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Nele Goutier

Datos Biográficos

ID4899861
NOMBRENele Goutier
NOMBRESNele
APELLIDOGoutier
FIRMAGOUTIER N
AFILIACIONESUniversity of Applied Sciences Utrecht
VERIFICADONo
TOTAL DE OBRAS7
TOTAL DE CITAS25
OBRAS COMO AUTOR7
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2020
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H3
  • Immersive Stories

    Open Access•Yael De Haan, Sanne Kruikemeier et al.•ARTICLE•Journalism Practice•2026

  • Google as Journalists’ Invisible Research Assistant? The Impact of Algorithmically-Driven Search Results in Journalistic Information Gathering Routines

    Open Access•Yael De Haan, Nele Goutier et al.•ARTICLE•Journalism Studies•2026

    Search engines play an important role in the information-gathering process of journalists. This paper analyzes the possible influence Google has on journalists when consulting, selecting, and evaluating sources through this search engine. We conducted a rare experiment on site with 73 journalists working within newsrooms in the Netherlands. We, firstly, find that all participating journalists use Google and mainly remain on the first page of resu…

  • Uncovering the audience perspective

    Open Access•Hannah Greber, Sophie Lecheler et al.•ARTICLE•Journalism•2024

    There has been limited adoption of Immersive Journalism (IJ) by the audience; simultaneously, the audience’s perspective is rarely considered in the production and research of IJ. At this point, however, it is crucial to incorporate an audience perspective to identify potentially unintended effects of IJ and improve on the innovation of IJ. This study investigates the audience’s experience and evaluation of IJ by qualitatively analyzing their tho…

  • Feeling the News? The Differential Effects of Immersive Journalism on Emotional Response

    Open Access•Hannah Greber, Sophie Lecheler et al.•ARTICLE•Digital Journalism•2023

    Immersive journalism (IJ) is often assumed to be inherently emotion-inducing. Through using inclusive technology, interaction possibilities and immersive narratives, the audience should ideally experience what feels like to be in a certain situation. However, for the most part we do not know to which extent and in what form IJ influences the experience of emotions. We wanted to investigate, whether, and if so, which characteristics of IJ are rela…

  • Invisible Friend or Foe?How Journalists Use and Perceive Algorithmic-Driven Tools in Their Research Process

    Yael De Haan, Eric Van Den Berg et al.•ARTICLE•Digital Journalism•2022•Citada por: 10•Referencias: 10

    The use of algorithmic tools by journalists for information-gathering has received particular attention in recent years. While it might facilitate the research process, there are also concerns about their impact on journalism. Based on reconstruction interviews with 27 journalists, we first answer the primary question to what extent journalists actually use algorithmic-driven tools for research purposes. Then, we analyze which folk theories journ…

  • From “Cool Observer” to “Emotional Participant”

    Nele Goutier, Yael De Haan et al.•ARTICLE•Journalism Studies•2021•Citada por: 5•Referencias: 13

    Over the past years, innovative technologies (such as Virtual Reality (VR), Augmented Reality (AR) and Mixed Reality (MR)) have become more common within news organizations. These technologies allow users to immerse themselves in a virtual world. With these types of productions, the journalist tries to engage and involve the user by introducing emotional styles, often to create empathy. This does not only demand new technological skills, but also…

  • A first-person promise? A content-analysis of immersive journalistic productions

    Open Access•Kiki De Bruin, Yael De Haan et al.•ARTICLE•Journalism•2020•Citada por: 10•Referencias: 8

    Major news outlets increasingly use immersive techniques in their journalistic productions. The idea is that, through the application of immersive technologies, the news consumer can engage with and be part of the story. However, we do not know, to what extent this promise is actually fulfilled in productions currently accessible to news audiences. This study uses a multi-step approach to fill this knowledge gap. First, based on an interdisciplin…

  • Invisible Friend or Foe?How Journalists Use and Perceive Algorithmic-Driven Tools in Their Research Process

    Yael De Haan, Eric Van Den Berg et al.•ARTICLE•Digital Journalism•2022•Citada por: 10•Referencias: 10

    The use of algorithmic tools by journalists for information-gathering has received particular attention in recent years. While it might facilitate the research process, there are also concerns about their impact on journalism. Based on reconstruction interviews with 27 journalists, we first answer the primary question to what extent journalists actually use algorithmic-driven tools for research purposes. Then, we analyze which folk theories journ…

  • A first-person promise? A content-analysis of immersive journalistic productions

    Open Access•Kiki De Bruin, Yael De Haan et al.•ARTICLE•Journalism•2020•Citada por: 10•Referencias: 8

    Major news outlets increasingly use immersive techniques in their journalistic productions. The idea is that, through the application of immersive technologies, the news consumer can engage with and be part of the story. However, we do not know, to what extent this promise is actually fulfilled in productions currently accessible to news audiences. This study uses a multi-step approach to fill this knowledge gap. First, based on an interdisciplin…

  • From “Cool Observer” to “Emotional Participant”

    Nele Goutier, Yael De Haan et al.•ARTICLE•Journalism Studies•2021•Citada por: 5•Referencias: 13

    Over the past years, innovative technologies (such as Virtual Reality (VR), Augmented Reality (AR) and Mixed Reality (MR)) have become more common within news organizations. These technologies allow users to immerse themselves in a virtual world. With these types of productions, the journalist tries to engage and involve the user by introducing emotional styles, often to create empathy. This does not only demand new technological skills, but also…

  • A first-person promise? A content-analysis of immersive journalistic productions

    Open Access•Kiki De Bruin, Yael De Haan et al.•ARTICLE•Journalism•2020•Citada por: 10•Referencias: 8

    Major news outlets increasingly use immersive techniques in their journalistic productions. The idea is that, through the application of immersive technologies, the news consumer can engage with and be part of the story. However, we do not know, to what extent this promise is actually fulfilled in productions currently accessible to news audiences. This study uses a multi-step approach to fill this knowledge gap. First, based on an interdisciplin…

  • From “Cool Observer” to “Emotional Participant”

    Nele Goutier, Yael De Haan et al.•ARTICLE•Journalism Studies•2021•Citada por: 5•Referencias: 13

    Over the past years, innovative technologies (such as Virtual Reality (VR), Augmented Reality (AR) and Mixed Reality (MR)) have become more common within news organizations. These technologies allow users to immerse themselves in a virtual world. With these types of productions, the journalist tries to engage and involve the user by introducing emotional styles, often to create empathy. This does not only demand new technological skills, but also…

  • Invisible Friend or Foe?How Journalists Use and Perceive Algorithmic-Driven Tools in Their Research Process

    Yael De Haan, Eric Van Den Berg et al.•ARTICLE•Digital Journalism•2022•Citada por: 10•Referencias: 10

    The use of algorithmic tools by journalists for information-gathering has received particular attention in recent years. While it might facilitate the research process, there are also concerns about their impact on journalism. Based on reconstruction interviews with 27 journalists, we first answer the primary question to what extent journalists actually use algorithmic-driven tools for research purposes. Then, we analyze which folk theories journ…

  • Feeling the News? The Differential Effects of Immersive Journalism on Emotional Response

    Open Access•Hannah Greber, Sophie Lecheler et al.•ARTICLE•Digital Journalism•2023

    Immersive journalism (IJ) is often assumed to be inherently emotion-inducing. Through using inclusive technology, interaction possibilities and immersive narratives, the audience should ideally experience what feels like to be in a certain situation. However, for the most part we do not know to which extent and in what form IJ influences the experience of emotions. We wanted to investigate, whether, and if so, which characteristics of IJ are rela…

  • Uncovering the audience perspective

    Open Access•Hannah Greber, Sophie Lecheler et al.•ARTICLE•Journalism•2024

    There has been limited adoption of Immersive Journalism (IJ) by the audience; simultaneously, the audience’s perspective is rarely considered in the production and research of IJ. At this point, however, it is crucial to incorporate an audience perspective to identify potentially unintended effects of IJ and improve on the innovation of IJ. This study investigates the audience’s experience and evaluation of IJ by qualitatively analyzing their tho…

  • Immersive Stories

    Open Access•Yael De Haan, Sanne Kruikemeier et al.•ARTICLE•Journalism Practice•2026

  • Google as Journalists’ Invisible Research Assistant? The Impact of Algorithmically-Driven Search Results in Journalistic Information Gathering Routines

    Open Access•Yael De Haan, Nele Goutier et al.•ARTICLE•Journalism Studies•2026

    Search engines play an important role in the information-gathering process of journalists. This paper analyzes the possible influence Google has on journalists when consulting, selecting, and evaluating sources through this search engine. We conducted a rare experiment on site with 73 journalists working within newsrooms in the Netherlands. We, firstly, find that all participating journalists use Google and mainly remain on the first page of resu…

Journalism (6 obras) · Media Influence and Health (5 obras) · Computer Science (4 obras) · Sociology (4 obras) · Virtual Reality Applications and Impacts (4 obras) · Media studies (3 obras) · Media Studies and Communication (3 obras) · Psychology (3 obras) · Aesthetics (2 obras) · Art (2 obras)

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