Lindsay Ann Reid
Datos Biográficos
| ID | 5140646 |
|---|---|
| NOMBRE | Lindsay Ann Reid |
| NOMBRES | Lindsay Ann |
| APELLIDO | Reid |
| FIRMA | REID L A |
| AFILIACIONES | Ollscoil na Gaillimhe – University of Galway |
| ORCID | 0000-0001-6062-7911 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 15 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 15 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2014 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 0 |
Ship of Fools and Slow Boat to Hell
At the opening of The Cobler of Caunterburie (1590), the narrator arrives at Billingsgate and decides to join the ‘crue of madde companions’ he spies waiting aboard the two-penny Gravesend barge. Their subsequent journey eastward on the Thames sparks a tale-telling competition à la The Canterbury Tales : Chaucer’s medieval pilgrims are reimagined as contemporary passengers travelling on a common form of public transport along one of early modern …
Isabella Whitney and George Turberville
Scholarship on Isabella Whitney often positions her in relation to George Turberville. Her Copy of a Letter is habitually juxtaposed with—and oftentimes assumed to derive from—Turberville’s Heroycall Epistles (i.e. the earliest full translation of Ovid’s ancient Latin Heroides to appear in English print). Further similarities have been observed between Whitney’s Copy of a Letter and the Heroidean missives attributed to the fictive “Pyndara” in Tu…
Performing The Maid's Metamorphosis , then and now
This essay opens by probing what can be extrapolated about the early performance history of the anonymous comedy The Maid's Metamorphosis (1600), performed by the Children of Paul's, based on its title page statement, internal evidence from the play, and contemporary letters. It argues it may have been conceived as part of the nuptial festivities for Anne Russell and Henry Somerset, Lord Herbert (Blackfriars, 16 June 1600). Then, it moves to cons…
Crafting Poetry Anthologies in Renaissance England
Mindfulness in Pregnancy
The (lost) tune of ‘Raging Love’ and its reverberations in Isabella Whitney’s Copy of a Letter
This article argues that Isabella Whitney’s verse epistles ‘To Her Unconstant Lover’ and ‘The Admonition’ in The Copy of a Letter (c. 1566–67) are enmeshed more thoroughly in the early modern English soundscape than previous criticism has tended to acknowledge. Seeking to enrich current understandings of Whitney’s confluences, this article first examines the vibrant musical sphere in which The Copy of a Letter’s printer-publisher Richard Jones wa…
Travel and Travail
Spenser’s Narrative Figuration of Women in “The Faerie Queene.”
Diana, Dido, and The Fair Maid of Dunsmore
The tragedy of Isabel of Dunsmore—an English shepherd’s daughter who commits suicide after being impregnated by a social superior—is recounted in two similar, yet lyrically distinct seventeenth-century ballads: “The Lamentable Song of the Lord Wigmoore Gouernor of Warwicke Castle and the Fayre Maid of Dunsmoore” and “The Fair Maid of Dunsmore’s Lamentation Occasioned by Lord Wigmore Once Governour of Warwick-Castle.” What is remarkable about thes…
Translating Ovid's Metamorphoses in Tudor Balladry
This article provides the first sustained overview and analysis of the reception of Ovid's “Metamorphoses” in sixteenth-century English ballad culture. It highlights a significant tradition of translating materials from this ancient Roman source into the stuff of vernacular song—a phenomenon that can be traced back as far as 1552. Positing that popular music must have played a crucial role in shaping Tudor ideas about the “Metamorphoses,” this st…
Agency and Intention in English Print, 1476–1526
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Thanhouser's ‘Fierce Abridgement’ of Cymbeline
The Ovidian Vogue
Love in Print in the Sixteenth Century
Ovidian Bibliofictions and the Tudor Book
Contents: Introduction: Ovidian bibliofictions and Tudor books 'If all the yearth wer parchment scribable': Ovidian heroines in the Querelle des Femmes 'Hir name, allas! Is publisshed so wyde': fama, gossip, and the dissemination of a pseudo-Ovidian heroine 'Both false and also true': Ovidian heroines, epistolary elegy, and fictionalized materiality 'Our sainted legendarie': the Anglo-Ovidian heroines Appendix: Latin editions of Ovid in Tudor Eng…
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Ovidian Bibliofictions and the Tudor Book
Contents: Introduction: Ovidian bibliofictions and Tudor books 'If all the yearth wer parchment scribable': Ovidian heroines in the Querelle des Femmes 'Hir name, allas! Is publisshed so wyde': fama, gossip, and the dissemination of a pseudo-Ovidian heroine 'Both false and also true': Ovidian heroines, epistolary elegy, and fictionalized materiality 'Our sainted legendarie': the Anglo-Ovidian heroines Appendix: Latin editions of Ovid in Tudor Eng…
The Ovidian Vogue
Love in Print in the Sixteenth Century
Thanhouser's ‘Fierce Abridgement’ of Cymbeline
Agency and Intention in English Print, 1476–1526
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Spenser’s Narrative Figuration of Women in “The Faerie Queene.”
Diana, Dido, and The Fair Maid of Dunsmore
The tragedy of Isabel of Dunsmore—an English shepherd’s daughter who commits suicide after being impregnated by a social superior—is recounted in two similar, yet lyrically distinct seventeenth-century ballads: “The Lamentable Song of the Lord Wigmoore Gouernor of Warwicke Castle and the Fayre Maid of Dunsmoore” and “The Fair Maid of Dunsmore’s Lamentation Occasioned by Lord Wigmore Once Governour of Warwick-Castle.” What is remarkable about thes…
Translating Ovid's Metamorphoses in Tudor Balladry
This article provides the first sustained overview and analysis of the reception of Ovid's “Metamorphoses” in sixteenth-century English ballad culture. It highlights a significant tradition of translating materials from this ancient Roman source into the stuff of vernacular song—a phenomenon that can be traced back as far as 1552. Positing that popular music must have played a crucial role in shaping Tudor ideas about the “Metamorphoses,” this st…
The (lost) tune of ‘Raging Love’ and its reverberations in Isabella Whitney’s Copy of a Letter
This article argues that Isabella Whitney’s verse epistles ‘To Her Unconstant Lover’ and ‘The Admonition’ in The Copy of a Letter (c. 1566–67) are enmeshed more thoroughly in the early modern English soundscape than previous criticism has tended to acknowledge. Seeking to enrich current understandings of Whitney’s confluences, this article first examines the vibrant musical sphere in which The Copy of a Letter’s printer-publisher Richard Jones wa…
Travel and Travail
Mindfulness in Pregnancy
Crafting Poetry Anthologies in Renaissance England
Ship of Fools and Slow Boat to Hell
At the opening of The Cobler of Caunterburie (1590), the narrator arrives at Billingsgate and decides to join the ‘crue of madde companions’ he spies waiting aboard the two-penny Gravesend barge. Their subsequent journey eastward on the Thames sparks a tale-telling competition à la The Canterbury Tales : Chaucer’s medieval pilgrims are reimagined as contemporary passengers travelling on a common form of public transport along one of early modern …
Isabella Whitney and George Turberville
Scholarship on Isabella Whitney often positions her in relation to George Turberville. Her Copy of a Letter is habitually juxtaposed with—and oftentimes assumed to derive from—Turberville’s Heroycall Epistles (i.e. the earliest full translation of Ovid’s ancient Latin Heroides to appear in English print). Further similarities have been observed between Whitney’s Copy of a Letter and the Heroidean missives attributed to the fictive “Pyndara” in Tu…
Performing The Maid's Metamorphosis , then and now
This essay opens by probing what can be extrapolated about the early performance history of the anonymous comedy The Maid's Metamorphosis (1600), performed by the Children of Paul's, based on its title page statement, internal evidence from the play, and contemporary letters. It argues it may have been conceived as part of the nuptial festivities for Anne Russell and Henry Somerset, Lord Herbert (Blackfriars, 16 June 1600). Then, it moves to cons…
Art (12 obras) · Literature (10 obras) · History (9 obras) · History (8 obras) · Poetry (6 obras) · Art history (5 obras) · Medieval Literature and History (5 obras) · Reformation and Early Modern Christianity (5 obras) · Philippine History and Culture (4 obras) · Ballad (3 obras)