Tianyi Shou
Datos Biográficos
| ID | 5423340 |
|---|---|
| NOMBRE | Tianyi Shou |
| NOMBRES | Tianyi |
| APELLIDO | Shou |
| FIRMA | SHOU T |
| AFILIACIONES | University of Michigan |
| VERIFICADO | No |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAS | 0 |
| OBRAS COMO AUTOR | 2 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2025 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 0 |
Touching the Elephant
This article argues that the sensation of touch in Jia Zhangke’s 2004 film The World (Shijie) offers a lens for imagining globality beyond the reductive terms of capitalist globalization. The entrapped lives of the protagonists in Beijing World Park, a space filled with replica landmarks from across the globe, embody the tension between the imagined mobility of a cosmopolitan middle class and the involuntary (im)mobility of national and transnati…
In the Country House
This piece compares the thematic engagement with “the country house” in two wartime novels—Virginia Woolf’s Between the Acts (1941) and Xiao Hong’s Hulan He Zhuan 《呼兰河传》 (Tales of Hulan River, 1940)—by placing them within the late-1930s transnational discourse of national historiography, which inherits imperial technologies for mapping ethnic and cultural identities. This article argues that as ethnic nationalism crystallized in so-called imperia…
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Touching the Elephant
This article argues that the sensation of touch in Jia Zhangke’s 2004 film The World (Shijie) offers a lens for imagining globality beyond the reductive terms of capitalist globalization. The entrapped lives of the protagonists in Beijing World Park, a space filled with replica landmarks from across the globe, embody the tension between the imagined mobility of a cosmopolitan middle class and the involuntary (im)mobility of national and transnati…
In the Country House
This piece compares the thematic engagement with “the country house” in two wartime novels—Virginia Woolf’s Between the Acts (1941) and Xiao Hong’s Hulan He Zhuan 《呼兰河传》 (Tales of Hulan River, 1940)—by placing them within the late-1930s transnational discourse of national historiography, which inherits imperial technologies for mapping ethnic and cultural identities. This article argues that as ethnic nationalism crystallized in so-called imperia…
Architecture (1 obra) · Autobiographical and Biographical Writing (1 obra) · Beijing (1 obra) · China's Global Influence and Migration (1 obra) · Chinese history and philosophy (1 obra) · Communism, Protests, Social Movements (1 obra) · Diaspora, migration, transnational identity (1 obra) · Embodied cognition (1 obra) · Ethnic group (1 obra) · Ethnography (1 obra)