Caroline Wake
Datos Biográficos
| ID | 4489028 |
|---|---|
| NOMBRE | Caroline Wake |
| NOMBRES | Caroline |
| APELLIDO | Wake |
| FIRMA | WAKE C |
| AFILIACIONES | UNSW Sydney |
| ORCID | 0000-0001-5433-3212 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAS | 2 |
| TOTAL COMO AUTOR | 9 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2008 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 1 |
Practice, Process, Ethos
As suggested by its title, this book sits at the intersection of three subfields within theatre and performance studies: verbatim theatre, community-engaged practice, and Australian studies. It mak
Performance, Resistance and Refugees
This book offers a unique Australian perspective on the global crisis in refugee protection. Using performance as both an object and a lens, this volume explores the politics and aesthetics of migration control, border security and refugee resistance. The first half of the book, titled On Stage, examines performance objects such as verbatim and documentary plays, children’s theatre, immersive performance, slam poetry, video art and feature films.…
Performance, Resistance and Refugees
Two decades of digital pedagogies in the performing arts
We have had approximately two decades to experiment with digital pedagogies in the performing arts; yet, no comparative survey exists. This paper provides an overview of digital pedagogies in the performing arts, with an emphasis on theatre and performance but with reference to dance and music. It identifies three paradigms of teaching with technology: the minimalist model, the blended model, and the online-only model. Within the blended model, i…
Envisioning asylum/engendering crisis
‘The questions of migration, asylum, the management of international borders, security, and “terror” are at the political heart of our age’. This statement could have been written yesterday but in fact, it was published 10 years ago, as the opening sentence of Helen Gilbert and Sophie Nield's editorial for their special issue of RiDE, ‘Performance and Asylum: Embodiment, Ethics, Community’ (2008, 133). In this introduction, we outline connections…
Regarding the Recording
Focusing on a familiar case study from the work of Shoshana Felman, this article analyses the discourse on viewing video testimony. It identifies three schools of thought: that viewing video testimony is a form of primary witnessing; that it is a form of secondary witnessing; and that it is not a form of witnessing at all. Underpinning each of these arguments is an assumption that the emotional work of witnessing relies on spatiotemporal copresen…
Between Repetition and Oblivion
In order to be recognized as refugees, asylum seekers everywhere have to go through a “refugee determination process.” In Australia, they also have to go through a “screening interview” in order to access the determination process proper. Failure at this interview results in the asylum seeker being returned to his or her country of origin as soon as possible. This essay pieces together various accounts of screening interviews in order to create a…
Caveat Spectator
Since the mid-1990s the term ‘witness’ has gained increasing currency in theatre and performance studies. Within theatre studies in particular the term has been associated with the resurrection of documentary and verbatim theatre and the reinvigorated discourse on these practices. Indeed, some scholars have renamed the genre the ‘theatre of witness’ (Schaefer 2003) or the ‘theatre of testimony’ (Salz 1996) while others have described it in terms …
Through the (in)visible witness in Through the Wire
This essay analyses Through the Wire, an Australian verbatim play by and about asylum seekers, in order to investigate both the figure of the performing witness and the function of performing witness in and through theatre. It suggests that while the characters, actors and spectators involved in the play are all ‘performing witness(es)’, how they carry out their task differs
Between Repetition and Oblivion
In order to be recognized as refugees, asylum seekers everywhere have to go through a “refugee determination process.” In Australia, they also have to go through a “screening interview” in order to access the determination process proper. Failure at this interview results in the asylum seeker being returned to his or her country of origin as soon as possible. This essay pieces together various accounts of screening interviews in order to create a…
Through the (in)visible witness in Through the Wire
This essay analyses Through the Wire, an Australian verbatim play by and about asylum seekers, in order to investigate both the figure of the performing witness and the function of performing witness in and through theatre. It suggests that while the characters, actors and spectators involved in the play are all ‘performing witness(es)’, how they carry out their task differs
Caveat Spectator
Since the mid-1990s the term ‘witness’ has gained increasing currency in theatre and performance studies. Within theatre studies in particular the term has been associated with the resurrection of documentary and verbatim theatre and the reinvigorated discourse on these practices. Indeed, some scholars have renamed the genre the ‘theatre of witness’ (Schaefer 2003) or the ‘theatre of testimony’ (Salz 1996) while others have described it in terms …
Regarding the Recording
Focusing on a familiar case study from the work of Shoshana Felman, this article analyses the discourse on viewing video testimony. It identifies three schools of thought: that viewing video testimony is a form of primary witnessing; that it is a form of secondary witnessing; and that it is not a form of witnessing at all. Underpinning each of these arguments is an assumption that the emotional work of witnessing relies on spatiotemporal copresen…
Between Repetition and Oblivion
In order to be recognized as refugees, asylum seekers everywhere have to go through a “refugee determination process.” In Australia, they also have to go through a “screening interview” in order to access the determination process proper. Failure at this interview results in the asylum seeker being returned to his or her country of origin as soon as possible. This essay pieces together various accounts of screening interviews in order to create a…
Two decades of digital pedagogies in the performing arts
We have had approximately two decades to experiment with digital pedagogies in the performing arts; yet, no comparative survey exists. This paper provides an overview of digital pedagogies in the performing arts, with an emphasis on theatre and performance but with reference to dance and music. It identifies three paradigms of teaching with technology: the minimalist model, the blended model, and the online-only model. Within the blended model, i…
Envisioning asylum/engendering crisis
‘The questions of migration, asylum, the management of international borders, security, and “terror” are at the political heart of our age’. This statement could have been written yesterday but in fact, it was published 10 years ago, as the opening sentence of Helen Gilbert and Sophie Nield's editorial for their special issue of RiDE, ‘Performance and Asylum: Embodiment, Ethics, Community’ (2008, 133). In this introduction, we outline connections…
Performance, Resistance and Refugees
This book offers a unique Australian perspective on the global crisis in refugee protection. Using performance as both an object and a lens, this volume explores the politics and aesthetics of migration control, border security and refugee resistance. The first half of the book, titled On Stage, examines performance objects such as verbatim and documentary plays, children’s theatre, immersive performance, slam poetry, video art and feature films.…
Performance, Resistance and Refugees
Practice, Process, Ethos
As suggested by its title, this book sits at the intersection of three subfields within theatre and performance studies: verbatim theatre, community-engaged practice, and Australian studies. It mak
Law (5 obras) · Political science (5 obras) · Sociology (4 obras) · Theatre and Performance Studies (4 obras) · Art (3 obras) · Computer Science (3 obras) · Irish and British Studies (3 obras) · Refugee (3 obras) · Engineering (2 obras) · Epistemology (2 obras)