F T H Smith

Datos Biográficos

ID4690353
NOMBREF T H Smith
NOMBRESF T H
APELLIDOSmith
FIRMASMITH F T H
VERIFICADONo
TOTAL DE OBRAS25
TOTAL DE CITAS21
TOTAL COMO AUTOR25
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1972
AÑO MÁS RECIENTE DE PUBLICACIÓN2005
ÍNDICE H3

  • Books

    F T H Smith, Fred T SmithARTICLEAfrican Arts2005

  • Africa

    Marla C Berns, T J H Chappel et al.CHAPTER2003

  • The Visual Arts of Africa

    Barbara E Frank, Judith Perani et al.ARTICLEAfrican Arts1999

  • African Art at the Harn Museum

    F T H Smith, Fred T Smith et al.ARTICLEAfrican Arts1996

  • Spectacular Vernacular

    F T H Smith, Fred T Smith et al.ARTICLEAfrican Arts1991

  • Noble Ancestors

    F T H Smith, Fred T SmithARTICLEAfrican Arts1989

  • Earth, Vessels, and Harmony among the Gurensi

    F T H Smith, Fred T SmithARTICLEAfrican Arts1989Citada por: 9

  • New Installation

    F T H Smith, Fred T SmithARTICLEAfrican Arts1989

  • Weaving in Africa South of the Sahara

    F T H Smith, Fred T Smith et al.ARTICLEAfrican Arts1988

  • Art of Sub-Saharan Africa

    F T H Smith, Fred T Smith et al.ARTICLEAfrican Arts1988

  • Native Arts of North America, Africa, and the South Pacific

    F T H Smith, Fred T Smith et al.ARTICLEAfrican Arts1988

    Introduction * Alaskan Eskimo Art and Art of the Northwest Coast * Art of the Southwestern United States * Art of the Woodlands Period and of the Mississippian Period, and Art of the Great Lakes and Plains * West African Art of Mali, the Ivory Coast, and Ghana * Art of Nigeria * Art of Central Africa * Australian Aboriginal and Island New Guinea Art * Art of Island Melanesia * Art of Polynesia

  • Symbols of Conflict and Integration in Frafra Funerals

    F T H Smith, Fred T SmithARTICLEAfrican Arts1987Citada por: 1

  • Death, Ritual, and Art in Africa

    F T H Smith, Fred T SmithARTICLEAfrican Arts1987Citada por: 3Referencias: 5

    noted: death of a stranger, slave, or a child will go almost unnoticed; it will arouse no emotion, occasion no (1909:76). On the other hand, the death of almost any adult member of the community, male or female, will result in disruption, disequilibrium, and tension. The sociocultural implications of death and its ritual management have long been a concern of scholars, especially sociologists and anthropologists. Bronislaw Malinowski wrote that d…

  • Male and Female Artistry in Africa

    F T H Smith, Fred T SmithARTICLEAfrican Arts1986

    A rt is a communication system that i nvolves both males and females in various capacities and contexts. At times, it may represent the ideals of behavior and appearance rather than actual reality. in Africa reflects the roles and attitudes of and about men and in society while recognizing that cooperation between the sexes is critical continuity and community well-being. In her article (p. 30), Anita Glaze reminds the reader that male-female dua…

  • The Essential Gourd

    T J H Chappel, F T H Smith et al.ARTICLEAfrican Arts1986

  • Compound Entryway Decoration Male Space and Female Creativity

    F T H Smith, Fred T SmithARTICLEAfrican Arts1986Citada por: 2

  • Afrikanische Keramik

    Arnulf Stossel, F T H Smith et al.ARTICLEAfrican Arts1985

  • Art in Development

    F T H Smith, Fred T Smith et al.ARTICLEAfrican Arts1983

  • Crafts and the Arts of Living in the Cameroon

    F T H Smith, Fred T Smith et al.ARTICLEAfrican Arts1983

  • Frafra Dress

    F T H Smith, Fred T SmithARTICLEAfrican Arts1982

  • The Systematic Study of African Dress and Textiles

    F T H Smith, Fred T Smith et al.ARTICLEAfrican Arts1982

    Introduction aux differents articles de la revue qui portent sur l'etude des vetements et des textiles africains

  • Basketry

    F T H Smith, Fred T Smith et al.ARTICLEAfrican Arts1980

  • Gurensi Basketry and Pottery

    F T H Smith, Fred T SmithARTICLEAfrican Arts1978Citada por: 2

    Among the Frafra of northeastern Ghana, the dry season is a time of considerable craft activity. The Frafra, who live in and around Bolgatanga, can be divided into three ethnic groups: Gurensi, Tallensi and Nabdam. Although all three groups engage in craft production, the Gurensi are the most industrious and artistically caried. In fact, about 40 percent of the adult Gurensi population is engaged in one way or another in the manufacture or sale o…

  • Gurensi Wall Painting

    F T H Smith, Fred T SmithARTICLEAfrican Arts1978Citada por: 4

  • African Kingdoms

    F T H Smith, Fred T Smith et al.ARTICLEAfrican Arts1972