Keith Greenwood
Datos Biográficos
| ID | 4908425 |
|---|---|
| NOMBRE | Keith Greenwood |
| NOMBRES | Keith |
| APELLIDO | Greenwood |
| FIRMA | GREENWOOD K |
| AFILIACIONES | University of Missouri |
| ORCID | 0000-0001-8809-2760 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 12 |
| TOTAL DE CITAS | 85 |
| TOTAL COMO AUTOR | 12 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2007 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 5 |
Viewer Preferences for Publication of Graphic Images of War
In the first year of the war in Ukraine, several photographs were made that gave editors pause when making decisions about their publication. Photographs depicting bodies or severe injury challenged norms. In these situations, editors typically have drawn on criteria of ethics and their understanding of what they think their audience will accept. But there is little evidence that anyone has consulted readers to determine their levels of comfort w…
Stability and Evolution
As we close out Volume 32 of Visual Communication Quarterly, I am thinking about the secret of the journal’s success so far. In my mind it is a mix of two things. The first is that the journal has
Awareness and perception of artificial intelligence operationalized integration in news media industry and society
Enabling and Empowering Lens-based Workers
In June 2020, representatives of eight photography organizations addressed ongoing challenges to the industry by introducing the “Photo Bill of Rights,” asserting “the rights of all lens-based workers and defining actions that build a safer, healthier, more inclusive, and transparent industry.” The bill centers what “lens-based workers” are owed by the media organizations that employ them. This study analyzes the bill’s contents and the explicit …
Framing the migration
Human migration due to political upheaval is rapidly accelerating, yet scholarly attention to refugees' visual news representations has lagged. Using a visual analysis informed by the transnational writings of Yuval-Davis related to the politics of belonging and the peace/conflict frame literature, 811 images primarily depicting migration from Turkey into Europe in 2015 and submitted to the Pictures of the Year International competition were exam…
I “Like” That
While business models and technological innovations continue to disrupt journalistic practice, global image culture has never been stronger. Developed society is inundated daily with a torrent of images. Yet some of these are barely seen, while others almost instantly accrue scores of likes, shares, and comments. What, then, are the factors that constitute engaging, social photojournalism? Using Q methodology, which bridges qualitative and quanti…
Beyond Framing
Visual news media's framing has been well studied; however, production factors and cultural conditions involved in photographer–subject interactions have attracted less scholarly attention although they are no less influential in determining the depiction. Guided by social constructionism theory, in-depth interviews with staff photojournalists at a daily community newspaper in the Midwest and an analysis of their work revealed 22 variables that i…
Locating The Journalism in Citizen Photojournalism
The proliferation of cameras on cellphones and access to high-quality digital cameras has increased the ability of average citizens to capture and share photographs and video. The inclusion of user-generated visual content by news organizations, especially at a time of newsroom contraction, has been a source of consternation for professional photojournalists, who have emphasized their professional training and skill. Though scholars have explored…
Visual Framing of the Syrian Conflict in News and Public Affairs Magazines
Research indicates that international news is most often visually framed in terms of violence and disaster. Conflicts are visually framed in terms of the active participants and aftermath of battle instead of the affected bystanders or efforts to negotiate peace. An alternative frame proposed by Galtung promotes an emphasis on peaceful demonstration and negotiation instead of the usual aspects of conflict. Building on research that observed evide…
Picturing defiance
Photographs of international events influence the understanding viewers develop of the world. Emphasis on specific aspects of an event means other prominent aspects are overlooked. This study examines the visual framing in photographs related to Iran’s 2009 presidential election, comparing images photographers identified as their best work to those judged to be the Pictures of the Year. The analysis shows that while photographers primarily covere…
Conventionalization in Feature Photography
A sample of award-winning feature photographs over the life of the Pictures of the Year International competition was analyzed to identify the themes used by photographers to tell stories effectively. Results of similar studies of other types of photography suggest photographers communicate through a limited number of themes. The results of this analysis indicate feature photographs rely on fewer themes than are apparent in some other types of ph…
How the World Looks to Us
An analysis of award-winning photographs of international events from the annual Pictures of the Year competition is compared to a similar study of Pulitzer Prize-winning photographs. The analysis concludes that the award-winning photographs, which represent the best of photojournalism, portray international events through a limited number of themes that reinforce a stereotype of developing nations as violent and conflict-torn places. Keywords: d…
Visual Framing of the Syrian Conflict in News and Public Affairs Magazines
Research indicates that international news is most often visually framed in terms of violence and disaster. Conflicts are visually framed in terms of the active participants and aftermath of battle instead of the affected bystanders or efforts to negotiate peace. An alternative frame proposed by Galtung promotes an emphasis on peaceful demonstration and negotiation instead of the usual aspects of conflict. Building on research that observed evide…
Locating The Journalism in Citizen Photojournalism
The proliferation of cameras on cellphones and access to high-quality digital cameras has increased the ability of average citizens to capture and share photographs and video. The inclusion of user-generated visual content by news organizations, especially at a time of newsroom contraction, has been a source of consternation for professional photojournalists, who have emphasized their professional training and skill. Though scholars have explored…
How the World Looks to Us
An analysis of award-winning photographs of international events from the annual Pictures of the Year competition is compared to a similar study of Pulitzer Prize-winning photographs. The analysis concludes that the award-winning photographs, which represent the best of photojournalism, portray international events through a limited number of themes that reinforce a stereotype of developing nations as violent and conflict-torn places. Keywords: d…
Picturing defiance
Photographs of international events influence the understanding viewers develop of the world. Emphasis on specific aspects of an event means other prominent aspects are overlooked. This study examines the visual framing in photographs related to Iran’s 2009 presidential election, comparing images photographers identified as their best work to those judged to be the Pictures of the Year. The analysis shows that while photographers primarily covere…
Framing the migration
Human migration due to political upheaval is rapidly accelerating, yet scholarly attention to refugees' visual news representations has lagged. Using a visual analysis informed by the transnational writings of Yuval-Davis related to the politics of belonging and the peace/conflict frame literature, 811 images primarily depicting migration from Turkey into Europe in 2015 and submitted to the Pictures of the Year International competition were exam…
Beyond Framing
Visual news media's framing has been well studied; however, production factors and cultural conditions involved in photographer–subject interactions have attracted less scholarly attention although they are no less influential in determining the depiction. Guided by social constructionism theory, in-depth interviews with staff photojournalists at a daily community newspaper in the Midwest and an analysis of their work revealed 22 variables that i…
I “Like” That
While business models and technological innovations continue to disrupt journalistic practice, global image culture has never been stronger. Developed society is inundated daily with a torrent of images. Yet some of these are barely seen, while others almost instantly accrue scores of likes, shares, and comments. What, then, are the factors that constitute engaging, social photojournalism? Using Q methodology, which bridges qualitative and quanti…
Conventionalization in Feature Photography
A sample of award-winning feature photographs over the life of the Pictures of the Year International competition was analyzed to identify the themes used by photographers to tell stories effectively. Results of similar studies of other types of photography suggest photographers communicate through a limited number of themes. The results of this analysis indicate feature photographs rely on fewer themes than are apparent in some other types of ph…
How the World Looks to Us
An analysis of award-winning photographs of international events from the annual Pictures of the Year competition is compared to a similar study of Pulitzer Prize-winning photographs. The analysis concludes that the award-winning photographs, which represent the best of photojournalism, portray international events through a limited number of themes that reinforce a stereotype of developing nations as violent and conflict-torn places. Keywords: d…
Conventionalization in Feature Photography
A sample of award-winning feature photographs over the life of the Pictures of the Year International competition was analyzed to identify the themes used by photographers to tell stories effectively. Results of similar studies of other types of photography suggest photographers communicate through a limited number of themes. The results of this analysis indicate feature photographs rely on fewer themes than are apparent in some other types of ph…
Picturing defiance
Photographs of international events influence the understanding viewers develop of the world. Emphasis on specific aspects of an event means other prominent aspects are overlooked. This study examines the visual framing in photographs related to Iran’s 2009 presidential election, comparing images photographers identified as their best work to those judged to be the Pictures of the Year. The analysis shows that while photographers primarily covere…
Visual Framing of the Syrian Conflict in News and Public Affairs Magazines
Research indicates that international news is most often visually framed in terms of violence and disaster. Conflicts are visually framed in terms of the active participants and aftermath of battle instead of the affected bystanders or efforts to negotiate peace. An alternative frame proposed by Galtung promotes an emphasis on peaceful demonstration and negotiation instead of the usual aspects of conflict. Building on research that observed evide…
Locating The Journalism in Citizen Photojournalism
The proliferation of cameras on cellphones and access to high-quality digital cameras has increased the ability of average citizens to capture and share photographs and video. The inclusion of user-generated visual content by news organizations, especially at a time of newsroom contraction, has been a source of consternation for professional photojournalists, who have emphasized their professional training and skill. Though scholars have explored…
Beyond Framing
Visual news media's framing has been well studied; however, production factors and cultural conditions involved in photographer–subject interactions have attracted less scholarly attention although they are no less influential in determining the depiction. Guided by social constructionism theory, in-depth interviews with staff photojournalists at a daily community newspaper in the Midwest and an analysis of their work revealed 22 variables that i…
I “Like” That
While business models and technological innovations continue to disrupt journalistic practice, global image culture has never been stronger. Developed society is inundated daily with a torrent of images. Yet some of these are barely seen, while others almost instantly accrue scores of likes, shares, and comments. What, then, are the factors that constitute engaging, social photojournalism? Using Q methodology, which bridges qualitative and quanti…
Framing the migration
Human migration due to political upheaval is rapidly accelerating, yet scholarly attention to refugees' visual news representations has lagged. Using a visual analysis informed by the transnational writings of Yuval-Davis related to the politics of belonging and the peace/conflict frame literature, 811 images primarily depicting migration from Turkey into Europe in 2015 and submitted to the Pictures of the Year International competition were exam…
Enabling and Empowering Lens-based Workers
In June 2020, representatives of eight photography organizations addressed ongoing challenges to the industry by introducing the “Photo Bill of Rights,” asserting “the rights of all lens-based workers and defining actions that build a safer, healthier, more inclusive, and transparent industry.” The bill centers what “lens-based workers” are owed by the media organizations that employ them. This study analyzes the bill’s contents and the explicit …
Awareness and perception of artificial intelligence operationalized integration in news media industry and society
Viewer Preferences for Publication of Graphic Images of War
In the first year of the war in Ukraine, several photographs were made that gave editors pause when making decisions about their publication. Photographs depicting bodies or severe injury challenged norms. In these situations, editors typically have drawn on criteria of ethics and their understanding of what they think their audience will accept. But there is little evidence that anyone has consulted readers to determine their levels of comfort w…
Stability and Evolution
As we close out Volume 32 of Visual Communication Quarterly, I am thinking about the secret of the journal’s success so far. In my mind it is a mix of two things. The first is that the journal has
Political science (9 obras) · Sociology (9 obras) · Media studies (8 obras) · Art (7 obras) · Media Studies and Communication (7 obras) · Visual arts (7 obras) · Photography (6 obras) · Computer Science (5 obras) · History (5 obras) · Law (5 obras)