Jurgita Staniškytė
Datos Biográficos
| ID | 4798463 |
|---|---|
| NOMBRE | Jurgita Staniškytė |
| NOMBRES | Jurgita |
| APELLIDO | Staniškytė |
| FIRMA | STANIŠKYTĖ J |
| AFILIACIONES | Vytautas Magnus University |
| ORCID | 0000-0003-3031-7044 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2009 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2021 |
| ÍNDICE H | 0 |
The Condition of Instability
The article discusses the new strategies of representation that emerged in contemporary Lithuanian theatre under the influence of socio-cultural transformations that can be attributed to the umbrella notion of “performative turn”. With the help of three case studies, the article investigates how certain codes of “aesthetics of performativity” as described by Erika Fischer-Lichte are circulating in contemporary Lithuanian theatre, what processes a…
From populism to pop-archeology
There has been a proliferation of studies on popular culture (or vacillating terms such as mass culture, culture for the masses, culture industry, media culture) that interpret/investigate the popular as cultural construction – something ‘staged’ rather than ‘natural’ or ‘given’. According to Nestor Garcia Canclini, three currents play the major role in this ‘theatricalization’ of the popular: folklore (as invented traditions), the culture indust…
The Shifting Point
Viimastel aastakümnetel on leedu teatris toimunud palju muutusi, eriti seoses teatri baaselementidega: teksti, näitleja ja vaatajaga. Esilekerkinud postmodernistlikud arengud on kõige ilmsemad ja radikaalsemad teatristruktuuri neis osades, mis on olnud problemaatilised kogu leedu teatri ajaloo vältel – teatri identiteet ja sotsiaalne funktsioon, draamateksti roll lavastuses ning näitleja ja tegelase suhe. Selles artiklis käsitlen uusi representat…
Performing History, Staging Identity
The emergence of new modes of representation in contemporary Baltic theater can be conceptualized as self-reflexivity and counter-canonical representations. These tendencies are closely linked together. They deal with the transformation of notions about language, body and perception in contemporary culture and critical theory as well as local models of theatrical representations. This analysis is based on the works of three stage directors who re…
Sin obras prominentes en esta página.
The Shifting Point
Viimastel aastakümnetel on leedu teatris toimunud palju muutusi, eriti seoses teatri baaselementidega: teksti, näitleja ja vaatajaga. Esilekerkinud postmodernistlikud arengud on kõige ilmsemad ja radikaalsemad teatristruktuuri neis osades, mis on olnud problemaatilised kogu leedu teatri ajaloo vältel – teatri identiteet ja sotsiaalne funktsioon, draamateksti roll lavastuses ning näitleja ja tegelase suhe. Selles artiklis käsitlen uusi representat…
Performing History, Staging Identity
The emergence of new modes of representation in contemporary Baltic theater can be conceptualized as self-reflexivity and counter-canonical representations. These tendencies are closely linked together. They deal with the transformation of notions about language, body and perception in contemporary culture and critical theory as well as local models of theatrical representations. This analysis is based on the works of three stage directors who re…
From populism to pop-archeology
There has been a proliferation of studies on popular culture (or vacillating terms such as mass culture, culture for the masses, culture industry, media culture) that interpret/investigate the popular as cultural construction – something ‘staged’ rather than ‘natural’ or ‘given’. According to Nestor Garcia Canclini, three currents play the major role in this ‘theatricalization’ of the popular: folklore (as invented traditions), the culture indust…
The Condition of Instability
The article discusses the new strategies of representation that emerged in contemporary Lithuanian theatre under the influence of socio-cultural transformations that can be attributed to the umbrella notion of “performative turn”. With the help of three case studies, the article investigates how certain codes of “aesthetics of performativity” as described by Erika Fischer-Lichte are circulating in contemporary Lithuanian theatre, what processes a…
Theatre and Performance Studies (4 obras) · Aesthetics (3 obras) · Art (3 obras) · Sociology (3 obras) · European Cultural and National Identity (2 obras) · Gender Studies (2 obras) · Law (2 obras) · Law (2 obras) · Philosophy (2 obras) · Political science (2 obras)