Ina Pukelytė
Datos Biográficos
| ID | 4595867 |
|---|---|
| NOMBRE | Ina Pukelytė |
| NOMBRES | Ina |
| APELLIDO | Pukelytė |
| FIRMA | PUKELYTĖ I |
| AFILIACIONES | Vytautas Magnus University |
| ORCID | 0000-0001-6435-3188 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2016 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 0 |
Lithuanian Actors’ Studio in Moscow
The article presents the strategies of the soviet regime that were used to colonise Lithuania and to politically indoctrinate Lithuanian post-war artists from 1947 to 1952. The first strategy was related to the establishment of new soviet drama in theatres, but it proved less effective compared to the second one, that is the indoctrination of young artists by sending them to study at the Russian Institute of Theatre Arts in Moscow (also known as …
Theatre and Creative Communication During Covid-19 Pandemic
The article deals with the questions of digital communication and theatre during the lockdown in 2020–2021. With the example of the National Kaunas Drama Theatre, Lithuania, it is revealed that COVID-19 pandemic forced the cultural sector to experiment and use digital products in new conceptual ways. National Kaunas Drama Theatre proposed their audience an online platform Theatre Onl1ne TV (originally in Lithuanian: Teatras Onl1ne TV), and develo…
Representation of "the Other" in the theatre journalism during the first Lithuanian independence
The article discusses the notion of the Other as it reveals itself through the content of the Lithuanian press media in the time period between 1926 and 1940. Articles describing the performances of the Lithuanian National Theatre are discussed. The content of these articles shows that Russian artists working in independent Lithuania were considered as a dangerous Other who exploits Lithuania ideologically and economically. Although such artists …
Sin obras prominentes en esta página.
Representation of "the Other" in the theatre journalism during the first Lithuanian independence
The article discusses the notion of the Other as it reveals itself through the content of the Lithuanian press media in the time period between 1926 and 1940. Articles describing the performances of the Lithuanian National Theatre are discussed. The content of these articles shows that Russian artists working in independent Lithuania were considered as a dangerous Other who exploits Lithuania ideologically and economically. Although such artists …
Theatre and Creative Communication During Covid-19 Pandemic
The article deals with the questions of digital communication and theatre during the lockdown in 2020–2021. With the example of the National Kaunas Drama Theatre, Lithuania, it is revealed that COVID-19 pandemic forced the cultural sector to experiment and use digital products in new conceptual ways. National Kaunas Drama Theatre proposed their audience an online platform Theatre Onl1ne TV (originally in Lithuanian: Teatras Onl1ne TV), and develo…
Lithuanian Actors’ Studio in Moscow
The article presents the strategies of the soviet regime that were used to colonise Lithuania and to politically indoctrinate Lithuanian post-war artists from 1947 to 1952. The first strategy was related to the establishment of new soviet drama in theatres, but it proved less effective compared to the second one, that is the indoctrination of young artists by sending them to study at the Russian Institute of Theatre Arts in Moscow (also known as …
Lithuanian (3 obras) · Art (2 obras) · Drama (2 obras) · Historical Geopolitical and Social Dynamics (2 obras) · Politics (2 obras) · Theatre and Performance Studies (2 obras) · Aesthetics (1 obras) · Communism (1 obras) · Computer Science (1 obras) · Cultural Industries and Urban Development (1 obras)