Graham Sanders

Datos Biográficos

ID4795062
NOMBREGraham Sanders
NOMBRESGraham
APELLIDOSanders
FIRMASANDERS G
AFILIACIONESUniversity of Toronto
ORCID0009-0001-5414-7388
VERIFICADOSí
TOTAL DE OBRAS6
TOTAL DE CITAS0
TOTAL COMO AUTOR4
TOTAL COMO EDITOR2
PRIMER AÑO DE PUBLICACIÓN2001
AÑO MÁS RECIENTE DE PUBLICACIÓN2024
ÍNDICE H0

  • Bandits in Print

    Graham SandersARTICLEEast Asian Publishing and Society2024

  • Anecdote, Network, Gossip, Performance

    Graham SandersARTICLEEarly Medieval China2023

    Notes1 Qian, Spirit and Self in Medieval China: The Shih-shuo hsin-yü and Its Legacy (Honolulu: University of Hawai‘i Press, 2001).2 Albert E. Dien, “On the Name Shishuo xinyu,” Early Medieval China 20 (2014): 7–8; Graham Sanders, “A New Note on Shishuo xinyu,” Early Medieval China 20 (2014): 9–22.3 Graham Sanders, Words Well Put: Visions of Poetic Competence in the Chinese Tradition (Cambridge, MA: Harvard University Asia Center, 2006).4 See Cur…

  • Drifting Among Rivers and Lakes

    Graham SandersARTICLEJournal of Sung-Yuan studies2019

    Reviewed by: Drifting Among Rivers and Lakes: Southern Song Dynasty Poetry and the Problem of Literary History by Michael A. Fuller Graham Sanders Michael A. Fuller. Drifting Among Rivers and Lakes: Southern Song Dynasty Poetry and the Problem of Literary History. Cambridge, Mass.: Harvard University Asia Center, 2013. Pp. 526. $60 (cloth). ISBN 978-0674073227. The Song dynasty is an era, perhaps more so than any other in Chinese history, in whic…

  • A New Note on Shishuo xinyu

    Graham SandersARTICLEEarly Medieval China2014

    Few works can match the importance of the book now known as Shishuo xinyu 世說新語 for its portrayal of cultural attitudes and social practices among elites in China from the second to fourth centuries

  • The Appropriation of Cultural Capital

    Open AccessMilena Dolezelova-Velingerova, Oldřich Král et al.BOOKThe Appropriation of Cultural…2001

  • The appropriation of cultural capital

    Catherine Vance Yeh, Ellen Widmer et al.BOOKThe Appropriation of Cultural…2001

    For much of the 20th century, the May Fourth movement of 1919 was seen as the foundational moment of modernity in China. Examinations of literary and cultural modernity in China have, however, led to a questioning of this view. By approaching May Fourth from novel perspectives, the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement. The essays are centred on the intellectual and cultural/histori…