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Anthony O'Brien

Datos Biográficos

ID4531143
NOMBREAnthony O'Brien
NOMBRESAnthony
APELLIDOO'Brien
FIRMABRIEN A O
VERIFICADONo
TOTAL DE OBRAS12
TOTAL DE CITAS2
TOTAL COMO AUTOR12
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1983
AÑO MÁS RECIENTE DE PUBLICACIÓN2020
ÍNDICE H1
  • The content of Mental Health Advance Preference statements (MAPs)

    Open Access•Jessie Lenagh-Glue, Jessie Lenagh‐Glue et al.•ARTICLE•International Journal of Law and…•2020

  • Revolutionary Storytelling without the Revolution

    C J Colvin, Nahem Yousaf et al.•ARTICLE•African Studies Review•2002

    La narration d'histoires sur l'apartheid est devenu un enjeu multidimensionnel dans la nouvelle Republique d'Afrique du Sud. L'A. commente brievement deux ouvrages recents - N. Yousaf, 2001 ; A. O'Brien, 2001 - qui mettent au centre de leur interrogation la synergie entre le politique et la culture expressive en Afrique du Sud. Comment l'action politique sud-africaine peut-elle conserver une conscience revolutionnaire sans la revolution ? Tel est…

  • Against Normalization

    Anthony O’brien, Anthony O'Brien et al.•BOOK•Against Normalization•2001

    Normalization or Radical DemocracyThe shape this book has taken reflects the momentous changes in South Africa during the time of its composition.Writing between 1992 and 1998 on radical impulses in South African literature and politics in the 1980s, I began with a sense of the high tide of antiapartheid struggle in the late eighties as the vivid present, both of South African culture and of its representations abroad.Gradually, however, it becam…

  • Against the democracy police

    Anthony O’brien, Anthony O'Brien•ARTICLE•Current Writing•1994

  • Staging Whiteness

    Anthony O''Brien, Anthony O’brien et al.•ARTICLE•Theatre Journal•1994•Citada por: 1

    The relation of radical black South African theatre to European (post)modernism can be understood as a project of decolonizing the stage. Decolonizing the stage means not only a shift in historical and political consciousness away from a normative and oppressive whiteness, but a strategic turn to the material cultural practices, the signifying systems, of a recovered indigenous theatre which is also open to theatrical invention of every sort. To …

  • Literature in Another South Africa

    Anthony O’brien, Anthony O'Brien et al.•ARTICLE•diacritics•1992

  • The Bhuttos and the Bhattis in the Twelfth Century A.D

    Anthony O'Brien•ARTICLE•South Asian Studies•1988

    (1988). The Bhuttos and the Bhattis in the Twelfth Century A.D. South Asian Studies: Vol. 4, No. 1, pp. 29-40

  • Prospertity and Depression, 1893-1933

    Open Access•Anthony O''Brien, Anthony O'Brien et al.•ARTICLE•The Journal of Economic History•1988•Citada por: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • When Suns Blew

    Tchicaya U Tam''Si, Tchicaya U Tam’si et al.•ARTICLE•Callaloo•1983

  • Taffetas Furbelows

    Tchicaya U Tam''Si, Tchicaya U Tam’si et al.•ARTICLE•Callaloo•1983

  • Bad Blood

    Tchicaya U Tam''Si, Tchicaya U Tam’si et al.•ARTICLE•Callaloo•1983

  • Song Without Pause

    Tchicaya U Tam''Si, Tchicaya U Tam’si et al.•ARTICLE•Callaloo•1983

  • Staging Whiteness

    Anthony O''Brien, Anthony O’brien et al.•ARTICLE•Theatre Journal•1994•Citada por: 1

    The relation of radical black South African theatre to European (post)modernism can be understood as a project of decolonizing the stage. Decolonizing the stage means not only a shift in historical and political consciousness away from a normative and oppressive whiteness, but a strategic turn to the material cultural practices, the signifying systems, of a recovered indigenous theatre which is also open to theatrical invention of every sort. To …

  • Prospertity and Depression, 1893-1933

    Open Access•Anthony O''Brien, Anthony O'Brien et al.•ARTICLE•The Journal of Economic History•1988•Citada por: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • When Suns Blew

    Tchicaya U Tam''Si, Tchicaya U Tam’si et al.•ARTICLE•Callaloo•1983

  • Taffetas Furbelows

    Tchicaya U Tam''Si, Tchicaya U Tam’si et al.•ARTICLE•Callaloo•1983

  • Bad Blood

    Tchicaya U Tam''Si, Tchicaya U Tam’si et al.•ARTICLE•Callaloo•1983

  • Song Without Pause

    Tchicaya U Tam''Si, Tchicaya U Tam’si et al.•ARTICLE•Callaloo•1983

  • The Bhuttos and the Bhattis in the Twelfth Century A.D

    Anthony O'Brien•ARTICLE•South Asian Studies•1988

    (1988). The Bhuttos and the Bhattis in the Twelfth Century A.D. South Asian Studies: Vol. 4, No. 1, pp. 29-40

  • Prospertity and Depression, 1893-1933

    Open Access•Anthony O''Brien, Anthony O'Brien et al.•ARTICLE•The Journal of Economic History•1988•Citada por: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Literature in Another South Africa

    Anthony O’brien, Anthony O'Brien et al.•ARTICLE•diacritics•1992

  • Against the democracy police

    Anthony O’brien, Anthony O'Brien•ARTICLE•Current Writing•1994

  • Staging Whiteness

    Anthony O''Brien, Anthony O’brien et al.•ARTICLE•Theatre Journal•1994•Citada por: 1

    The relation of radical black South African theatre to European (post)modernism can be understood as a project of decolonizing the stage. Decolonizing the stage means not only a shift in historical and political consciousness away from a normative and oppressive whiteness, but a strategic turn to the material cultural practices, the signifying systems, of a recovered indigenous theatre which is also open to theatrical invention of every sort. To …

  • Against Normalization

    Anthony O’brien, Anthony O'Brien et al.•BOOK•Against Normalization•2001

    Normalization or Radical DemocracyThe shape this book has taken reflects the momentous changes in South Africa during the time of its composition.Writing between 1992 and 1998 on radical impulses in South African literature and politics in the 1980s, I began with a sense of the high tide of antiapartheid struggle in the late eighties as the vivid present, both of South African culture and of its representations abroad.Gradually, however, it becam…

  • Revolutionary Storytelling without the Revolution

    C J Colvin, Nahem Yousaf et al.•ARTICLE•African Studies Review•2002

    La narration d'histoires sur l'apartheid est devenu un enjeu multidimensionnel dans la nouvelle Republique d'Afrique du Sud. L'A. commente brievement deux ouvrages recents - N. Yousaf, 2001 ; A. O'Brien, 2001 - qui mettent au centre de leur interrogation la synergie entre le politique et la culture expressive en Afrique du Sud. Comment l'action politique sud-africaine peut-elle conserver une conscience revolutionnaire sans la revolution ? Tel est…

  • The content of Mental Health Advance Preference statements (MAPs)

    Open Access•Jessie Lenagh-Glue, Jessie Lenagh‐Glue et al.•ARTICLE•International Journal of Law and…•2020

Art (6 obras) · Law (4 obras) · Political science (4 obras) · Sociology (4 obras) · Aesthetics (3 obras) · History (3 obras) · Politics (3 obras) · South African History and Culture (3 obras) · African history and culture studies (2 obras) · Anthropology (2 obras)

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