Peina Zhuang
Datos Biográficos
| ID | 4585822 |
|---|---|
| NOMBRE | Peina Zhuang |
| NOMBRES | Peina |
| APELLIDO | Zhuang |
| FIRMA | ZHUANG P |
| AFILIACIONES | Sichuan University |
| ORCID | 0000-0003-3278-4009 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 10 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 10 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2020 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 0 |
On ceremonial paintings by the Yao people (瑤族) and their acculturation from Taoist Shuilu paintings (道教水陆画)
A comparative study of the body and power between Han Feizi and Michel Foucault
Plague and “Anti-Quarantine” Writing in Traditional Chinese Biography
Universality, heterogeneity, and worlding
On metaphor of diseases in the classical Chinese novel Liaozhai Zhiyi
A Comparative Study of Views on Body Between Traditional China and the West — with comments on comparison between Merleau-Ponty and Mencius
La relation entre le corps et l’esprit a été une question centrale dans la philosophie et la pensée d’occident comme d’orient. Des deux côtés, les penseurs ont discuté et exploré ce sujet, l’esprit se voyant toujours conférer un statut supérieur, bien que de manières différentes. Des recherches récentes sur cette question entreprennent de briser la dichotomie entre le corps et l’esprit. Ainsi en va-t-il dans le virage matérialiste, dont l’influen…
A Comparative Study of the Compilation of Classical Chinese Literary History between China and the Anglophone World
This paper discusses and compares the compilation features of Chinese literary history both at home and in the Anglophone world. Throughout the one hundred-year’s long history of compilation; first, from self-exploration to the later turning to others for reference, until today’s continuous innovating has not been without failure, but the efforts towards an unrealizable “perfect literature history” have never ceased. The compilation and research …
Desire and the body in Zhao Defa’s The Anthropocene
Visibility and Invisibility of the Translator in H.A. Giles’s A History of Chinese Literature
The writing of literary history, generally speaking, is a matter of selecting and organizing literary works according to aesthetic judgement and historical values. If one writes the literary history of a foreign culture, however, at least if one wants to include samples of literary works, one must contend with the issue of translation, not only in the sense of having to choose which source texts to translate but also in that of choosing among exi…
On Translation and Literary Variation in the Compilation of Classical Chinese Literary History
The compilation of classical Chinese literary history in English includes another important yet much neglected aspect, that is, the translation of literary works and the consequent literary variation. Based on the analysis of translation and literary variation in the eight English versions of classical Chinese literary history, this paper argues that what to translate and how to translate largely determine the basic configuration of a “history,” …
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A Comparative Study of the Compilation of Classical Chinese Literary History between China and the Anglophone World
This paper discusses and compares the compilation features of Chinese literary history both at home and in the Anglophone world. Throughout the one hundred-year’s long history of compilation; first, from self-exploration to the later turning to others for reference, until today’s continuous innovating has not been without failure, but the efforts towards an unrealizable “perfect literature history” have never ceased. The compilation and research …
Desire and the body in Zhao Defa’s The Anthropocene
Visibility and Invisibility of the Translator in H.A. Giles’s A History of Chinese Literature
The writing of literary history, generally speaking, is a matter of selecting and organizing literary works according to aesthetic judgement and historical values. If one writes the literary history of a foreign culture, however, at least if one wants to include samples of literary works, one must contend with the issue of translation, not only in the sense of having to choose which source texts to translate but also in that of choosing among exi…
On Translation and Literary Variation in the Compilation of Classical Chinese Literary History
The compilation of classical Chinese literary history in English includes another important yet much neglected aspect, that is, the translation of literary works and the consequent literary variation. Based on the analysis of translation and literary variation in the eight English versions of classical Chinese literary history, this paper argues that what to translate and how to translate largely determine the basic configuration of a “history,” …
Universality, heterogeneity, and worlding
On metaphor of diseases in the classical Chinese novel Liaozhai Zhiyi
A Comparative Study of Views on Body Between Traditional China and the West — with comments on comparison between Merleau-Ponty and Mencius
La relation entre le corps et l’esprit a été une question centrale dans la philosophie et la pensée d’occident comme d’orient. Des deux côtés, les penseurs ont discuté et exploré ce sujet, l’esprit se voyant toujours conférer un statut supérieur, bien que de manières différentes. Des recherches récentes sur cette question entreprennent de briser la dichotomie entre le corps et l’esprit. Ainsi en va-t-il dans le virage matérialiste, dont l’influen…
Plague and “Anti-Quarantine” Writing in Traditional Chinese Biography
A comparative study of the body and power between Han Feizi and Michel Foucault
On ceremonial paintings by the Yao people (瑤族) and their acculturation from Taoist Shuilu paintings (道教水陆画)
History (7 obras) · Philosophy (7 obras) · Art (6 obras) · Epistemology (5 obras) · Literature (5 obras) · China (4 obras) · Chinese history and philosophy (4 obras) · Linguistics (4 obras) · Sociology (4 obras) · Chinese literature (3 obras)