Anthony Cross

• Shared Aesthetic Experience, Community, and Meaningfulness

  Anthony Cross•ARTICLE•Philosophical Topics•2024

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  Aesthetic communities offer us opportunities for collective, communal, and value-disclosing shared aesthetic experiences. This paper develops an account of shared aesthetic experiences andprovides an answer to the question of their significance: when they occur within aesthetic communities, their distinctive phenomenology is a powerful resource for creating a sense that our lives are aesthetically meaningful

• Tool, Collaborator, or Participant

  Open Access•Anthony Cro, Anthony Cross•ARTICLE•The British Journal of Aesthetics•2024•Citada por: 2•Referencias: 13

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  Artificial intelligence is now capable of generating sophisticated and compelling images from simple text prompts. In this paper, I focus specifically on how artists might make use of AI to create art. Most existing discourse analogizes AI to a tool or collaborator; this focuses our attention on AI's contribution to the production of an artistically significant output. I propose an alternative approach, the exploration paradigm, which suggests th…

• Aesthetic Commitments and Aesthetic Obligations

  Open Access•Anthony Cross•ARTICLE•Ergo an Open Access Journal of…•2022

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  Resolving to finish reading a novel, staying true to your punk style, or dedicating your life to an artistic project: these are examples of aesthetic commitments. I develop an account of the nature of such commitments, and I argue that they are significant insofar as they help us manage the temporally extended nature of our aesthetic agency and our relationships with aesthetic objects. At the same time, focusing on aesthetic commitments can give …

• Art Criticism as Practical Reasoning

  Anthony Cro, Anthony Cross•ARTICLE•The British Journal of Aesthetics•2017•Citada por: 9

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  Most recent discussions of reasons in art criticism focus on reasons that justify beliefs about the value of artworks. Reviving a long-neglected suggestion from Paul Ziff, I argue that we should focus instead on art-critical reasons that justify actions—namely, particular ways of engaging with artworks. I argue that a focus on practical rather than theoretical reasons yields an understanding of criticism that better fits with our intuitions about…

• English—A Serious Challenge to French in the Reign of Alexander I

  Open Access•Anthony Cross•ARTICLE•The Russian Review•2015

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  After a brief survey of the relative position of foreign languages in the first six decades of the eighteenth century attention is turned to the fortunes of English during the reign of Catherine II, when Anglophilia was evident in the upper echelons of Russian society, inspired by the empress herself, and manifesting itself in an enthusiasm for things British but not necessarily for the English language. Opportunities to acquire a knowledge of th…

• A People Passing Rude

  Open Access•Anthony Professor Cross, Anthony Cross•BOOK•A People Passing Rude•2012

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  Edited by Anthony Cross, a leading authority on Anglo-Russian relations, this collection demonstrates the scope and variety of Russia’s influence on British culture. Moving from the early 1800s – when Byron sent his hero Don Juan to meet Catherine the Great, and an English critic grappled with the challenge of Pushkin – to a series of Russian-themed exhibitions at venues including Crystal Palace and Earls Court, the collection explores British en…

• The Princess & the Patriot

  Sue Prince, Sue Ann Prince et al.•ARTICLE•Transactions of the American…•2006

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  Sue Ann Prince, Baruch S. Blumberg, Michael D. Gordin, Michelle Lamarche Marrese, Marcus C. Levitt, Karen Duval, Alexander Woronzoff-Dashkoff, Svetlana Romanova Dolgova, Anthony Cross, Elena Igorevna Stolbova, The Princess & the Patriot: Ekaterina Dashkova, Benjamin Franklin, and the Age of Enlightenment, Transactions of the American Philosophical Society, New Series, Vol. 96, No. 1 (2006), pp. I-V, VII-XIII, XV-XIX, 1, 3-67, 69, 71-77, 79-129

• Peter the Great through British Eyes

  Marcus C Levitt, Anthony Cross et al.•ARTICLE•The Slavic and East European…•2002

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  Preface 1. Prologue to a visit 2. Peter in England, January-April 1698 3. British reactions to the reigning Peter, 1698-1725 4. Consolidation of a myth, 1726-1761 5. The shadow of the bronze horseman, 1761-1801 6. The testament of Peter the Great and British views of the tsar in the nineteenth century 7. Peter on the British stage 8. The British contribution to Petrine iconography Epilogue

• The Elphinstones in Catherine the Great's Navy

  Anthony Cross•ARTICLE•The Mariner s Mirror•1998•Citada por: 2

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• By the Banks of the Neva

  Brenda Meehan, Anthony Cross•ARTICLE•The American Historical Review•1998

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• By the Banks of the Neva

  Elise Kimerling Wirtschafter, Anthony Cross•ARTICLE•The Slavic and East European…•1998

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• Anglo-Russica

  Walter Gleason, Anthony Cross•ARTICLE•The Russian Review•1995

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• Engraved in the Memory

  John E Bowlt, Anthony Cross•ARTICLE•The Slavic and East European…•1994

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• Russian Gardens, British Gardeners

  Anthony Cross•ARTICLE•Garden History•1991

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• Shorter Notices

  Anthony Cross, A G Cross•ARTICLE•The English Historical Review•1991

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  Shorter Notices Get access A. G. CROSS A. G. CROSS University of Cambridge Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CVI, Issue CCCCXIX, April 1991, Pages 473-b–474, https://doi.org/10.1093/ehr/CVI.CCCCXIX.473-b Published: 01 April 1991

• Shorter Notices

  Anthony Cross, A G Cross•ARTICLE•The English Historical Review•1991

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  Shorter Notices Get access A. G. CROSS A. G. CROSS University of Cambridge Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CVI, Issue CCCCXX, July 1991, Pages 709–710, https://doi.org/10.1093/ehr/CVI.CCCCXX.709 Published: 01 July 1991

• Shorter Notices

  Anthony Cross, A G Cross•ARTICLE•The English Historical Review•1989

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  Journal Article Shorter Notices Get access A. G. CROSS A. G. CROSS University of Cambridge Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CIV, Issue 413, October 1989, Pages 1040–1041, https://doi.org/10.1093/ehr/CIV.413.1040 Published: 01 October 1989

• Russia and the World of the Eighteenth Century

  Kevin J McKenna, R P Bartlett et al.•ARTICLE•The Slavic and East European…•1989

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• The Russian Theme in English Literature from the Sixteenth Century to 1980

  Max J Okenfuss, Anthony Cross et al.•ARTICLE•The Slavic and East European…•1987

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• Ernst Hermann Meyer

  Anthony Cross•ARTICLE•The Musical Times•1985

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• Bartok Analysed

  Anthony Cross, Elliott Antokoletz•ARTICLE•The Musical Times•1985

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• Lucid Guide

  Anthony Cross, Paul Griffiths•ARTICLE•The Musical Times•1984

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• The Miraculous Mandarin; Two Portraits

  Anthony Cross, Bartok Bartok et al.•ARTICLE•The Musical Times•1981

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• GDR

  Anthony Cross, Heinz Alfred Brockhaus et al.•ARTICLE•The Musical Times•1981

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• Derzhavin au Canada

  Anthony Cross, A G Cross•ARTICLE•Canadian Slavonic Papers•1981

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• Art Criticism as Practical Reasoning

  Anthony Cro, Anthony Cross•ARTICLE•The British Journal of Aesthetics•2017•Citada por: 9

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  Most recent discussions of reasons in art criticism focus on reasons that justify beliefs about the value of artworks. Reviving a long-neglected suggestion from Paul Ziff, I argue that we should focus instead on art-critical reasons that justify actions—namely, particular ways of engaging with artworks. I argue that a focus on practical rather than theoretical reasons yields an understanding of criticism that better fits with our intuitions about…

• Tool, Collaborator, or Participant

  Open Access•Anthony Cro, Anthony Cross•ARTICLE•The British Journal of Aesthetics•2024•Citada por: 2•Referencias: 13

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  Artificial intelligence is now capable of generating sophisticated and compelling images from simple text prompts. In this paper, I focus specifically on how artists might make use of AI to create art. Most existing discourse analogizes AI to a tool or collaborator; this focuses our attention on AI's contribution to the production of an artistically significant output. I propose an alternative approach, the exploration paradigm, which suggests th…

• The Elphinstones in Catherine the Great's Navy

  Anthony Cross•ARTICLE•The Mariner s Mirror•1998•Citada por: 2

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• N. M. Karamzin

  Ivan Elagin, Anthony Cross et al.•ARTICLE•The Russian Review•1972•Citada por: 2

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• By the Banks of the Thames

  James Cracraft, Anthony Cross et al.•ARTICLE•The Russian Review•1980•Citada por: 1

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• Russia under Western Eyes, 1517-1825

  James Cracraft, Anthony Cross•ARTICLE•The Russian Review•1972•Citada por: 1

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• Sonata for Two Pianos and Percussion; Suite, Op 14; Contrasts

  Anthony Cross, Bartok Bartok et al.•ARTICLE•The Musical Times•1967

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• Choral Works I

  Anthony Cross, Kodaly Kodaly et al.•ARTICLE•The Musical Times•1967

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• Problems of Form and Literary Influence in the Poetry of Karamzin

  Open Access•Anthony Cro, Anthony Cross•ARTICLE•Slavic Review•1968

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  Although his poetry enjoyed considerable contemporary popularity, Nikolai Mikhailovich Karamzin belonged to the generation of poets characterized by Ivan Rozanov as "interesting precisely for its attempts and strivings: we find almost no attainments here." Despite the curious fact that Karamzin's verse has been reprinted in the present century more frequently than his prose, its interest for the modern reader is of an essentially historical natur…

• George Borrow and Russia

  Anthony Cross, A G Cross•ARTICLE•The Modern Language Review•1969

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• The Reverend William Tooke's Contribution to English Knowledge of Russia at the End of the Eighteenth Century

  Anthony Cross, A G Cross•ARTICLE•Canadian-American Slavic Studies•1969

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  Indeed if he have executed his task with fidelity and elegance, he may in some degree appropriate it; he becomes part-owner of it; he is unquestionably author of the translated book; and that book is as much an original in England, for instance, as that from which it is taken is in Germany. Add to this, the labour and pains, the toilsome drudgery it costs, to become thoroughly master of a foreign tongue, its various idioms and phraseology; not to…

• John Rogerson , Physician to Catherine the Great

  Anthony Cross•ARTICLE•Canadian-American Slavic Studies•1970

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• Piano Concertos nos 1 and 3

  Anthony Cross, Bartok Bartok et al.•ARTICLE•The Musical Times•1970

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• Simplified Bartok

  Anthony Cross, Everett Helm•ARTICLE•The Musical Times•1971

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• Personal Views

  Anthony Cross•ARTICLE•The Musical Times•1972

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• Bartok from the Left

  Anthony Cross, Joszef Ujfalussy•ARTICLE•The Musical Times•1972

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• N. M. Karamzin

  Ivan Elagin, Anthony Cross et al.•ARTICLE•The Russian Review•1972•Citada por: 2

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• Russia under Western Eyes, 1517-1825

  James Cracraft, Anthony Cross•ARTICLE•The Russian Review•1972•Citada por: 1

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• The Russian Literary Scene in The Reign of Paul I

  Anthony Cross•ARTICLE•Canadian-American Slavic Studies•1973

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• Note

  Anthony Cross•ARTICLE•Canadian-American Slavic Studies•1973

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• Early English Specimens of the Russian Poets

  Anthony Cross•ARTICLE•Canadian-American Slavic Studies•1975

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• A Hungarian View

  Anthony Cross, Zoltan Kodaly•ARTICLE•The Musical Times•1975

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• Bartok Outlined

  Anthony Cross, Gyorgy Kroo•ARTICLE•The Musical Times•1975

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• Russian Literature in the Age of Catherine the Great

  Harold B Segel, Anthony Cross et al.•ARTICLE•The Russian Review•1978

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• British Knowledge of Russian Culture (1698-1801)

  Anthony Cross, A G Cross•ARTICLE•Canadian-American Slavic Studies•1979

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• By the Banks of the Thames

  James Cracraft, Anthony Cross et al.•ARTICLE•The Russian Review•1980•Citada por: 1

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• The Miraculous Mandarin; Two Portraits

  Anthony Cross, Bartok Bartok et al.•ARTICLE•The Musical Times•1981

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• GDR

  Anthony Cross, Heinz Alfred Brockhaus et al.•ARTICLE•The Musical Times•1981

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• Derzhavin au Canada

  Anthony Cross, A G Cross•ARTICLE•Canadian Slavonic Papers•1981

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• Lucid Guide

  Anthony Cross, Paul Griffiths•ARTICLE•The Musical Times•1984

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• Ernst Hermann Meyer

  Anthony Cross•ARTICLE•The Musical Times•1985

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