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Angel Quintero-Rivera

Datos Biográficos

ID5414261
NOMBREAngel Quintero-Rivera
NOMBRESAngel
APELLIDOQuintero-Rivera
FIRMAQUINTERO-RIVERA A
AFILIACIONESUniversity of Puerto Rico System
VERIFICADONo
TOTAL DE OBRAS6
TOTAL DE CITAS4
TOTAL COMO AUTOR6
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1978
AÑO MÁS RECIENTE DE PUBLICACIÓN2021
ÍNDICE H1
  • The Poet’s Prose and Other Essays

    Open Access•Angel G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•New West Indian Guide / Nieuwe…•2021

  • Danzón

    Open Access•A G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•New West Indian Guide / Nieuwe…•2015

    Alejandro Madrid, a recognized researcher on Mexican music history, and Robin Moore, with excellent previous books on Cuban music, have joined forces to produce a book on a musical genre that originated in Cuba but that is danced more in Mexico than anywhere else. The book is arguably the most comprehensive study of danzn and will surely be of great help to future studies of Afro-Latin American music for many decades to come

  • Cultural Struggles for Hegemony

    Open Access•Angel G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•Latin American Perspectives•2011•Referencias: 5

    Salsa emerged basically from Hispanic Caribbean migrants to New York City but underwent a broad process of globalization not as a U.S. cultural production but as an Afro-Caribbean art form. The inability to incorporate salsa into U.S. culture within either the "melting pot" paradigm or multiculturalism illustrates the particular "structure of feeling" that salsa shares with important epochal processes such as the current crisis of U.S. hegemony

  • The Camouflaged Drum—Melodization of Rhythms and Maroonaged Ethnicity in Caribbean Peasant Music

    Angel G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•Caribbean Quarterly•1994•Citada por: 3

    Apres un rappel etymologique du terme marronnage, l'A. analyse la culture de contre-plantation des Caraibes et surtout de Porto Rico. La paysannerie etait formee de plusieurs groupes en fuite. L'« aguinaldo » et les « seis » sont les genres musicaux de base de la musique « jibaro » de l'amalgame ethnique entendus lors des celebrations. Afin de camoufler l'origine de cette musique, le « guiro » remplacait les tambours mais le rythme demeurait, mem…

  • Socialist and Cigarmaker

    Open Access•A G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•Latin American Perspectives•1983•Citada por: 1

  • Workers' Struggle in Puerto Rico

    Ricardo Campos, Frank Bonilla et al.•ARTICLE•Contemporary Sociology A Journal…•1978

  • The Camouflaged Drum—Melodization of Rhythms and Maroonaged Ethnicity in Caribbean Peasant Music

    Angel G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•Caribbean Quarterly•1994•Citada por: 3

    Apres un rappel etymologique du terme marronnage, l'A. analyse la culture de contre-plantation des Caraibes et surtout de Porto Rico. La paysannerie etait formee de plusieurs groupes en fuite. L'« aguinaldo » et les « seis » sont les genres musicaux de base de la musique « jibaro » de l'amalgame ethnique entendus lors des celebrations. Afin de camoufler l'origine de cette musique, le « guiro » remplacait les tambours mais le rythme demeurait, mem…

  • Socialist and Cigarmaker

    Open Access•A G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•Latin American Perspectives•1983•Citada por: 1

  • Workers' Struggle in Puerto Rico

    Ricardo Campos, Frank Bonilla et al.•ARTICLE•Contemporary Sociology A Journal…•1978

  • Socialist and Cigarmaker

    Open Access•A G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•Latin American Perspectives•1983•Citada por: 1

  • The Camouflaged Drum—Melodization of Rhythms and Maroonaged Ethnicity in Caribbean Peasant Music

    Angel G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•Caribbean Quarterly•1994•Citada por: 3

    Apres un rappel etymologique du terme marronnage, l'A. analyse la culture de contre-plantation des Caraibes et surtout de Porto Rico. La paysannerie etait formee de plusieurs groupes en fuite. L'« aguinaldo » et les « seis » sont les genres musicaux de base de la musique « jibaro » de l'amalgame ethnique entendus lors des celebrations. Afin de camoufler l'origine de cette musique, le « guiro » remplacait les tambours mais le rythme demeurait, mem…

  • Cultural Struggles for Hegemony

    Open Access•Angel G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•Latin American Perspectives•2011•Referencias: 5

    Salsa emerged basically from Hispanic Caribbean migrants to New York City but underwent a broad process of globalization not as a U.S. cultural production but as an Afro-Caribbean art form. The inability to incorporate salsa into U.S. culture within either the "melting pot" paradigm or multiculturalism illustrates the particular "structure of feeling" that salsa shares with important epochal processes such as the current crisis of U.S. hegemony

  • Danzón

    Open Access•A G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•New West Indian Guide / Nieuwe…•2015

    Alejandro Madrid, a recognized researcher on Mexican music history, and Robin Moore, with excellent previous books on Cuban music, have joined forces to produce a book on a musical genre that originated in Cuba but that is danced more in Mexico than anywhere else. The book is arguably the most comprehensive study of danzn and will surely be of great help to future studies of Afro-Latin American music for many decades to come

  • The Poet’s Prose and Other Essays

    Open Access•Angel G Quintero-Rivera, Angel Quintero-Rivera•ARTICLE•New West Indian Guide / Nieuwe…•2021

Sociology (5 obras) · History (4 obras) · Latin American and Latino Studies (4 obras) · Art (3 obras) · Cuban History and Society (3 obras) · Humanities (3 obras) · Political science (3 obras) · Aesthetics (2 obras) · Anthropology (2 obras) · Archaeology (2 obras)

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