Roger Stahl
Datos Biográficos
| ID | 4503100 |
|---|---|
| NOMBRE | Roger Stahl |
| NOMBRES | Roger |
| APELLIDO | Stahl |
| FIRMA | STAHL R |
| AFILIACIONES | University of Georgia |
| ORCID | 0000-0002-2474-9564 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAS | 17 |
| TOTAL COMO AUTOR | 9 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2008 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 1 |
Elimination Games
The past decade has seen the global growth of military-style reality television programming. These programmes, produced by militaries themselves or through collaboration with the entertainment sector, have proven to be an effective and increasingly powerful public relations conduit. Our article offers a theoretical treatment of reality television, both the aesthetic modes by which it invites the viewing subject as well as the political economy of…
Sousveilling the ‘Global War on Terror’
This article theorises what it means to challenge official regimes of surveillance in the War on Terror by further developing the notion of ‘sousveillance’. In particular, we focus on the performative dimension of surveillance by attending to its sites of struggle, particularly where alternative and counter-performances work to disrupt and dislodge official regimes of vision. These potent counter-performances have become important flashpoints for…
Through the Crosshairs
Through the Crosshairs
Weaponizing speech
As the notion of “information warfare” has gained public currency, some forms of communication have been redefined as acts of violence, war, and terrorism. This essay tracks the metaphor of the “information bomb” in theoretical understandings as well as public discourses of terrorism, journalism, and information leaks. The essay then analyzes the 2010 Supreme Court case of Holder vs. Humanitarian Law Project, which redefined speech as having the …
The public and the meme machine
This is a reply to:Jarvis, Jason L. 2014. “Digital image politics: the visual rhetoric of Anonymous.” Global Discourse. 4 (2–3): 326–349. http://dx.doi.org/10.1080/23269995.2014.923633
What the drone saw
The dramatic growth of drone warfare in the last decade has meant the arrival of a new kind of war imagery in civilian life: the view through the drone camera. As such, the drone is not simply a weapon, but also an emerging medium for representing conflict. This article explores the ways this imagery has been selected, interpreted, framed and put to use in public and popular culture. In addition to exploring how these practices of looking fit wit…
Militainment, Inc.
Militainment, Inc. offers provocative, sometimes disturbing insight into the ways that war is presented and viewed as entertainment—or "militainment"—in contemporary American popular culture. War has been the subject of entertainment for centuries, but Roger Stahl argues that a new interactive mode of militarized entertainment is recruiting its audience as virtual-citizen soldiers. The author examines a wide range of historical and contemporary m…
A Clockwork War
Expressions of time have increasingly infused the rhetorical experience of post-industrial war, especially since 9/11. This essay demonstrates how these “signs of time” operate as one of three tropes: deadline/countdown, infinite/infinitesimal war, and the ticking clock. The persistence of such signs of time in public discourse can be seen as an expression of what Paul Virilio has called the “chronopolis,” a political universe textured by real-ti…
What the drone saw
The dramatic growth of drone warfare in the last decade has meant the arrival of a new kind of war imagery in civilian life: the view through the drone camera. As such, the drone is not simply a weapon, but also an emerging medium for representing conflict. This article explores the ways this imagery has been selected, interpreted, framed and put to use in public and popular culture. In addition to exploring how these practices of looking fit wit…
Elimination Games
The past decade has seen the global growth of military-style reality television programming. These programmes, produced by militaries themselves or through collaboration with the entertainment sector, have proven to be an effective and increasingly powerful public relations conduit. Our article offers a theoretical treatment of reality television, both the aesthetic modes by which it invites the viewing subject as well as the political economy of…
Weaponizing speech
As the notion of “information warfare” has gained public currency, some forms of communication have been redefined as acts of violence, war, and terrorism. This essay tracks the metaphor of the “information bomb” in theoretical understandings as well as public discourses of terrorism, journalism, and information leaks. The essay then analyzes the 2010 Supreme Court case of Holder vs. Humanitarian Law Project, which redefined speech as having the …
A Clockwork War
Expressions of time have increasingly infused the rhetorical experience of post-industrial war, especially since 9/11. This essay demonstrates how these “signs of time” operate as one of three tropes: deadline/countdown, infinite/infinitesimal war, and the ticking clock. The persistence of such signs of time in public discourse can be seen as an expression of what Paul Virilio has called the “chronopolis,” a political universe textured by real-ti…
A Clockwork War
Expressions of time have increasingly infused the rhetorical experience of post-industrial war, especially since 9/11. This essay demonstrates how these “signs of time” operate as one of three tropes: deadline/countdown, infinite/infinitesimal war, and the ticking clock. The persistence of such signs of time in public discourse can be seen as an expression of what Paul Virilio has called the “chronopolis,” a political universe textured by real-ti…
Militainment, Inc.
Militainment, Inc. offers provocative, sometimes disturbing insight into the ways that war is presented and viewed as entertainment—or "militainment"—in contemporary American popular culture. War has been the subject of entertainment for centuries, but Roger Stahl argues that a new interactive mode of militarized entertainment is recruiting its audience as virtual-citizen soldiers. The author examines a wide range of historical and contemporary m…
What the drone saw
The dramatic growth of drone warfare in the last decade has meant the arrival of a new kind of war imagery in civilian life: the view through the drone camera. As such, the drone is not simply a weapon, but also an emerging medium for representing conflict. This article explores the ways this imagery has been selected, interpreted, framed and put to use in public and popular culture. In addition to exploring how these practices of looking fit wit…
The public and the meme machine
This is a reply to:Jarvis, Jason L. 2014. “Digital image politics: the visual rhetoric of Anonymous.” Global Discourse. 4 (2–3): 326–349. http://dx.doi.org/10.1080/23269995.2014.923633
Weaponizing speech
As the notion of “information warfare” has gained public currency, some forms of communication have been redefined as acts of violence, war, and terrorism. This essay tracks the metaphor of the “information bomb” in theoretical understandings as well as public discourses of terrorism, journalism, and information leaks. The essay then analyzes the 2010 Supreme Court case of Holder vs. Humanitarian Law Project, which redefined speech as having the …
Through the Crosshairs
Through the Crosshairs
Sousveilling the ‘Global War on Terror’
This article theorises what it means to challenge official regimes of surveillance in the War on Terror by further developing the notion of ‘sousveillance’. In particular, we focus on the performative dimension of surveillance by attending to its sites of struggle, particularly where alternative and counter-performances work to disrupt and dislodge official regimes of vision. These potent counter-performances have become important flashpoints for…
Elimination Games
The past decade has seen the global growth of military-style reality television programming. These programmes, produced by militaries themselves or through collaboration with the entertainment sector, have proven to be an effective and increasingly powerful public relations conduit. Our article offers a theoretical treatment of reality television, both the aesthetic modes by which it invites the viewing subject as well as the political economy of…
Political science (6 obras) · Sociology (6 obras) · Law (5 obras) · Aesthetics (3 obras) · Art (3 obras) · Computer Science (3 obras) · Law (3 obras) · Mass media (3 obras) · Mass media and war (3 obras) · Media studies (3 obras)