Bob Perelman
Datos Biográficos
| ID | 509359 |
|---|---|
| NOMBRE | Bob Perelman |
| NOMBRES | Bob |
| APELLIDO | Perelman |
| FIRMA | PERELMAN B |
| AFILIACIONES | California University of Pennsylvania |
| VERIFICADO | No |
| TOTAL DE OBRAS | 15 |
| TOTAL DE CITAS | 6 |
| TOTAL COMO AUTOR | 15 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1985 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 2 |
Language Writing and Louis Zukofsky’s “A”-24
focuses on the twenty-fourth and final movement of Louis Zukofsky's "A". "A"-24 was composed by musician Celia Thaew-Zukofsky and given to her husband on the occasion of his sixty-fourth birthday in January 1968. Therefore, it should be considered as one of those numerous "found objects" which only became part of Zukofsky's "poem of a life" through a process of quotation. Over two hundred pages or so, the score redistributes quotations taken from…
Performance Typing
This essay reviews the publication of Larry Eigner’s selected poems and provides an introduction to Eigner (1927–96) and his place in US poetry. It gives an account of his life, describing his lifelong disability from cerebral palsy and the trajectory of his poetic career, which ended with over three thousand poems and great acclaim from US innovative poetic communities. It then relates Eigner to those communities, specifically Black Mountain in …
Truths
Truths Sergej Timofejev I wanttotellyousimple truths, Revealimportant things toyou. Alwaysopendoors, stepintoelevators, Goupstairs, movedowncorridors. Alwaysgetintocars, start theengine, Andifit'swinter, waituntil itwarms up. Alwaysspendmoney, butsparingly, Andonlyonceina whilespendeverything you'vegot. Insummer itwillbesummer; infallitwillbefall, Don'tgetflustered; don'tdo anything that disgusts you. Girls willbecomeyoung women, andthen you'llno…
My Avant-Garde Card
I differentiate avant-garde used as a critical term with precise historical entailments from the use of avant-garde in innovative poetry circles, where it is a loose synonym (along with such adjectives as experimental, modernist, postavant, postmodern, etc.) used to mark affiliation. The poetic avant-garde is both sequential (involving a sense of advance in the present) and transhistorical (involving a historically mixed archive of examples); it …
Indirect Address
Indirect Address: A Ghost Story Bob Perelman (bio) to Jacques Derrida I was already iterable when I woke up this A. M.: I had begun to write to [you] in Philadelphia and am now in New York, dragging a motley pageant of tenses across the first sentence which is only just now finishing. The deadline for this piece on the occasion of [your] death had passed before I began and of course it is even later now, which iterates me more. Across the mirror …
Differentials
Book Review| December 01 2005 Differentials: Poetry, Poetics, Pedagogy; The Constructivist Moment: From Material Text to Cultural Poetics Bob Perelman Bob Perelman Search for other works by this author on: This Site Google American Literature (2005) 77 (4): 867–869. https://doi.org/10.1215/00029831-77-4-867 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Bob Perelman; Differentials: Poetry, Poetic…
The Marginalization of Poetry
Language writing, the most controversial avant-garde movement in contemporary American poetry, appeals strongly to writers and readers interested in the politics of postmodernism and in iconoclastic poetic form. Drawing on materials from popular culture, avoiding the standard stylistic indications of poetic lyricism, and using nonsequential sentences are some of the ways in which language writers make poetry a more open and participatory process …
An introduction to language writing
Le présent article se veut une brève histoire esthétique du mouvement poétique connu depuis la fin des années 70 sous le nom de Language Writing. Cette étiquette est cependant problématique car, si les stratégies littéraires, éditoriales, et idéologiques adoptées par les divers poètes de cette mouvance rappelent certains antécédents, tels les surréalistes ou les objectivistes, la variété des pratiques d'écriture en présence ne permet pas d'adopte…
The Trouble with Genius
A paradox: Ezra Pound, James Joyce, Gertrude Stein, and Louis Zukofsky all wrote their central works to be 'masterpieces', synoptic views of the world that would change the very consciousness of the public. And yet these writings are so hard to read that instead of producing social change, they have produced critical industries dedicated to decoding them. In new, provocative readings of these demanding authors, Bob Perelman shows how the inaccess…
Excerpts from the Writers' Roundtable
Research Article| April 01 1994 Excerpts from the Writers’ Roundtable Peter Glassgold; Peter Glassgold Search for other works by this author on: This Site Google Mark Jay Mirsky; Mark Jay Mirsky Search for other works by this author on: This Site Google Bob Perelman; Bob Perelman Search for other works by this author on: This Site Google Ronald Sukenick Ronald Sukenick Search for other works by this author on: This Site Google South Atlantic Quar…
Symposium on Russian Postmodernism
Postmodern Culture - Volume 3, Number 2, January 1993
Parataxis and Narrative
Parataxe et (dis)continuite narrative: postmodernite de la phrase nouvelle selon la theorie de R. Silliman
The Marginalization of Poetry
Postmodern Culture - Volume 2, Number 1, September 1991
Aesthetic Tendency and the Politics of Poetry
[Repeat, Said No One in Particular, Repeat after Me.]
Aesthetic Tendency and the Politics of Poetry
Parataxis and Narrative
Parataxe et (dis)continuite narrative: postmodernite de la phrase nouvelle selon la theorie de R. Silliman
[Repeat, Said No One in Particular, Repeat after Me.]
Aesthetic Tendency and the Politics of Poetry
The Marginalization of Poetry
Postmodern Culture - Volume 2, Number 1, September 1991
Symposium on Russian Postmodernism
Postmodern Culture - Volume 3, Number 2, January 1993
Parataxis and Narrative
Parataxe et (dis)continuite narrative: postmodernite de la phrase nouvelle selon la theorie de R. Silliman
Excerpts from the Writers' Roundtable
Research Article| April 01 1994 Excerpts from the Writers’ Roundtable Peter Glassgold; Peter Glassgold Search for other works by this author on: This Site Google Mark Jay Mirsky; Mark Jay Mirsky Search for other works by this author on: This Site Google Bob Perelman; Bob Perelman Search for other works by this author on: This Site Google Ronald Sukenick Ronald Sukenick Search for other works by this author on: This Site Google South Atlantic Quar…
The Trouble with Genius
A paradox: Ezra Pound, James Joyce, Gertrude Stein, and Louis Zukofsky all wrote their central works to be 'masterpieces', synoptic views of the world that would change the very consciousness of the public. And yet these writings are so hard to read that instead of producing social change, they have produced critical industries dedicated to decoding them. In new, provocative readings of these demanding authors, Bob Perelman shows how the inaccess…
The Marginalization of Poetry
Language writing, the most controversial avant-garde movement in contemporary American poetry, appeals strongly to writers and readers interested in the politics of postmodernism and in iconoclastic poetic form. Drawing on materials from popular culture, avoiding the standard stylistic indications of poetic lyricism, and using nonsequential sentences are some of the ways in which language writers make poetry a more open and participatory process …
An introduction to language writing
Le présent article se veut une brève histoire esthétique du mouvement poétique connu depuis la fin des années 70 sous le nom de Language Writing. Cette étiquette est cependant problématique car, si les stratégies littéraires, éditoriales, et idéologiques adoptées par les divers poètes de cette mouvance rappelent certains antécédents, tels les surréalistes ou les objectivistes, la variété des pratiques d'écriture en présence ne permet pas d'adopte…
Indirect Address
Indirect Address: A Ghost Story Bob Perelman (bio) to Jacques Derrida I was already iterable when I woke up this A. M.: I had begun to write to [you] in Philadelphia and am now in New York, dragging a motley pageant of tenses across the first sentence which is only just now finishing. The deadline for this piece on the occasion of [your] death had passed before I began and of course it is even later now, which iterates me more. Across the mirror …
Differentials
Book Review| December 01 2005 Differentials: Poetry, Poetics, Pedagogy; The Constructivist Moment: From Material Text to Cultural Poetics Bob Perelman Bob Perelman Search for other works by this author on: This Site Google American Literature (2005) 77 (4): 867–869. https://doi.org/10.1215/00029831-77-4-867 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Bob Perelman; Differentials: Poetry, Poetic…
My Avant-Garde Card
I differentiate avant-garde used as a critical term with precise historical entailments from the use of avant-garde in innovative poetry circles, where it is a loose synonym (along with such adjectives as experimental, modernist, postavant, postmodern, etc.) used to mark affiliation. The poetic avant-garde is both sequential (involving a sense of advance in the present) and transhistorical (involving a historically mixed archive of examples); it …
Truths
Truths Sergej Timofejev I wanttotellyousimple truths, Revealimportant things toyou. Alwaysopendoors, stepintoelevators, Goupstairs, movedowncorridors. Alwaysgetintocars, start theengine, Andifit'swinter, waituntil itwarms up. Alwaysspendmoney, butsparingly, Andonlyonceina whilespendeverything you'vegot. Insummer itwillbesummer; infallitwillbefall, Don'tgetflustered; don'tdo anything that disgusts you. Girls willbecomeyoung women, andthen you'llno…
Performance Typing
This essay reviews the publication of Larry Eigner’s selected poems and provides an introduction to Eigner (1927–96) and his place in US poetry. It gives an account of his life, describing his lifelong disability from cerebral palsy and the trajectory of his poetic career, which ended with over three thousand poems and great acclaim from US innovative poetic communities. It then relates Eigner to those communities, specifically Black Mountain in …
Language Writing and Louis Zukofsky’s “A”-24
focuses on the twenty-fourth and final movement of Louis Zukofsky's "A". "A"-24 was composed by musician Celia Thaew-Zukofsky and given to her husband on the occasion of his sixty-fourth birthday in January 1968. Therefore, it should be considered as one of those numerous "found objects" which only became part of Zukofsky's "poem of a life" through a process of quotation. Over two hundred pages or so, the score redistributes quotations taken from…
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