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Christopher Beach

Datos Biográficos

ID5407724
NOMBREChristopher Beach
NOMBRESChristopher
APELLIDOBeach
FIRMABEACH C
ORCID0000-0001-8585-6470
VERIFICADOSí
TOTAL DE OBRAS7
TOTAL DE CITAS1
OBRAS COMO AUTOR7
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1989
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H1
  • “Seeing in Transparency or Touching a World

    Open Access•Julie Perrin, Christopher Beach•ARTICLE•Dance Chronicle•2026

    International audience

  • The Collected Writings of Walt Whitman

    Christopher Beach•ARTICLE•American Literature•2000

    Book Review| March 01 2000 The Collected Writings of Walt Whitman: The Journalism, Volume I:1834-1846 Ed. Herbert Bergman, Douglas Noverr, and Edward Recchia. New York: Peter Lang. 1998. lxx, 590 pp. $44.95. Christopher Beach Christopher Beach Search for other works by this author on: This Site Google American Literature (2000) 72 (1): 193–194. https://doi.org/10.1215/00029831-72-1-193 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Mai…

  • The Politics of Distinction

    Tyler Hoffman, Christopher Beach•ARTICLE•South Atlantic Review•1997

  • The Politics of Distinction

    Rosemary Winslow, Christopher Beach•ARTICLE•American Literature•1997

    This text draws on contemporary cultural and historical theory to portray Walt Whitman's poetry as a balancing act between the personal and the social, the literary and the plainspoken

  • Now Lucifer was not dead

    Christopher Beach•ARTICLE•Canadian Review of American Studies•1995•Citada por: 1•Referencias: 2

    In a series of his notebook entries from the mid-1850s, Walt Whitman carries on a personal debate concerning questions of liberty, race, and slavery. Having decided to leave aside the practical reasons for opposing slavery ("Will it pay?"), he introduces what he considers the deeper argument at stake—the philosophical question of racial and social inferiority: The learned think the unlearned an inferior race. The merchant thinks his bookkeepers a…

  • ABC of Influence

    Peter S Temes, Christopher Beach•ARTICLE•American Literature•1993

    In this first full-length study of Pound's influence on American poetry after World War II, Beach argues that Pound's experimental mode created a new tradition of poetic writing in America. Often neglected by academic critics and excluded from the 'canon' of American poetic writing, Charles Olson, Robert Duncan, and later members of this experimental tradition have maintained the sense of an American avant garde in keeping with Pound's modernist …

  • Ezra Pound and Harold Bloom

    Christopher Beach•ARTICLE•ELH•1989

  • Now Lucifer was not dead

    Christopher Beach•ARTICLE•Canadian Review of American Studies•1995•Citada por: 1•Referencias: 2

    In a series of his notebook entries from the mid-1850s, Walt Whitman carries on a personal debate concerning questions of liberty, race, and slavery. Having decided to leave aside the practical reasons for opposing slavery ("Will it pay?"), he introduces what he considers the deeper argument at stake—the philosophical question of racial and social inferiority: The learned think the unlearned an inferior race. The merchant thinks his bookkeepers a…

  • Ezra Pound and Harold Bloom

    Christopher Beach•ARTICLE•ELH•1989

  • ABC of Influence

    Peter S Temes, Christopher Beach•ARTICLE•American Literature•1993

    In this first full-length study of Pound's influence on American poetry after World War II, Beach argues that Pound's experimental mode created a new tradition of poetic writing in America. Often neglected by academic critics and excluded from the 'canon' of American poetic writing, Charles Olson, Robert Duncan, and later members of this experimental tradition have maintained the sense of an American avant garde in keeping with Pound's modernist …

  • Now Lucifer was not dead

    Christopher Beach•ARTICLE•Canadian Review of American Studies•1995•Citada por: 1•Referencias: 2

    In a series of his notebook entries from the mid-1850s, Walt Whitman carries on a personal debate concerning questions of liberty, race, and slavery. Having decided to leave aside the practical reasons for opposing slavery ("Will it pay?"), he introduces what he considers the deeper argument at stake—the philosophical question of racial and social inferiority: The learned think the unlearned an inferior race. The merchant thinks his bookkeepers a…

  • The Politics of Distinction

    Tyler Hoffman, Christopher Beach•ARTICLE•South Atlantic Review•1997

  • The Politics of Distinction

    Rosemary Winslow, Christopher Beach•ARTICLE•American Literature•1997

    This text draws on contemporary cultural and historical theory to portray Walt Whitman's poetry as a balancing act between the personal and the social, the literary and the plainspoken

  • The Collected Writings of Walt Whitman

    Christopher Beach•ARTICLE•American Literature•2000

    Book Review| March 01 2000 The Collected Writings of Walt Whitman: The Journalism, Volume I:1834-1846 Ed. Herbert Bergman, Douglas Noverr, and Edward Recchia. New York: Peter Lang. 1998. lxx, 590 pp. $44.95. Christopher Beach Christopher Beach Search for other works by this author on: This Site Google American Literature (2000) 72 (1): 193–194. https://doi.org/10.1215/00029831-72-1-193 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Mai…

  • “Seeing in Transparency or Touching a World

    Open Access•Julie Perrin, Christopher Beach•ARTICLE•Dance Chronicle•2026

    International audience

Art (6 obras) · History (6 obras) · Poetry Analysis and Criticism (6 obras) · Literature (5 obras) · Computer Science (3 obras) · Law (3 obras) · Philosophy (3 obras) · Politics (3 obras) · American and British Literature Analysis (2 obras) · Art history (2 obras)

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