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Nathan Bracher

Datos Biográficos

ID548405
NOMBRENathan Bracher
NOMBRESNathan
APELLIDOBracher
FIRMABRACHER N
AFILIACIONESTexas A&M University
ORCID0000-0002-7642-9327
VERIFICADOSí
TOTAL DE OBRAS31
TOTAL DE CITAS5
OBRAS COMO AUTOR31
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1991
AÑO MÁS RECIENTE DE PUBLICACIÓN2024
ÍNDICE H1
  • Of Rock Stars and Politics

    Nathan Bracher•ARTICLE•Australian Journal of French…•2024

    This article focuses on the historiographic questions posed—and answered—by Ivan Jablonka’s August 2023 historical biography of singer-songwriter-composer Jean-Jacques Goldman, and in particular on issues of subjectivity. On the one hand, Jablonka makes his own active presence as a historian visible and explicit in his narrative, thus continuing the historiography implemented in his books since publishing his Histoire des grands-parents que je n’…

  • Les historiens et leurs ombres

    Nathan Bracher•ARTICLE•French Politics Culture & Society•2022

    L'historien, en tant que sujet, est lié non seulement à son passé familial mais aussi à ses connaissances. L'histoire méthodique prétendait, au début, proscrire toute subjectivité, mettant l'historien à l'écart des recherches et de l'écriture. Or les événements et l'évolution historiographiques ont rendu caduque cette posture scientiste. Ce vingt-et-unième siècle voit les historiens s'impliquer ostensiblement dans leurs ouvrages. C'est le cas not…

  • Matters of principle for Jérôme Ferrari

    Open Access•Nathan Bracher•ARTICLE•French Cultural Studies•2019•Referencias: 1

    This article analyses Jérôme Ferrari’s novel Le Principe, reflecting on the life and research of Werner Heisenberg, whose famous uncertainty principle is thus explored as a paradigm of a whole series of epistemological, existential and ethical quandaries. Juxtaposing the author/narrator’s personal vicissitudes with the ambivalent trajectory of the Nobel Prize-winning physicist who, without being a Nazi, carried out nuclear research under Hitler’s…

  • Jablonka et la question du sujet en sciences sociales

    Nathan Bracher•ARTICLE•French Politics Culture & Society•2018

    With its compelling portrait of a young woman who was savagely murdered after having endured various forms of male violence throughout her life, Ivan Jablonka's Laëtitia ou la fin des hommes also provides a stark depiction of French society and politics in the second decade of the twentyfirst century. In deconstructing the sensationalism of the conventional crime story, the researcher-narrator seeks to draw as near as possible to the vivacious, y…

  • Écrire la (non-)violence

    Nathan Bracher•ARTICLE•Modern & Contemporary France•2017

    This article analyses Ivan Jablonka’s Laëtitia ou la fin des hommes, which garnered three major prizes in the fall of 2016 (Le Prix Littéraire du Monde, Le Médicis et Le Prix des Prix) while also receiving quasi-unanimous acclaim from French press and media. My purpose is to explain how Jablonka’s writing contributes to exposing, denouncing and even, as far as possible ex post facto and by means of a text, undertaking a kind of reparation of the …

  • The Twentieth Century and the Lessons of History

    Nathan Bracher•ARTICLE•Soundings An Interdisciplinary…•2017•Referencias: 3

    Beyond the accumulation of knowledge, can we really learn from the past? Can we make an intellectually serious case for seeking, obtaining, and teaching “the lessons of history”? Is it legitimate to ask why the Holocaust happened? Answering in the affirmative, the present article will indicate why these questions remain pertinent for the twenty-first century and how several recent books by some of the most prominent historians of World War II and…

  • Telling the Story of History with Henry Rousso and Ivan Jablonka

    Nathan Bracher•ARTICLE•French Politics Culture & Society•2017

    Appearing in English translation in the first half of 2016, some four years after their publication in the original French, both Ivan Jablonka’s A History of the Grandparents I Never Had and Henry Rousso’s The Latest Catastrophe reflect on the foundations of history and historiography. Why do we study the past and how? In answering those essential questions, both Rousso and Jablonka tell a story, the story of history, while at the same time adumb…

  • L'Histoire hors sujet ou Écrire le passé « comme Elstir peignait la mer »

    Nathan Bracher•ARTICLE•Modern & Contemporary France•2015•Referencias: 3

    Frappé par certains grands succès de librairies récents (notamment Les Bienveillantes, JanKarski et HHhH), on a beaucoup réfléchi, notamment dans le numéro spécial du Débat consacré à « L'Histoire saisie par la fiction », sur la place, la portée et la fonction de l'histoire dans la production de textes littéraires. Nous nous emploierons dans le présent article à apprécier certains aspects littéraires de l'écriture historienne dans « l'enquête » d…

  • Pour une histoire à l’imparfait du présent

    Open Access•Nathan Bracher•ARTICLE•French Cultural Studies•2015

    Cet article prend La Dernière Catastrophe : l’histoire, le présent, le contemporain de l’historien français Henry Rousso comme point de départ pour un essai sur le rôle de l’historien et la fonction de l’histoire dans le contexte de ce vingt-et-unième siècle naissant. Écrite par nécessité dans une époque encore et toujours secouée par les soubresauts et cataclysmes – c’est-à-dire les catastrophes, justement – du siècle dernier, l’histoire contemp…

  • Hélène Berr et l'écriture de l'histoire

    Nathan Bracher•ARTICLE•French Politics Culture & Society•2014

  • The Intellectual and ‘La Nation’ in Jean Guéhenno’s Journal des années noires

    Open Access•Nathan Bracher•ARTICLE•French Cultural Studies•2012

    This article explores Jean Guéhenno’s perspectives on the role and function of the intellectual both in the context of the Occupation, and in relation to ‘la nation’, understood in the original revolutionary sense of the people constituted into the body politic. Clandestinely written, Guéhenno’s Journal des années noires seems at first blush a solitary exercise in thought and observation. Closer analysis reveals, however, that although Guéhenno t…

  • Timely Meditations on the Use and Abuse of History

    Nathan Bracher•ARTICLE•French Politics Culture & Society•2011

    This article studies the question of history during the dramatic moments recorded in Léon Werth's Déposition: Journal de guerre 1940-1944. Analyzed in reference to Nietzsche, Descartes, and Lévinas, Werth's journal approaches history in a manner timely for then and now. Probing his own knowledge of and relation to France's unsettling defeat and Occupation by Nazi Germany,Werth undertakes his own version of a Cogito that leads not to some linear c…

  • Des Considérations inactuelles au coeur de l'Occupation

    Nathan Bracher•ARTICLE•Modern & Contemporary France•2010•Citada por: 1•Referencias: 1

    Written in Paris during the darkest moments of the German Occupation, but only published in 2008, Hélène Berr's Journal was immediately hailed for its dramatic testimony and striking insights. With precision and lucidity, the young Jewish student at the Sorbonne records the human tragedies unfolding all around her in the wake of the Holocaust, while at the same time reviewing her own manner of experiencing these traumatic events through her perso…

  • Le fin mot de l'histoire

    Nathan Bracher•ARTICLE•Modern & Contemporary France•2008•Referencias: 1

    Le présent article analyse la voix narrative d'Irène Némirovsky dans Tempête en juin, la première partie de son œuvre posthume Suite française, publiée en 2004 après être restée inconnue pendant quelque soixante ans. Nous avançons donc deux thèses principales. D'abord, contrairement à ce qu'affirmait Sartre dans son article sur ‘M. François Mauriac et la liberté’, c'est justement un point de vue narratif multiple et changeant, à la fois intérieur…

  • Soixante ans aprà ̈s

    Nathan Bracher•ARTICLE•French Politics Culture & Society•2007

    In reviewing various commemorations that highlighted the year 2005 in France, this article points out the major evolutions of memory visible primarily in the press and media coverage of these events. If public memory remains as highly charged and polemical as it was in the 1980s and 1990s, attention is clearly turning away from the Occupation and Vichy to focus more on Europe and on France's colonial past, as we see not only in the ceremonies cel…

  • A Not So Distant Mirror

    Nathan Bracher•ARTICLE•Contemporary French Civilization•2006

    Dans cet article, l'A s'interesse a l'oeuvre critique de Francois Mauriac concernant la societe et la culture americaine. L'A revient sur la situation historique d'apres guerre pour expliquer une partie de la vision de Mauriac, qui ne s'arrete pas a une simple diatribe anti-capiatliste, mais dont l'analyse se revele plus fine et pertinente

  • Commémorations Du Jour-J 2004

    Nathan Bracher•ARTICLE•Contemporary French Civilization•2005•Citada por: 1•Referencias: 4

  • European Borders

    Open Access•Tzvetan Todorov, Patrick Savidan et al.•ARTICLE•South Central Review•2003

  • The Dreyfus Affair in François Mauriac's Bloc-Notes

    Nathan Bracher•ARTICLE•Contemporary French Civilization•2002•Citada por: 1•Referencias: 2

  • Memory Null and Void? The Broken Record of Vichy Polemics in the Papon Case

    Nathan Bracher•ARTICLE•Contemporary French Civilization•1999

  • Les Chrétiens français entre crise et libération 1937–1947Fouilloux, étienne. Les Chrétiens français entre crise et libération 1937–1947 . éditions du Seuil

    Nathan Bracher•ARTICLE•Contemporary French Civilization•1998

  • History, Memory, and Humanism in the Recent Writings of Tzvetan Todorov

    Open Access•Nathan Bracher•ARTICLE•South Central Review•1998

    conquest of the New World and on racial or ideological enemies by the totalitarian regimes of the twentieth century, he warns against the excesses of memory and rejects the notion of collective guilt of peoples and cultures. Similarly, Todorov analyzes the unspeakable treatment inflicted on human beings in the Nazi and Stalinist camps in order to elucidate the fundamental moral principles essential to everyday life. Moreover, after revealing the …

  • Labyrinths

    Open Access•Nathan Bracher, Richard Wolin•ARTICLE•South Central Review•1997

    Ten essays on issues in philosophy, literary theory and intellectual history. The question of radical imperialism of the postmodern turn, the unstated agenda of neoconservative cultural theory and a discussion of Walter Benjamin's place in cultural studies are included in the text

  • Les Abus de la mémoireTodorov, Tzvetan. Les Abus de la mémoire . Paris

    Nathan Bracher, Margaret Collins Weitz•ARTICLE•Contemporary French Civilization•1996

  • Mitterrand and the Lessons of History

    Nathan Bracher•ARTICLE•Contemporary French Civilization•1995

Siguiente
  • Des Considérations inactuelles au coeur de l'Occupation

    Nathan Bracher•ARTICLE•Modern & Contemporary France•2010•Citada por: 1•Referencias: 1

    Written in Paris during the darkest moments of the German Occupation, but only published in 2008, Hélène Berr's Journal was immediately hailed for its dramatic testimony and striking insights. With precision and lucidity, the young Jewish student at the Sorbonne records the human tragedies unfolding all around her in the wake of the Holocaust, while at the same time reviewing her own manner of experiencing these traumatic events through her perso…

  • Commémorations Du Jour-J 2004

    Nathan Bracher•ARTICLE•Contemporary French Civilization•2005•Citada por: 1•Referencias: 4

  • The Dreyfus Affair in François Mauriac's Bloc-Notes

    Nathan Bracher•ARTICLE•Contemporary French Civilization•2002•Citada por: 1•Referencias: 2

  • A Time to Remember

    Nathan Bracher•ARTICLE•Contemporary French Civilization•1995•Citada por: 1

  • Mauriac and Decolonization

    Nathan Bracher•ARTICLE•Contemporary French Civilization•1994•Citada por: 1

  • Nomination originelle et la notion de l’interprétant

    Open Access•Nathan Bracher•ARTICLE•Semiotica•1991

  • Les Anticolonialistes, 1881–1962Biondi, Jean-Pierre. Les Anticolonialistes, 1881–1962 . Paris

    Nathan Bracher, Bernard Petit•ARTICLE•Contemporary French Civilization•1993

  • The Holocaust, the French, and the JewsZucotti, Susan. The Holocaust, the French, and the Jews . New York

    Nathan Bracher, Margaret Collins Weitz•ARTICLE•Contemporary French Civilization•1994

  • Past Imperfect

    Open Access•Nathan Bracher, Tony Judt•ARTICLE•South Central Review•1994

  • Mauriac and Decolonization

    Nathan Bracher•ARTICLE•Contemporary French Civilization•1994•Citada por: 1

  • Mitterrand and the Lessons of History

    Nathan Bracher•ARTICLE•Contemporary French Civilization•1995

  • A Time to Remember

    Nathan Bracher•ARTICLE•Contemporary French Civilization•1995•Citada por: 1

  • Les Abus de la mémoireTodorov, Tzvetan. Les Abus de la mémoire . Paris

    Nathan Bracher, Margaret Collins Weitz•ARTICLE•Contemporary French Civilization•1996

  • Labyrinths

    Open Access•Nathan Bracher, Richard Wolin•ARTICLE•South Central Review•1997

    Ten essays on issues in philosophy, literary theory and intellectual history. The question of radical imperialism of the postmodern turn, the unstated agenda of neoconservative cultural theory and a discussion of Walter Benjamin's place in cultural studies are included in the text

  • Les Chrétiens français entre crise et libération 1937–1947Fouilloux, étienne. Les Chrétiens français entre crise et libération 1937–1947 . éditions du Seuil

    Nathan Bracher•ARTICLE•Contemporary French Civilization•1998

  • History, Memory, and Humanism in the Recent Writings of Tzvetan Todorov

    Open Access•Nathan Bracher•ARTICLE•South Central Review•1998

    conquest of the New World and on racial or ideological enemies by the totalitarian regimes of the twentieth century, he warns against the excesses of memory and rejects the notion of collective guilt of peoples and cultures. Similarly, Todorov analyzes the unspeakable treatment inflicted on human beings in the Nazi and Stalinist camps in order to elucidate the fundamental moral principles essential to everyday life. Moreover, after revealing the …

  • Memory Null and Void? The Broken Record of Vichy Polemics in the Papon Case

    Nathan Bracher•ARTICLE•Contemporary French Civilization•1999

  • The Dreyfus Affair in François Mauriac's Bloc-Notes

    Nathan Bracher•ARTICLE•Contemporary French Civilization•2002•Citada por: 1•Referencias: 2

  • European Borders

    Open Access•Tzvetan Todorov, Patrick Savidan et al.•ARTICLE•South Central Review•2003

  • Commémorations Du Jour-J 2004

    Nathan Bracher•ARTICLE•Contemporary French Civilization•2005•Citada por: 1•Referencias: 4

  • A Not So Distant Mirror

    Nathan Bracher•ARTICLE•Contemporary French Civilization•2006

    Dans cet article, l'A s'interesse a l'oeuvre critique de Francois Mauriac concernant la societe et la culture americaine. L'A revient sur la situation historique d'apres guerre pour expliquer une partie de la vision de Mauriac, qui ne s'arrete pas a une simple diatribe anti-capiatliste, mais dont l'analyse se revele plus fine et pertinente

  • Soixante ans aprà ̈s

    Nathan Bracher•ARTICLE•French Politics Culture & Society•2007

    In reviewing various commemorations that highlighted the year 2005 in France, this article points out the major evolutions of memory visible primarily in the press and media coverage of these events. If public memory remains as highly charged and polemical as it was in the 1980s and 1990s, attention is clearly turning away from the Occupation and Vichy to focus more on Europe and on France's colonial past, as we see not only in the ceremonies cel…

  • Le fin mot de l'histoire

    Nathan Bracher•ARTICLE•Modern & Contemporary France•2008•Referencias: 1

    Le présent article analyse la voix narrative d'Irène Némirovsky dans Tempête en juin, la première partie de son œuvre posthume Suite française, publiée en 2004 après être restée inconnue pendant quelque soixante ans. Nous avançons donc deux thèses principales. D'abord, contrairement à ce qu'affirmait Sartre dans son article sur ‘M. François Mauriac et la liberté’, c'est justement un point de vue narratif multiple et changeant, à la fois intérieur…

  • Des Considérations inactuelles au coeur de l'Occupation

    Nathan Bracher•ARTICLE•Modern & Contemporary France•2010•Citada por: 1•Referencias: 1

    Written in Paris during the darkest moments of the German Occupation, but only published in 2008, Hélène Berr's Journal was immediately hailed for its dramatic testimony and striking insights. With precision and lucidity, the young Jewish student at the Sorbonne records the human tragedies unfolding all around her in the wake of the Holocaust, while at the same time reviewing her own manner of experiencing these traumatic events through her perso…

  • Timely Meditations on the Use and Abuse of History

    Nathan Bracher•ARTICLE•French Politics Culture & Society•2011

    This article studies the question of history during the dramatic moments recorded in Léon Werth's Déposition: Journal de guerre 1940-1944. Analyzed in reference to Nietzsche, Descartes, and Lévinas, Werth's journal approaches history in a manner timely for then and now. Probing his own knowledge of and relation to France's unsettling defeat and Occupation by Nazi Germany,Werth undertakes his own version of a Cogito that leads not to some linear c…

  • The Intellectual and ‘La Nation’ in Jean Guéhenno’s Journal des années noires

    Open Access•Nathan Bracher•ARTICLE•French Cultural Studies•2012

    This article explores Jean Guéhenno’s perspectives on the role and function of the intellectual both in the context of the Occupation, and in relation to ‘la nation’, understood in the original revolutionary sense of the people constituted into the body politic. Clandestinely written, Guéhenno’s Journal des années noires seems at first blush a solitary exercise in thought and observation. Closer analysis reveals, however, that although Guéhenno t…

  • Hélène Berr et l'écriture de l'histoire

    Nathan Bracher•ARTICLE•French Politics Culture & Society•2014

  • L'Histoire hors sujet ou Écrire le passé « comme Elstir peignait la mer »

    Nathan Bracher•ARTICLE•Modern & Contemporary France•2015•Referencias: 3

    Frappé par certains grands succès de librairies récents (notamment Les Bienveillantes, JanKarski et HHhH), on a beaucoup réfléchi, notamment dans le numéro spécial du Débat consacré à « L'Histoire saisie par la fiction », sur la place, la portée et la fonction de l'histoire dans la production de textes littéraires. Nous nous emploierons dans le présent article à apprécier certains aspects littéraires de l'écriture historienne dans « l'enquête » d…

  • Pour une histoire à l’imparfait du présent

    Open Access•Nathan Bracher•ARTICLE•French Cultural Studies•2015

    Cet article prend La Dernière Catastrophe : l’histoire, le présent, le contemporain de l’historien français Henry Rousso comme point de départ pour un essai sur le rôle de l’historien et la fonction de l’histoire dans le contexte de ce vingt-et-unième siècle naissant. Écrite par nécessité dans une époque encore et toujours secouée par les soubresauts et cataclysmes – c’est-à-dire les catastrophes, justement – du siècle dernier, l’histoire contemp…

  • Écrire la (non-)violence

    Nathan Bracher•ARTICLE•Modern & Contemporary France•2017

    This article analyses Ivan Jablonka’s Laëtitia ou la fin des hommes, which garnered three major prizes in the fall of 2016 (Le Prix Littéraire du Monde, Le Médicis et Le Prix des Prix) while also receiving quasi-unanimous acclaim from French press and media. My purpose is to explain how Jablonka’s writing contributes to exposing, denouncing and even, as far as possible ex post facto and by means of a text, undertaking a kind of reparation of the …

Art (22 obras) · Philosophy (21 obras) · History (14 obras) · Humanities (11 obras) · Political science (10 obras) · French Historical and Cultural Studies (9 obras) · Historical Studies and Socio-cultural Analysis (8 obras) · Epistemology (7 obras) · Sociology (7 obras) · Law (6 obras)

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