmony. Jazz reharmonization of Malay Asli presents challenges in cross-cultural r…
The Reflection of Myths in Luk Thung Songs
This study aimed to investigate myths in Luk Thung songs by using qualitative research using a total of 7 songs, which composed by Jenpob Jobkrabuanwan and sang himself during 1995-1997. Data was collected through interviews with people who had worked with the composer and experts in Luk Thung songs, as well as from articles, books, and related theses. Semiotics and the concept of myths was used as tools to analyze the reflection of myths in song…
Aesthetic Transformations of Ogoh-Ogoh
Thousands of Ogoh-Ogoh (towering giant effigies) are paraded across Bali to welcome the arrival of the Saka New Year (Nyepi Day), which falls every March or April. This article examines the evolving aesthetics of these processions, tracing their shift from ritualistic giant figures meant to repel the destructive power of bhuta kala to contemporary hybrid mythic–popular forms that incorporate global pop-cultural icons and local socio-political cha…
Commodification of Kecak Ramayana as Tourism Art in Melasti Beach, Ungasan Village, District of Kuta Selatan, Badung, Bali
This research examines the integration of Kecak Ramayana into Balinese traditional tourism art, focusing on the tourism art industry in the Beach of Melasti, Ungasan, Bali. The central theme explores the commodification of art’s role in attracting tourists and enhancing their imaginative experiences, delving into its impact on the ritual values and spiritual aspects of Kecak Ramayana. Utilizing a qualitative approach with interviews, observation …
Artificial intelligence applications and pedagogical challenges in music education
This mini review synthesizes recent advancements in the integration of artificial intelligence (AI) within instrumental music education, emphasizing both computational methods and pedagogical frameworks. Drawing from the top 50 highly cited Scopus-indexed documents, the review identifies dominant AI techniques such as deep learning, transformer architectures, and generative models. These technologies enhance practice efficiency, personalize instr…
From abstract ethics to situated practice
The rapid proliferation of artificial intelligence (AI) across professional and educational domains has intensified ethical discourse, yet much of the existing literature remains anchored in abstract principles, policy prescriptions, or technical safeguards. Less is known about how AI ethics is articulated in relation to professional practice, contextual judgement, and interpretive decision-making across applied fields. Addressing this gap, the p…
Art (6 obras) · Visual arts (5 obras) · History (4 obras) · Aesthetics (3 obras) · Asian Studies and History (3 obras) · Cultural and Artistic Studies (3 obras) · Psychology (3 obras) · Sociology (3 obras) · Computer Science (2 obras) · Cultural heritage (2 obras)