Song I No
Datos Biográficos
| ID | 4980057 |
|---|---|
| NOMBRE | Song I No |
| NOMBRES | Song I |
| APELLIDO | No |
| FIRMA | NO S I |
| AFILIACIONES | College of Liberal ArtsPurdue University |
| ORCID | 0009-0007-8751-0255 |
| VERIFICADO | No |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 15 |
| OBRAS COMO AUTOR | 4 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2002 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 2 |
Staging the Wild
This article reads Secret Zoo (Son, 2020) as a satirical critique of nonhuman animal spectacle, precarious labor, and speculative redevelopment in contemporary South Korea. Situated within the post-1997 landscape of restructuring and compressed modernity, the film presents a zoo emptied by debt and revived through costumed human performance rather than animal conservation. This premise exposes an institutional order in which ethical care can no l…
The Korean Wave Hallyu in Looking at Escapism in Peruvian Society
Overcoming geographic, cultural, and linguistic differences, the second phase of the Korean wave Hallyu made its mark in Latin America. From the results of the field research conducted in two Latin American countries Brazil and Peru during the summer of 2012, this study examines the effects of the second wave of Hallyu on Peruvian society. In doing so, it regards the demographics, education level, and socio-economic status of the Hallyu consumer …
Landing of the Wave
What began as the spread of South Korean popular culture in parts of East and Southeast Asia in the late 1990s, Hallyu “the Korean wave,” made its landing and mark in a new cultural context in Latin America years later nearing the end of the first decade of the 21stcentury. But how did Hallyu suddenly emerge in this part of the international system? What factors led to its development? The results of our field research findings in Peru and Brazil…
Colonial Angels. Narratives of Gender and Spirituality in Mexico, 1580-1750
Landing of the Wave
What began as the spread of South Korean popular culture in parts of East and Southeast Asia in the late 1990s, Hallyu “the Korean wave,” made its landing and mark in a new cultural context in Latin America years later nearing the end of the first decade of the 21stcentury. But how did Hallyu suddenly emerge in this part of the international system? What factors led to its development? The results of our field research findings in Peru and Brazil…
The Korean Wave Hallyu in Looking at Escapism in Peruvian Society
Overcoming geographic, cultural, and linguistic differences, the second phase of the Korean wave Hallyu made its mark in Latin America. From the results of the field research conducted in two Latin American countries Brazil and Peru during the summer of 2012, this study examines the effects of the second wave of Hallyu on Peruvian society. In doing so, it regards the demographics, education level, and socio-economic status of the Hallyu consumer …
Colonial Angels. Narratives of Gender and Spirituality in Mexico, 1580-1750
The Korean Wave Hallyu in Looking at Escapism in Peruvian Society
Overcoming geographic, cultural, and linguistic differences, the second phase of the Korean wave Hallyu made its mark in Latin America. From the results of the field research conducted in two Latin American countries Brazil and Peru during the summer of 2012, this study examines the effects of the second wave of Hallyu on Peruvian society. In doing so, it regards the demographics, education level, and socio-economic status of the Hallyu consumer …
Landing of the Wave
What began as the spread of South Korean popular culture in parts of East and Southeast Asia in the late 1990s, Hallyu “the Korean wave,” made its landing and mark in a new cultural context in Latin America years later nearing the end of the first decade of the 21stcentury. But how did Hallyu suddenly emerge in this part of the international system? What factors led to its development? The results of our field research findings in Peru and Brazil…
Staging the Wild
This article reads Secret Zoo (Son, 2020) as a satirical critique of nonhuman animal spectacle, precarious labor, and speculative redevelopment in contemporary South Korea. Situated within the post-1997 landscape of restructuring and compressed modernity, the film presents a zoo emptied by debt and revived through costumed human performance rather than animal conservation. This premise exposes an institutional order in which ethical care can no l…
Asian Culture and Media Studies (3 obras) · Gender Studies (2 obras) · Gender Studies (2 obras) · Japanese History and Culture (2 obras) · Migration, Ethnicity, and Economy (2 obras) · Psychology (2 obras) · Sociology (2 obras) · Anthropocentrism (1 obra) · Archaeology (1 obra) · Art (1 obra)