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Nii O Quarcoopome

Datos Biográficos

ID5455869
NOMBRENii O Quarcoopome
NOMBRESNii
APELLIDOO Quarcoopome
FIRMAQUARCOOPOME N O
AFILIACIONESDetroit Institute of Arts
VERIFICADONo
TOTAL DE OBRAS5
TOTAL DE CITAS7
TOTAL COMO AUTOR5
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1998
AÑO MÁS RECIENTE DE PUBLICACIÓN2022
ÍNDICE H1
  • Expanding the Canon

    Nii O Quarcoopome•ARTICLE•Ghana Studies•2022•Citada por: 1•Referencias: 16

    This article explores the last six decades of visual art studies in Ghana. It focuses primarily on historic indigenous art genres. For strategic reasons, and because of space constraints, it excludes contemporary idioms like studio-based painting and sculpture as well as videography, photography, and performance art. The essay reviews the historical and recent scholarship dealing with traditional Ghanaian art, highlighting the most relevant resea…

  • Doran Ross

    Nii O Quarcoopome, Raymond A Silverman et al.•ARTICLE•African Arts•2022

    Doran Ross was arguably the leading scholar of Akan art and visual culture, who, over the course of a very productive forty-five-year career, published eight books, over forty articles and book chapters, and countless shorter pieces dealing with the arts of the Akan and, on occasion, other parts of Ghana. References to his scholarship abound in the works of many scholars who have been writing about Akan art over the last half century, including t…

  • Spectacular Nation

    Janet Berry Hess, Janet Hess et al.•ARTICLE•African Arts•2006•Citada por: 6

  • Legends, Sorcerers and Enchanted Lizards

    Nii O Quarcoopome•ARTICLE•African Arts•2002

    October 01 2002 Legends, Sorcerers and Enchanted Lizards: Door Locks of the Bamana of Mali Nii O. Quarcoopome Nii O. Quarcoopome Search for other works by this author on: This Site Google Scholar Author and Article Information Nii O. Quarcoopome Online Issn: 1937-2108 Print Issn: 0001-9933 Copyright 2002 Regents of the University of California2002 African Arts (2002) 35 (3): 78–80. https://doi.org/10.1162/afar.2002.35.3.78 Cite Icon Cite Permissi…

  • African Form and Imagery

    D Matos, Daniel Mato et al.•ARTICLE•African Arts•1998

    This work presents 75 pieces of sculptural art in various mediums from across sub-Saharan Africa, including masks, carved figures, furniture, ceramics and jewellery. Brief entries accompany each object, none of which predates the 19th century, placing the art in context

  • Spectacular Nation

    Janet Berry Hess, Janet Hess et al.•ARTICLE•African Arts•2006•Citada por: 6

  • Expanding the Canon

    Nii O Quarcoopome•ARTICLE•Ghana Studies•2022•Citada por: 1•Referencias: 16

    This article explores the last six decades of visual art studies in Ghana. It focuses primarily on historic indigenous art genres. For strategic reasons, and because of space constraints, it excludes contemporary idioms like studio-based painting and sculpture as well as videography, photography, and performance art. The essay reviews the historical and recent scholarship dealing with traditional Ghanaian art, highlighting the most relevant resea…

  • African Form and Imagery

    D Matos, Daniel Mato et al.•ARTICLE•African Arts•1998

    This work presents 75 pieces of sculptural art in various mediums from across sub-Saharan Africa, including masks, carved figures, furniture, ceramics and jewellery. Brief entries accompany each object, none of which predates the 19th century, placing the art in context

  • Legends, Sorcerers and Enchanted Lizards

    Nii O Quarcoopome•ARTICLE•African Arts•2002

    October 01 2002 Legends, Sorcerers and Enchanted Lizards: Door Locks of the Bamana of Mali Nii O. Quarcoopome Nii O. Quarcoopome Search for other works by this author on: This Site Google Scholar Author and Article Information Nii O. Quarcoopome Online Issn: 1937-2108 Print Issn: 0001-9933 Copyright 2002 Regents of the University of California2002 African Arts (2002) 35 (3): 78–80. https://doi.org/10.1162/afar.2002.35.3.78 Cite Icon Cite Permissi…

  • Spectacular Nation

    Janet Berry Hess, Janet Hess et al.•ARTICLE•African Arts•2006•Citada por: 6

  • Expanding the Canon

    Nii O Quarcoopome•ARTICLE•Ghana Studies•2022•Citada por: 1•Referencias: 16

    This article explores the last six decades of visual art studies in Ghana. It focuses primarily on historic indigenous art genres. For strategic reasons, and because of space constraints, it excludes contemporary idioms like studio-based painting and sculpture as well as videography, photography, and performance art. The essay reviews the historical and recent scholarship dealing with traditional Ghanaian art, highlighting the most relevant resea…

  • Doran Ross

    Nii O Quarcoopome, Raymond A Silverman et al.•ARTICLE•African Arts•2022

    Doran Ross was arguably the leading scholar of Akan art and visual culture, who, over the course of a very productive forty-five-year career, published eight books, over forty articles and book chapters, and countless shorter pieces dealing with the arts of the Akan and, on occasion, other parts of Ghana. References to his scholarship abound in the works of many scholars who have been writing about Akan art over the last half century, including t…

African history and culture studies (4 obras) · Art (4 obras) · Visual arts (4 obras) · Art history (3 obras) · The arts (3 obras) · Computer Science (2 obras) · Cultural Industries and Urban Development (2 obras) · Law (2 obras) · Political science (2 obras) · Scholarship (2 obras)

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