Matthew Spangler
Datos Biográficos
| ID | 5118697 |
|---|---|
| NOMBRE | Matthew Spangler |
| NOMBRES | Matthew |
| APELLIDO | Spangler |
| FIRMA | SPANGLER M |
| AFILIACIONES | Indonesian Coral Reef Foundation |
| ORCID | 0009-0004-6201-1060 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 6 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 2002 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 2 |
The Beekeeper of Aleppo
This article situates the adaptation of literature for the stage as a collaborative artistic practice and critical research methodology. We describe our experience of co-writing a play based on Christy Lefteri’s award-winning novel The Beekeeper of Aleppo (2019). As playwrights based in London and California, respectively, with life experiences rooted in Syria, the United Kingdom, and the United States, our collaborative process pushes against th…
Staging Intercultural Ireland
Artist's Statement
From March 17 to April 8, 2012, the San Diego Repertory Theatre produced my stage play adapted from T. C. Boyle's 1995 novel The Tortilla Curtain. Broadly speaking, the novel and the play explore xenophobia, racism, economic inequality, and the power and responsibility of citizenship—and the vulnerability of those who lack it—within the context of undocumented migration from Mexico to the United States. What follows are an artist's statement and …
Performing Intercultural Hybridity
This performance review examines Alain Destandau's Antigone Viêt Nam, a Vietnamese/French, bilingual adaptation of Sophocles's play set in dynastic-era Vietnam and presented at the 2008 Hue Festival. Performed with a cast of Vietnamese and French actors, the play juxtaposes Vietnamese classical opera (Tuong) with Western performance traditions to create an aesthetic hybrid in the service of critical engagement. Such transcultural theatre producti…
The Parable of the Plums (review)
Of Snow and Dust
A fadograph of a yestern scene
This essay looks at the ways in which Dublin's annual Bloomsday festival functions as a cultural performance, providing a stage for the creation and contestation of Irish identity. Through a consideration of three performance sites-Dublin's urban topographical landscape, Bloomsday advertising literature, and corporeally embodied representations of James Joyce's fiction-the essay explores the contingencies of authenticity and the relationship betw…
Artist's Statement
From March 17 to April 8, 2012, the San Diego Repertory Theatre produced my stage play adapted from T. C. Boyle's 1995 novel The Tortilla Curtain. Broadly speaking, the novel and the play explore xenophobia, racism, economic inequality, and the power and responsibility of citizenship—and the vulnerability of those who lack it—within the context of undocumented migration from Mexico to the United States. What follows are an artist's statement and …
A fadograph of a yestern scene
This essay looks at the ways in which Dublin's annual Bloomsday festival functions as a cultural performance, providing a stage for the creation and contestation of Irish identity. Through a consideration of three performance sites-Dublin's urban topographical landscape, Bloomsday advertising literature, and corporeally embodied representations of James Joyce's fiction-the essay explores the contingencies of authenticity and the relationship betw…
Of Snow and Dust
A fadograph of a yestern scene
This essay looks at the ways in which Dublin's annual Bloomsday festival functions as a cultural performance, providing a stage for the creation and contestation of Irish identity. Through a consideration of three performance sites-Dublin's urban topographical landscape, Bloomsday advertising literature, and corporeally embodied representations of James Joyce's fiction-the essay explores the contingencies of authenticity and the relationship betw…
The Parable of the Plums (review)
Performing Intercultural Hybridity
This performance review examines Alain Destandau's Antigone Viêt Nam, a Vietnamese/French, bilingual adaptation of Sophocles's play set in dynastic-era Vietnam and presented at the 2008 Hue Festival. Performed with a cast of Vietnamese and French actors, the play juxtaposes Vietnamese classical opera (Tuong) with Western performance traditions to create an aesthetic hybrid in the service of critical engagement. Such transcultural theatre producti…
Artist's Statement
From March 17 to April 8, 2012, the San Diego Repertory Theatre produced my stage play adapted from T. C. Boyle's 1995 novel The Tortilla Curtain. Broadly speaking, the novel and the play explore xenophobia, racism, economic inequality, and the power and responsibility of citizenship—and the vulnerability of those who lack it—within the context of undocumented migration from Mexico to the United States. What follows are an artist's statement and …
Staging Intercultural Ireland
The Beekeeper of Aleppo
This article situates the adaptation of literature for the stage as a collaborative artistic practice and critical research methodology. We describe our experience of co-writing a play based on Christy Lefteri’s award-winning novel The Beekeeper of Aleppo (2019). As playwrights based in London and California, respectively, with life experiences rooted in Syria, the United Kingdom, and the United States, our collaborative process pushes against th…
Art (6 obras) · History (5 obras) · History (4 obras) · Sociology (4 obras) · Visual arts (4 obras) · Aesthetics (3 obras) · Gender Studies (3 obras) · Gender Studies (3 obras) · Law (3 obras) · Law (3 obras)