Paramita Paul
Datos Biográficos
| ID | 4158325 |
|---|---|
| NOMBRE | Paramita Paul |
| NOMBRES | Paramita |
| APELLIDO | Paul |
| FIRMA | PAUL P |
| AFILIACIONES | Amsterdam University College |
| ORCID | 0000-0002-5222-5223 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2018 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2018 |
| ÍNDICE H | 0 |
The Eccentrics of Istanbul
Images of Chan eccentrics were a popular artistic theme in East Asia from the eleventh century onwards. In the Ming dynasty (1368–1644), the theme was carried across the Eurasian continent to Persia. This article examines two fifteenth-century paintings of Chan eccentrics in Persian albums, currently in the Topkapi Palace Museum in Istanbul. It argues that the paintings are different both thematically and visually, and it explores them in the con…
Into the New Wonder House
This article explores a series of images at the Foguangshan He Hua Temple in Chinatown Amsterdam, the Netherlands. It considers images in the temple’s halls and on its websites, and it investigates the spectacle of He Hua’s activities, to understand how these images contribute to debates on Chinese transnational experience. What are visual forms of He Hua’s images? How do they comment on the nature of “Chineseness” and cultural identity for one o…
Sin obras prominentes en esta página.
The Eccentrics of Istanbul
Images of Chan eccentrics were a popular artistic theme in East Asia from the eleventh century onwards. In the Ming dynasty (1368–1644), the theme was carried across the Eurasian continent to Persia. This article examines two fifteenth-century paintings of Chan eccentrics in Persian albums, currently in the Topkapi Palace Museum in Istanbul. It argues that the paintings are different both thematically and visually, and it explores them in the con…
Into the New Wonder House
This article explores a series of images at the Foguangshan He Hua Temple in Chinatown Amsterdam, the Netherlands. It considers images in the temple’s halls and on its websites, and it investigates the spectacle of He Hua’s activities, to understand how these images contribute to debates on Chinese transnational experience. What are visual forms of He Hua’s images? How do they comment on the nature of “Chineseness” and cultural identity for one o…
Archaeology (2 obras) · Art (2 obras) · Art history (2 obras) · Asian studies (2 obras) · China (2 obras) · Chinese history and philosophy (2 obras) · History (2 obras) · History (2 obras) · Philosophy (2 obras) · Philosophy (2 obras)