Susanna Morton Braund
Datos Biográficos
| ID | 5628362 |
|---|---|
| NOMBRE | Susanna Morton Braund |
| NOMBRES | Susanna Morton |
| APELLIDO | Braund |
| FIRMA | BRAUND S M |
| AFILIACIONES | Royal Holloway University of London |
| VERIFICADO | No |
| TOTAL DE OBRAS | 14 |
| TOTAL DE CITAS | 36 |
| TOTAL COMO AUTOR | 12 |
| TOTAL COMO EDITOR | 2 |
| PRIMER AÑO DE PUBLICACIÓN | 1996 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2021 |
| ÍNDICE H | 2 |
Latin Poetry and Its Reception
This volume offers 18 new studies reflecting the latest scholarship on Latin verse, explored both in its original context and in subsequent contexts as it has been translated and re-imagined. All chapters reflect the wide research interests of Prof. Susanna Braund, to whom the volume is dedicated. Latin Poetry and Its Reception assembles a blend of senior scholars and new voices in Latin literary studies. It makes important contributions to the u…
Amor
Juvenal
A Companion to Persius and Juvenal
Mind the Gap
This chapter contains sections titled: Acknowledgment Further Reading
Libertas or Licentia? Freedom and Criticism in Roman Satire
Amor
Praise and Protreptic in Early Imperial Panegyric
Quasi Homo
Quasi Homo: Distortion and Contortion in Seneca’s Apocolocyntosis Susanna Morton Braund and Paula James The subject of our paper is one particular grotesque body—that of the emperor Claudius as depicted in Seneca’s Apocolocyntosis. In this short prose satire on the (attempted) deification of Claudius, written in 54 c.e. shortly after Nero’s accession, Seneca presents Claudius as a distorted and contorted specimen—both a monstrous beast and a ridi…
A passion unconsoled? Grief and anger in Juvenal Satire 13
Anger is the passion which predominates in Juvenal's Satires. Indignatio is the driving force in the first two books, Satires 1–6. The later Satires present a rejection of indignatio which is initiated obliquely in Satire 9, the last poem in Book III, and made explicit briefly for the first time at the close of Satire 10, the opening poem of Book iv. Satire 13, the programme poem to Juvenal's fifth book, confronts the matter head-on, with an unsy…
The Passions in Roman Thought and Literature
Essays by an international team of scholars in Latin literature and ancient philosophy explore the understanding of emotions (or 'passions') in Roman thought and literature. Building on work on Hellenistic theories of emotion and on philosophy as therapy, they look closely at the interface between ancient philosophy (especially Stoic and Epicurean), rhetorical theory, conventional Roman thinking and literary portrayal. There are searching studies…
Virgil and the cosmos
Virgil's cosmos comprises gods and humans and nature. These are huge topics. In this chapter I shall analyse the complex relationships between these elements by taking a broad view of Virgil's religious and philosophical ideas.
The Cambridge Companion to Virgil
Virgil became a school author in his own lifetime and the centre of the Western canon for the next 1800 years, exerting a major influence on European literature, art, and politics. This Companion is designed as an indispensable guide for anyone seeking a fuller understanding of an author critical to so many disciplines. It consists of essays by seventeen scholars from Britain, the USA, Ireland and Italy which offer a range of different perspectiv…
The Solitary Feast
THE SOLITARY FEAST: A CONTRADICTION IN TERMS? Get access SUSANNA MORTON BRAUND SUSANNA MORTON BRAUND Royal Holloway, University of London Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 41, Issue 1, December 1996, Pages 37–52, https://doi.org/10.1111/j.2041-5370.1996.tb00588.x Published: 12 March 2010
Quasi Homo
Quasi Homo: Distortion and Contortion in Seneca’s Apocolocyntosis Susanna Morton Braund and Paula James The subject of our paper is one particular grotesque body—that of the emperor Claudius as depicted in Seneca’s Apocolocyntosis. In this short prose satire on the (attempted) deification of Claudius, written in 54 c.e. shortly after Nero’s accession, Seneca presents Claudius as a distorted and contorted specimen—both a monstrous beast and a ridi…
The Solitary Feast
THE SOLITARY FEAST: A CONTRADICTION IN TERMS? Get access SUSANNA MORTON BRAUND SUSANNA MORTON BRAUND Royal Holloway, University of London Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 41, Issue 1, December 1996, Pages 37–52, https://doi.org/10.1111/j.2041-5370.1996.tb00588.x Published: 12 March 2010
The Solitary Feast
THE SOLITARY FEAST: A CONTRADICTION IN TERMS? Get access SUSANNA MORTON BRAUND SUSANNA MORTON BRAUND Royal Holloway, University of London Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 41, Issue 1, December 1996, Pages 37–52, https://doi.org/10.1111/j.2041-5370.1996.tb00588.x Published: 12 March 2010
A passion unconsoled? Grief and anger in Juvenal Satire 13
Anger is the passion which predominates in Juvenal's Satires. Indignatio is the driving force in the first two books, Satires 1–6. The later Satires present a rejection of indignatio which is initiated obliquely in Satire 9, the last poem in Book III, and made explicit briefly for the first time at the close of Satire 10, the opening poem of Book iv. Satire 13, the programme poem to Juvenal's fifth book, confronts the matter head-on, with an unsy…
The Passions in Roman Thought and Literature
Essays by an international team of scholars in Latin literature and ancient philosophy explore the understanding of emotions (or 'passions') in Roman thought and literature. Building on work on Hellenistic theories of emotion and on philosophy as therapy, they look closely at the interface between ancient philosophy (especially Stoic and Epicurean), rhetorical theory, conventional Roman thinking and literary portrayal. There are searching studies…
Virgil and the cosmos
Virgil's cosmos comprises gods and humans and nature. These are huge topics. In this chapter I shall analyse the complex relationships between these elements by taking a broad view of Virgil's religious and philosophical ideas.
The Cambridge Companion to Virgil
Virgil became a school author in his own lifetime and the centre of the Western canon for the next 1800 years, exerting a major influence on European literature, art, and politics. This Companion is designed as an indispensable guide for anyone seeking a fuller understanding of an author critical to so many disciplines. It consists of essays by seventeen scholars from Britain, the USA, Ireland and Italy which offer a range of different perspectiv…
Praise and Protreptic in Early Imperial Panegyric
Quasi Homo
Quasi Homo: Distortion and Contortion in Seneca’s Apocolocyntosis Susanna Morton Braund and Paula James The subject of our paper is one particular grotesque body—that of the emperor Claudius as depicted in Seneca’s Apocolocyntosis. In this short prose satire on the (attempted) deification of Claudius, written in 54 c.e. shortly after Nero’s accession, Seneca presents Claudius as a distorted and contorted specimen—both a monstrous beast and a ridi…
Amor
Libertas or Licentia? Freedom and Criticism in Roman Satire
Mind the Gap
This chapter contains sections titled: Acknowledgment Further Reading
A Companion to Persius and Juvenal
Juvenal
Amor
Latin Poetry and Its Reception
This volume offers 18 new studies reflecting the latest scholarship on Latin verse, explored both in its original context and in subsequent contexts as it has been translated and re-imagined. All chapters reflect the wide research interests of Prof. Susanna Braund, to whom the volume is dedicated. Latin Poetry and Its Reception assembles a blend of senior scholars and new voices in Latin literary studies. It makes important contributions to the u…
Art (9 obras) · Classical Antiquity Studies (9 obras) · Literature (8 obras) · Philosophy (7 obras) · History (6 obras) · Poetry (5 obras) · Classical Philosophy and Thought (4 obras) · History and criticism (4 obras) · History and criticism (4 obras) · Medieval Literature and History (4 obras)