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Sara Kopelman

Datos Biográficos

ID4448786
NOMBRESara Kopelman
NOMBRESSara
APELLIDOKopelman
FIRMAKOPELMAN S
AFILIACIONESHebrew University of Jerusalem
ORCID0000-0002-6316-514X
VERIFICADOSí
TOTAL DE OBRAS6
TOTAL DE CITAS18
TOTAL COMO AUTOR6
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2020
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H2
  • The look of “Aww”

    Open Access•Sara Kopelman•ARTICLE•New Media & Society•2026•Referencias: 29

    While GIFs (Graphics Interchange Format) have been studied as digital communication tools, their repositories – these databases of visual expressions – remain largely unexamined as sites that generate emotional expressions across different modes of communication. This research introduces the concept of “emotional transcoding,” examining how it operates in major repositories Giphy and Tenor through the conversion of paralinguistic vocal expression…

  • The Photojournalistic Gif

    Open Access•Sara Kopelman•ARTICLE•AoIR Selected Papers of Internet…•2025

    In recent years, visual journalism has embraced a new form of storytelling alongside photographs and videos: the photographic GIF (graphics interchange format). Despite its association with humor on social media, the GIF has unexpectedly become a legitimate tool for documenting disasters and tragedies in online news. This challenges the traditional solemn tone of journalism, as the GIF's short, repetitive, and silent nature is reminiscent of humo…

  • The Insistent Image

    Open Access•Sara Kopelman•ARTICLE•Journalism Studies•2025•Referencias: 42

    Despite cultural associations with lighthearted social media interactions and humor, the GIF (Graphics Interchange Format) now appears in serious contexts as a legitimate form of online news, serving as a tool for documenting disasters, violence, and tragedies. The GIF’s repetitive, silent nature diverges from traditional visual news formats, offering narrative potentials different from the “decisive moment” of still photographs or the linear dur…

  • The “algorithmic as if

    Open Access•Sara Kopelman, Paul Frosh•ARTICLE•New Media & Society•2023•Citada por: 10•Referencias: 7

    Contemporary artificial intelligence and algorithmic processes address deep-seated existential challenges and modes of desire. In so doing, they produce computational systems of imagination, an “algorithmic as if ” that enables the expression, transformation, and seeming overcoming of existential limitations via technological means. This article elaborates the character of the “algorithmic as if ” by focusing on Deep Nostalgia , an online tool th…

  • Remembering Covid-19

    Open Access•T Adams, Sara Kopelman•ARTICLE•Media Culture & Society•2022•Citada por: 8•Referencias: 45

    Worldwide, pubic memory initiatives are attempting to memorialize the current COVID-19 crisis whilst it is still ongoing. The Picturing Lockdown collection is one such initiative, led by Historic England (HE), the UK’s statutory adviser on historic environment. Calling out to the public to submit photographed experiences of lockdown to both its website and via social media, HE recruited the public to partake in a national memory-making endeavor. …

  • Reliving Memories (Over and Over Again)

    Open Access•Sara Kopelman, Paul Frosh•ARTICLE•AoIR Selected Papers of Internet…•2020

    This paper examines potential changes in the temporal experience of everyday digital media through the smartphone photo album. Smartphone photo albums not only organize and display domestic photographs but also initiate temporally novel photographic formats: for instance, the images taken by users can be used as raw material in the production of new kinds of ‘moving’ or ‘animated’ photographic products, usually formatted as GIF files and characte…

  • The “algorithmic as if

    Open Access•Sara Kopelman, Paul Frosh•ARTICLE•New Media & Society•2023•Citada por: 10•Referencias: 7

    Contemporary artificial intelligence and algorithmic processes address deep-seated existential challenges and modes of desire. In so doing, they produce computational systems of imagination, an “algorithmic as if ” that enables the expression, transformation, and seeming overcoming of existential limitations via technological means. This article elaborates the character of the “algorithmic as if ” by focusing on Deep Nostalgia , an online tool th…

  • Remembering Covid-19

    Open Access•T Adams, Sara Kopelman•ARTICLE•Media Culture & Society•2022•Citada por: 8•Referencias: 45

    Worldwide, pubic memory initiatives are attempting to memorialize the current COVID-19 crisis whilst it is still ongoing. The Picturing Lockdown collection is one such initiative, led by Historic England (HE), the UK’s statutory adviser on historic environment. Calling out to the public to submit photographed experiences of lockdown to both its website and via social media, HE recruited the public to partake in a national memory-making endeavor. …

  • Reliving Memories (Over and Over Again)

    Open Access•Sara Kopelman, Paul Frosh•ARTICLE•AoIR Selected Papers of Internet…•2020

    This paper examines potential changes in the temporal experience of everyday digital media through the smartphone photo album. Smartphone photo albums not only organize and display domestic photographs but also initiate temporally novel photographic formats: for instance, the images taken by users can be used as raw material in the production of new kinds of ‘moving’ or ‘animated’ photographic products, usually formatted as GIF files and characte…

  • Remembering Covid-19

    Open Access•T Adams, Sara Kopelman•ARTICLE•Media Culture & Society•2022•Citada por: 8•Referencias: 45

    Worldwide, pubic memory initiatives are attempting to memorialize the current COVID-19 crisis whilst it is still ongoing. The Picturing Lockdown collection is one such initiative, led by Historic England (HE), the UK’s statutory adviser on historic environment. Calling out to the public to submit photographed experiences of lockdown to both its website and via social media, HE recruited the public to partake in a national memory-making endeavor. …

  • The “algorithmic as if

    Open Access•Sara Kopelman, Paul Frosh•ARTICLE•New Media & Society•2023•Citada por: 10•Referencias: 7

    Contemporary artificial intelligence and algorithmic processes address deep-seated existential challenges and modes of desire. In so doing, they produce computational systems of imagination, an “algorithmic as if ” that enables the expression, transformation, and seeming overcoming of existential limitations via technological means. This article elaborates the character of the “algorithmic as if ” by focusing on Deep Nostalgia , an online tool th…

  • The Photojournalistic Gif

    Open Access•Sara Kopelman•ARTICLE•AoIR Selected Papers of Internet…•2025

    In recent years, visual journalism has embraced a new form of storytelling alongside photographs and videos: the photographic GIF (graphics interchange format). Despite its association with humor on social media, the GIF has unexpectedly become a legitimate tool for documenting disasters and tragedies in online news. This challenges the traditional solemn tone of journalism, as the GIF's short, repetitive, and silent nature is reminiscent of humo…

  • The Insistent Image

    Open Access•Sara Kopelman•ARTICLE•Journalism Studies•2025•Referencias: 42

    Despite cultural associations with lighthearted social media interactions and humor, the GIF (Graphics Interchange Format) now appears in serious contexts as a legitimate form of online news, serving as a tool for documenting disasters, violence, and tragedies. The GIF’s repetitive, silent nature diverges from traditional visual news formats, offering narrative potentials different from the “decisive moment” of still photographs or the linear dur…

  • The look of “Aww”

    Open Access•Sara Kopelman•ARTICLE•New Media & Society•2026•Referencias: 29

    While GIFs (Graphics Interchange Format) have been studied as digital communication tools, their repositories – these databases of visual expressions – remain largely unexamined as sites that generate emotional expressions across different modes of communication. This research introduces the concept of “emotional transcoding,” examining how it operates in major repositories Giphy and Tenor through the conversion of paralinguistic vocal expression…

Art (4 obras) · Sociology (4 obras) · Computer Science (3 obras) · Law (3 obras) · Media studies (3 obras) · Political science (3 obras) · Visual arts (3 obras) · Artificial Intelligence (2 obras) · Law (2 obras) · Literature (2 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae