Annie Ronan
Datos Biográficos
| ID | 5141071 |
|---|---|
| NOMBRE | Annie Ronan |
| NOMBRES | Annie |
| APELLIDO | Ronan |
| FIRMA | RONAN A |
| VERIFICADO | No |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2017 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 0 |
Inherent Vice
In the language of modern conservation, the term inherent vice refers to an artifact’s physical instability, its will to alter itself through either internal transformations or unruly ecological relations. This article considers how the animacy of supposedly inanimate things has been policed by the protocols of standard collections care, arguing that this largely unexamined aspect of museum practice has had profound epistemological and material e…
Capturing Cruelty
In a series of watercolors executed between 1889 and 1892, Winslow Homer repeatedly forces the viewer into decidedly uncomfortable confrontations with dead and dying deer. Picturing a hunting method that American sportsmen condemned for being particularly cruel and difficult to watch, these works represent the artist’s engagement with late nineteenth-century debates about the perils of witnessing nonhuman suffering. Like many of Homer’s other lat…
Sin obras prominentes en esta página.
Capturing Cruelty
In a series of watercolors executed between 1889 and 1892, Winslow Homer repeatedly forces the viewer into decidedly uncomfortable confrontations with dead and dying deer. Picturing a hunting method that American sportsmen condemned for being particularly cruel and difficult to watch, these works represent the artist’s engagement with late nineteenth-century debates about the perils of witnessing nonhuman suffering. Like many of Homer’s other lat…
Inherent Vice
In the language of modern conservation, the term inherent vice refers to an artifact’s physical instability, its will to alter itself through either internal transformations or unruly ecological relations. This article considers how the animacy of supposedly inanimate things has been policed by the protocols of standard collections care, arguing that this largely unexamined aspect of museum practice has had profound epistemological and material e…
Art (2 obras) · Aesthetics (1 obras) · Criminology (1 obras) · Cruelty (1 obras) · Epistemology, Ethics, and Metaphysics (1 obras) · Geographies of human-animal interactions (1 obras) · Objectivity (philosophy (1 obras) · Painting (1 obras) · Philosophy (1 obras) · Philosophy (1 obras)