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Carl R Burgchardt

Datos Biográficos

ID5594962
NOMBRECarl R Burgchardt
NOMBRESCarl R
APELLIDOBurgchardt
FIRMABURGCHARDT C R
AFILIACIONESColorado State University
VERIFICADONo
TOTAL DE OBRAS5
TOTAL DE CITAS3
TOTAL COMO AUTOR5
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1980
AÑO MÁS RECIENTE DE PUBLICACIÓN2019
ÍNDICE H1
  • Exhibiting Italianità

    Open Access•Julia Khrebtan-Hörhager, Carl R Burgchardt et al.•ARTICLE•Communication Culture and Critique•2019•Referencias: 12

    In this essay, we analyze how the temporary photographic exhibits of Anna Magnani and Sophia Loren served as artifacts of creating, circulating, and negotiating italianità: the essence of Italian culture and national identity. The photography exhibits in Rome and Sorrento anchor our study, but in order to understand more fully how they invite or reinforce cultural meaning, we evaluated these works in their larger architectural, regional, and urba…

  • The good earth and the still waters’

    Carl R Burgchardt, David Scott Diffrient•ARTICLE•Historical Journal Of Film Radio…•2016

    This article seeks to demonstrate the underlying ideological similarities between President Franklin D. Roosevelt’s Depression-era political rhetoric and Metro-Goldwyn-Mayer’s Captains Courageous (1937), an adaptation of Rudyard Kipling’s 1897 novel of the same title. Rather than claim a simple causal relationship between FDR’s oratorical calls for socio-economic reform and M-G-M’s cinematic tale of cooperative teamwork in the face of adversity, …

  • Robert M. La Follette, Sr

    Jack Tager, Carl R Burgchardt•ARTICLE•The Journal of Interdisciplinary…•1994

    Series Foreword by Bernard Duffy and Halford Ryan Foreword by Bernard Duffy Critical Analysis Introduction Iago and the Evil Principle Congressman La Follette Menacing La Follette Senator La Follette Willful Men Forward, Progressives! Notes Conclusion Selected Speeches Iago Oleomargarine The Menace of the Political Machine Governor La Follette's Speech of Acceptance Free Speech and the Right of Congress to Declare the Objects of the War Labor Day…

  • Discovering rhetorical imprints

    Carl R Burgchardt•ARTICLE•Quarterly Journal of Speech•1985•Citada por: 1•Referencias: 6

    Analysis of a speaker's lifework may reveal a rhetorical imprint, a recurring pattern of distinctive features that characterize his or her discourse regardless of subject, occasion, or context. This essay illustrates the rhetorical imprint in selected speeches of Robert M. La Follette, Sr

  • Two faces of American communism

    Carl R Burgchardt•ARTICLE•Quarterly Journal of Speech•1980•Citada por: 2•Referencias: 5

    Before July of 1935, pamphlets of the American Communist Party demanded the overthrow of capitalism in dogmatic and distorted language. Consequently, they were not adapted well to the non‐communist public. Pamphlets published after July of 1935 attempted to overcome negative impressions of communism, but they were largely unsuccessful

  • Two faces of American communism

    Carl R Burgchardt•ARTICLE•Quarterly Journal of Speech•1980•Citada por: 2•Referencias: 5

    Before July of 1935, pamphlets of the American Communist Party demanded the overthrow of capitalism in dogmatic and distorted language. Consequently, they were not adapted well to the non‐communist public. Pamphlets published after July of 1935 attempted to overcome negative impressions of communism, but they were largely unsuccessful

  • Discovering rhetorical imprints

    Carl R Burgchardt•ARTICLE•Quarterly Journal of Speech•1985•Citada por: 1•Referencias: 6

    Analysis of a speaker's lifework may reveal a rhetorical imprint, a recurring pattern of distinctive features that characterize his or her discourse regardless of subject, occasion, or context. This essay illustrates the rhetorical imprint in selected speeches of Robert M. La Follette, Sr

  • Two faces of American communism

    Carl R Burgchardt•ARTICLE•Quarterly Journal of Speech•1980•Citada por: 2•Referencias: 5

    Before July of 1935, pamphlets of the American Communist Party demanded the overthrow of capitalism in dogmatic and distorted language. Consequently, they were not adapted well to the non‐communist public. Pamphlets published after July of 1935 attempted to overcome negative impressions of communism, but they were largely unsuccessful

  • Discovering rhetorical imprints

    Carl R Burgchardt•ARTICLE•Quarterly Journal of Speech•1985•Citada por: 1•Referencias: 6

    Analysis of a speaker's lifework may reveal a rhetorical imprint, a recurring pattern of distinctive features that characterize his or her discourse regardless of subject, occasion, or context. This essay illustrates the rhetorical imprint in selected speeches of Robert M. La Follette, Sr

  • Robert M. La Follette, Sr

    Jack Tager, Carl R Burgchardt•ARTICLE•The Journal of Interdisciplinary…•1994

    Series Foreword by Bernard Duffy and Halford Ryan Foreword by Bernard Duffy Critical Analysis Introduction Iago and the Evil Principle Congressman La Follette Menacing La Follette Senator La Follette Willful Men Forward, Progressives! Notes Conclusion Selected Speeches Iago Oleomargarine The Menace of the Political Machine Governor La Follette's Speech of Acceptance Free Speech and the Right of Congress to Declare the Objects of the War Labor Day…

  • The good earth and the still waters’

    Carl R Burgchardt, David Scott Diffrient•ARTICLE•Historical Journal Of Film Radio…•2016

    This article seeks to demonstrate the underlying ideological similarities between President Franklin D. Roosevelt’s Depression-era political rhetoric and Metro-Goldwyn-Mayer’s Captains Courageous (1937), an adaptation of Rudyard Kipling’s 1897 novel of the same title. Rather than claim a simple causal relationship between FDR’s oratorical calls for socio-economic reform and M-G-M’s cinematic tale of cooperative teamwork in the face of adversity, …

  • Exhibiting Italianità

    Open Access•Julia Khrebtan-Hörhager, Carl R Burgchardt et al.•ARTICLE•Communication Culture and Critique•2019•Referencias: 12

    In this essay, we analyze how the temporary photographic exhibits of Anna Magnani and Sophia Loren served as artifacts of creating, circulating, and negotiating italianità: the essence of Italian culture and national identity. The photography exhibits in Rome and Sorrento anchor our study, but in order to understand more fully how they invite or reinforce cultural meaning, we evaluated these works in their larger architectural, regional, and urba…

Art (4 obras) · Political science (4 obras) · Sociology (4 obras) · Aesthetics (3 obras) · Law (3 obras) · Philosophy (3 obras) · Rhetoric (3 obras) · History (2 obras) · Linguistics (2 obras) · Literature (2 obras)

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