Nutankumar S Thingujam
Datos Biográficos
| ID | 4231966 |
|---|---|
| NOMBRE | Nutankumar S Thingujam |
| NOMBRES | Nutankumar S |
| APELLIDO | Thingujam |
| FIRMA | THINGUJAM N S |
| AFILIACIONES | Sikkim University |
| ORCID | 0000-0002-3185-0759 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 8 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2012 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 1 |
What Do We Hear in the Voice? An Open-Ended Judgment Study of Emotional Speech Prosody
The current study investigated what can be understood from another person’s tone of voice. Participants from five English-speaking nations (Australia, India, Kenya, Singapore, and the United States) listened to vocal expressions of nine positive and nine negative affective states recorded by actors from their own nation. In response, they wrote open-ended judgments of what they believed the actor was trying to express. Responses cut across the ch…
The expression and recognition of emotions in the voice across five nations
This study extends previous work on emotion communication across cultures with a large-scale investigation of the physical expression cues in vocal tone. In doing so, it provides the first direct test of a key proposition of dialect theory, namely that greater accuracy of detecting emotions from one's own cultural group-known as in-group advantage-results from a match between culturally specific schemas in emotional expression style and culturall…
Universal and culture-specific factors in the recognition and performance of musical affect expressions
We present a cross-cultural study on the performance and perception of affective expression in music. Professional bowed-string musicians from different musical traditions (Swedish folk music, Hindustani classical music, Japanese traditional music, and Western classical music) were instructed to perform short pieces of music to convey 11 emotions and related states to listeners. All musical stimuli were judged by Swedish, Indian, and Japanese par…
Distinct emotional abilities converge
The expression and recognition of emotions in the voice across five nations
This study extends previous work on emotion communication across cultures with a large-scale investigation of the physical expression cues in vocal tone. In doing so, it provides the first direct test of a key proposition of dialect theory, namely that greater accuracy of detecting emotions from one's own cultural group-known as in-group advantage-results from a match between culturally specific schemas in emotional expression style and culturall…
Distinct emotional abilities converge
Universal and culture-specific factors in the recognition and performance of musical affect expressions
We present a cross-cultural study on the performance and perception of affective expression in music. Professional bowed-string musicians from different musical traditions (Swedish folk music, Hindustani classical music, Japanese traditional music, and Western classical music) were instructed to perform short pieces of music to convey 11 emotions and related states to listeners. All musical stimuli were judged by Swedish, Indian, and Japanese par…
The expression and recognition of emotions in the voice across five nations
This study extends previous work on emotion communication across cultures with a large-scale investigation of the physical expression cues in vocal tone. In doing so, it provides the first direct test of a key proposition of dialect theory, namely that greater accuracy of detecting emotions from one's own cultural group-known as in-group advantage-results from a match between culturally specific schemas in emotional expression style and culturall…
What Do We Hear in the Voice? An Open-Ended Judgment Study of Emotional Speech Prosody
The current study investigated what can be understood from another person’s tone of voice. Participants from five English-speaking nations (Australia, India, Kenya, Singapore, and the United States) listened to vocal expressions of nine positive and nine negative affective states recorded by actors from their own nation. In response, they wrote open-ended judgments of what they believed the actor was trying to express. Responses cut across the ch…
Cognitive psychology (4 obras) · Psychology (4 obras) · Multisensory perception and integration (3 obras) · Neuroscience and Music Perception (3 obras) · Perception (3 obras) · Social Psychology (3 obras) · Emotion and Mood Recognition (2 obras) · Emotional expression (2 obras) · Linguistics (2 obras) · Affect (linguistics (1 obras)