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Mark Fitzgerald

Datos Biográficos

ID4933593
NOMBREMark Fitzgerald
NOMBRESMark
APELLIDOFitzgerald
FIRMAFITZGERALD M
AFILIACIONESTechnological University Dublin
ORCID0000-0003-0183-7761
VERIFICADOSí
TOTAL DE OBRAS8
TOTAL DE CITAS6
TOTAL COMO AUTOR8
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2000
AÑO MÁS RECIENTE DE PUBLICACIÓN2024
ÍNDICE H2
  • ‘Lose my words in patterns of sound’

    Mark Fitzgerald•CHAPTER•Edinburgh Companion to W. B.…•2024

    This chapter is primarily devoted to the musical component of the dramatic work that Yeats produced for and in collaboration with the dancer and choreographer Ninette de Valois in the late 1920s and early 1930s. It identifies a difficulty in making sense of the aural dimension of Yeats’s oeuvre, as his pronouncements on music throughout his career can at times seem contradictory. Nevertheless, examining in detail the music composed by George Anth…

  • ‘Lose my words in patterns of sound’

    Mark Fitzgerald•CHAPTER•2024

  • Ludwig van Beethoven

    Open Access•Mark Fitzgerald•ARTICLE•Journal of the Society for…•2021

    A review of Ludwig van Beethoven: Symphonies 1–3; Gerald Barry: Beethoven, Piano Concerto, Nicolas Hodges, Mark Stone, Britten Sinfonia conducted by Thomas Adès, Signum Classics (2020), (CD) SIGCD616. Ludwig van Beethoven: Symphonies 4–6; Gerald Barry: Viola Concerto, The Conquest of Ireland, Lawrence Power, Joshua Bloom, Britten Sinfonia conducted by Thomas Adès, Signum Classics (2020), (CD) SIGCD639. Ludwig van Beethoven: Symphonies 7–9; Gerald…

  • A belated arrival

    Mark Fitzgerald•ARTICLE•Irish Studies Review•2018•Referencias: 1

    The chronic lack of investment in the capital needed to foster the development of music during the period of colonial governance in Ireland and the early years of the Free State, combined with Ireland’s peripheral position in relation to the centres of musical modernism, resulted in composers in Ireland adopting modernist ideas at a very late stage, particularly in comparison with the chronology of Irish literary modernism. Previous literature on…

  • Music and Identity in Ireland and Beyond

    Mark Fitzgerald, John A O'Flynn et al.•BOOK•Music and Identity in Ireland and…•2016•Citada por: 3

  • How Canadians Communicate III

    Open Access•Frits Pannekoek, David Taras et al.•BOOK•Contexts Of Canadian Popular…•2010•Citada por: 3•Referencias: 23

    D a vid Tara s other factors and conditions to determine how we use and give meaning to popular culture.The book raises critical issues about our uses of myths and stereotypes, how we define beauty, how we deal with our darkest visions, the role of violence in society, how culture is used both to enforce and to push the boundaries of convention and social control and how we express our many identities.The hope is that Contexts of Popular Culture …

  • Barry, Gerald

    Mark Fitzgerald•CHAPTER•The new Grove dictionary of music…•2001

  • Drug Resistance Study of Mycobacterium tuberculosis in Canada, February 1, 1993 to January 31, 1994

    Open Access•Ezzat Farzad, Donna Holton et al.•ARTICLE•Canadian Journal of Public Health•2000•Referencias: 9

  • Music and Identity in Ireland and Beyond

    Mark Fitzgerald, John A O'Flynn et al.•BOOK•Music and Identity in Ireland and…•2016•Citada por: 3

  • How Canadians Communicate III

    Open Access•Frits Pannekoek, David Taras et al.•BOOK•Contexts Of Canadian Popular…•2010•Citada por: 3•Referencias: 23

    D a vid Tara s other factors and conditions to determine how we use and give meaning to popular culture.The book raises critical issues about our uses of myths and stereotypes, how we define beauty, how we deal with our darkest visions, the role of violence in society, how culture is used both to enforce and to push the boundaries of convention and social control and how we express our many identities.The hope is that Contexts of Popular Culture …

  • Drug Resistance Study of Mycobacterium tuberculosis in Canada, February 1, 1993 to January 31, 1994

    Open Access•Ezzat Farzad, Donna Holton et al.•ARTICLE•Canadian Journal of Public Health•2000•Referencias: 9

  • Barry, Gerald

    Mark Fitzgerald•CHAPTER•The new Grove dictionary of music…•2001

  • How Canadians Communicate III

    Open Access•Frits Pannekoek, David Taras et al.•BOOK•Contexts Of Canadian Popular…•2010•Citada por: 3•Referencias: 23

    D a vid Tara s other factors and conditions to determine how we use and give meaning to popular culture.The book raises critical issues about our uses of myths and stereotypes, how we define beauty, how we deal with our darkest visions, the role of violence in society, how culture is used both to enforce and to push the boundaries of convention and social control and how we express our many identities.The hope is that Contexts of Popular Culture …

  • Music and Identity in Ireland and Beyond

    Mark Fitzgerald, John A O'Flynn et al.•BOOK•Music and Identity in Ireland and…•2016•Citada por: 3

  • A belated arrival

    Mark Fitzgerald•ARTICLE•Irish Studies Review•2018•Referencias: 1

    The chronic lack of investment in the capital needed to foster the development of music during the period of colonial governance in Ireland and the early years of the Free State, combined with Ireland’s peripheral position in relation to the centres of musical modernism, resulted in composers in Ireland adopting modernist ideas at a very late stage, particularly in comparison with the chronology of Irish literary modernism. Previous literature on…

  • Ludwig van Beethoven

    Open Access•Mark Fitzgerald•ARTICLE•Journal of the Society for…•2021

    A review of Ludwig van Beethoven: Symphonies 1–3; Gerald Barry: Beethoven, Piano Concerto, Nicolas Hodges, Mark Stone, Britten Sinfonia conducted by Thomas Adès, Signum Classics (2020), (CD) SIGCD616. Ludwig van Beethoven: Symphonies 4–6; Gerald Barry: Viola Concerto, The Conquest of Ireland, Lawrence Power, Joshua Bloom, Britten Sinfonia conducted by Thomas Adès, Signum Classics (2020), (CD) SIGCD639. Ludwig van Beethoven: Symphonies 7–9; Gerald…

  • ‘Lose my words in patterns of sound’

    Mark Fitzgerald•CHAPTER•Edinburgh Companion to W. B.…•2024

    This chapter is primarily devoted to the musical component of the dramatic work that Yeats produced for and in collaboration with the dancer and choreographer Ninette de Valois in the late 1920s and early 1930s. It identifies a difficulty in making sense of the aural dimension of Yeats’s oeuvre, as his pronouncements on music throughout his career can at times seem contradictory. Nevertheless, examining in detail the music composed by George Anth…

  • ‘Lose my words in patterns of sound’

    Mark Fitzgerald•CHAPTER•2024

Art (5 obras) · Literature (3 obras) · Psychology (3 obras) · Sociology (3 obras) · Acoustics (2 obras) · Aesthetics (2 obras) · Communication (2 obras) · Dance (2 obras) · Diverse Musicological Studies (2 obras) · Historical and Literary Studies (2 obras)

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