Stephen Hinds
Datos Biográficos
| ID | 5626294 |
|---|---|
| NOMBRE | Stephen Hinds |
| NOMBRES | Stephen |
| APELLIDO | Hinds |
| FIRMA | HINDS S |
| AFILIACIONES | University of Washington |
| VERIFICADO | No |
| TOTAL DE OBRAS | 18 |
| TOTAL DE CITAS | 360 |
| TOTAL COMO AUTOR | 17 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1982 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 7 |
Late antique disruptors of Latin verse
Although their ways of exploiting the form could hardly be more different, Proba regularly finds herself paired with Ausonius in consideration of the fourth-century Virgilian cento, not least because Ausonius supplies in an epistle to his friend and fellow-rhetorician Axius Paulus a full paratextual discussion of cento composition. In this paper I lean further into the comparison with Ausonius. The French Atlantic poet’s technical playfulness, mo…
Explorations in Latin Literature
Denis Feeney is one of the most distinguished scholars of Latin literature and Roman culture in the world of the last half-century. These two volumes conveniently collect and present afresh all his major papers, covering a wide range of topics and interests. Ancient epic is a major focus, followed by Latin lyric, historiography and elegy. Ancient literary criticism and the technology of the book are recurrent themes. Many papers address the probl…
Ovidian Transformations
Claudianism in the De Raptu Proserpinae
Black-Sea Latin, Du Bellay, and the Barbarian TurnTristia, Regrets, Translations
This chapter explores the nexus between exile, alienation, and a professed loss of linguistic identity or capacity. It focuses on Joachim Du Bellay, whose Regrets is overtly modelled in set-up on Ovid’s Tristia, with the paradox that Du Bellay’s post-Ovidian place of exile and alienation is the very city from which Ovid was exiled and to which he longed to return, Rome, and that Du Bellay is forced by the incomprehension of the locals to abandon …
Ovid Among the Conspiracy Theorists
This chapter seeks to stir up some of the murkiness of the exile poetry again, to blur the boundary between respectable and nonrespectable interpretation, and even to give a little of Ovid back to the conspiracy theorists. The approach will be oblique rather than head on: the chapter is built around a reading of the only elegy in the Tristia which is not overtly concerned with the exiled poet’s own life.
The Metamorphosis of Persephone
Martial's Ovid / Ovid's Martial
This paper allows Ovid to shape a reading of Martial, and Martial to shape a reading of Ovid. It proceeds through close readings of some 40 epigrams, and is organized into three large sections respectively addressing receptions in Martial of Ovid's poetry of elegiac love (I), of exile (II), and of myth (III). The final section offers sustained discussion of Martial's early Apophoreta (Book 14) and Liber Spectaculorum . Issues addressed include ge…
Venus, Varro and the vates
This paper on Roman etymologizing and etymological word-play was orginally conceived in the 1990s as a response to Robert Maltby’s Lexicon of Ancient Latin Etymologies.Section 1 offers a snap-shot of etymological word-play inaction in Augustan elegy; the focus is on plays associatedwith the name of Venus, in Propertius and in the poems of theCorpus Tibullianum associated with Sulpicia. Section 2 turnsfrom the poet to the grammarian, and briefly c…
The Cambridge Companion to Ovid
Ovid was one of the greatest writers of classical antiquity, and arguably the single most influential ancient poet for post-classical literature and culture. In this Cambridge Companion, chapters by leading authorities from Europe and North America discuss the backgrounds and contexts for Ovid, the individual works, and his influence on later literature and art. Coverage of essential information is combined with exciting critical approaches. This…
Ovidian Transformations
Literature and Religion at Rome
Allusion and Intertext
The Metamorphosis of Persephone
Language at the Breaking Point
‘A property’, according to the author of De Rerum Natura in 1.451–4, ‘is that which can never be sundered and separated without fatal dissolution, as weight is to stone, heat to fire, liquidity to water, touch to all bodies, intangibility to void’, seiungi seque gregari . As elsewhere Lucretius, that most committed practitioner of word-play, makes his verb mirror the very separation which it describes
Generalising About Ovid
The aim of this essay is to confront some ageing generalisations about Ovid which seem to have survived the latest close readings of his poetry intact. Most of the critics who have recently been casting new light on particular poems and passages have been too cautious to use their very specific findings to call explicitly into question long-established overviews of the Ovidian oeuvre . However, an attempt of some kind should be made. Today's gene…
Booking the return trip
Two journeys are implied by the existence of Tristia 1: one, by a poet, a from Rome to the gates of the Black Sea; the other, by a book, from the gates of the Black Sea back to Rome. Each of these journeys is explicitly, and prominently, discussed in Tristia 1; and each makes its presence felt in various ways throughout Tristia 1. Leaving for another day the outward voyage, described especially in the second, fourth, tenth and eleventh poems, I a…
An Allusion In The Literary Tradition Of The Proserpina Myth
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Allusion and Intertext
Booking the return trip
Two journeys are implied by the existence of Tristia 1: one, by a poet, a from Rome to the gates of the Black Sea; the other, by a book, from the gates of the Black Sea back to Rome. Each of these journeys is explicitly, and prominently, discussed in Tristia 1; and each makes its presence felt in various ways throughout Tristia 1. Leaving for another day the outward voyage, described especially in the second, fourth, tenth and eleventh poems, I a…
The Metamorphosis of Persephone
Generalising About Ovid
The aim of this essay is to confront some ageing generalisations about Ovid which seem to have survived the latest close readings of his poetry intact. Most of the critics who have recently been casting new light on particular poems and passages have been too cautious to use their very specific findings to call explicitly into question long-established overviews of the Ovidian oeuvre . However, an attempt of some kind should be made. Today's gene…
The Metamorphosis of Persephone
Martial's Ovid / Ovid's Martial
This paper allows Ovid to shape a reading of Martial, and Martial to shape a reading of Ovid. It proceeds through close readings of some 40 epigrams, and is organized into three large sections respectively addressing receptions in Martial of Ovid's poetry of elegiac love (I), of exile (II), and of myth (III). The final section offers sustained discussion of Martial's early Apophoreta (Book 14) and Liber Spectaculorum . Issues addressed include ge…
Ovidian Transformations
Language at the Breaking Point
‘A property’, according to the author of De Rerum Natura in 1.451–4, ‘is that which can never be sundered and separated without fatal dissolution, as weight is to stone, heat to fire, liquidity to water, touch to all bodies, intangibility to void’, seiungi seque gregari . As elsewhere Lucretius, that most committed practitioner of word-play, makes his verb mirror the very separation which it describes
An Allusion In The Literary Tradition Of The Proserpina Myth
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Booking the return trip
Two journeys are implied by the existence of Tristia 1: one, by a poet, a from Rome to the gates of the Black Sea; the other, by a book, from the gates of the Black Sea back to Rome. Each of these journeys is explicitly, and prominently, discussed in Tristia 1; and each makes its presence felt in various ways throughout Tristia 1. Leaving for another day the outward voyage, described especially in the second, fourth, tenth and eleventh poems, I a…
Language at the Breaking Point
‘A property’, according to the author of De Rerum Natura in 1.451–4, ‘is that which can never be sundered and separated without fatal dissolution, as weight is to stone, heat to fire, liquidity to water, touch to all bodies, intangibility to void’, seiungi seque gregari . As elsewhere Lucretius, that most committed practitioner of word-play, makes his verb mirror the very separation which it describes
Generalising About Ovid
The aim of this essay is to confront some ageing generalisations about Ovid which seem to have survived the latest close readings of his poetry intact. Most of the critics who have recently been casting new light on particular poems and passages have been too cautious to use their very specific findings to call explicitly into question long-established overviews of the Ovidian oeuvre . However, an attempt of some kind should be made. Today's gene…
The Metamorphosis of Persephone
Allusion and Intertext
Literature and Religion at Rome
The Cambridge Companion to Ovid
Ovid was one of the greatest writers of classical antiquity, and arguably the single most influential ancient poet for post-classical literature and culture. In this Cambridge Companion, chapters by leading authorities from Europe and North America discuss the backgrounds and contexts for Ovid, the individual works, and his influence on later literature and art. Coverage of essential information is combined with exciting critical approaches. This…
Ovidian Transformations
Venus, Varro and the vates
This paper on Roman etymologizing and etymological word-play was orginally conceived in the 1990s as a response to Robert Maltby’s Lexicon of Ancient Latin Etymologies.Section 1 offers a snap-shot of etymological word-play inaction in Augustan elegy; the focus is on plays associatedwith the name of Venus, in Propertius and in the poems of theCorpus Tibullianum associated with Sulpicia. Section 2 turnsfrom the poet to the grammarian, and briefly c…
Ovid Among the Conspiracy Theorists
This chapter seeks to stir up some of the murkiness of the exile poetry again, to blur the boundary between respectable and nonrespectable interpretation, and even to give a little of Ovid back to the conspiracy theorists. The approach will be oblique rather than head on: the chapter is built around a reading of the only elegy in the Tristia which is not overtly concerned with the exiled poet’s own life.
The Metamorphosis of Persephone
Martial's Ovid / Ovid's Martial
This paper allows Ovid to shape a reading of Martial, and Martial to shape a reading of Ovid. It proceeds through close readings of some 40 epigrams, and is organized into three large sections respectively addressing receptions in Martial of Ovid's poetry of elegiac love (I), of exile (II), and of myth (III). The final section offers sustained discussion of Martial's early Apophoreta (Book 14) and Liber Spectaculorum . Issues addressed include ge…
Black-Sea Latin, Du Bellay, and the Barbarian TurnTristia, Regrets, Translations
This chapter explores the nexus between exile, alienation, and a professed loss of linguistic identity or capacity. It focuses on Joachim Du Bellay, whose Regrets is overtly modelled in set-up on Ovid’s Tristia, with the paradox that Du Bellay’s post-Ovidian place of exile and alienation is the very city from which Ovid was exiled and to which he longed to return, Rome, and that Du Bellay is forced by the incomprehension of the locals to abandon …
Claudianism in the De Raptu Proserpinae
Ovidian Transformations
Explorations in Latin Literature
Denis Feeney is one of the most distinguished scholars of Latin literature and Roman culture in the world of the last half-century. These two volumes conveniently collect and present afresh all his major papers, covering a wide range of topics and interests. Ancient epic is a major focus, followed by Latin lyric, historiography and elegy. Ancient literary criticism and the technology of the book are recurrent themes. Many papers address the probl…
Late antique disruptors of Latin verse
Although their ways of exploiting the form could hardly be more different, Proba regularly finds herself paired with Ausonius in consideration of the fourth-century Virgilian cento, not least because Ausonius supplies in an epistle to his friend and fellow-rhetorician Axius Paulus a full paratextual discussion of cento composition. In this paper I lean further into the comparison with Ausonius. The French Atlantic poet’s technical playfulness, mo…
Classical Antiquity Studies (13 obras) · Art (12 obras) · Literature (11 obras) · History (9 obras) · Philosophy (9 obras) · Linguistics (7 obras) · Poetry (7 obras) · Elegy (4 obras) · History (4 obras) · Philosophy (4 obras)