Frederick M Jones
Datos Biográficos
| ID | 5660599 |
|---|---|
| NOMBRE | Frederick M Jones |
| NOMBRES | Frederick M |
| APELLIDO | Jones |
| FIRMA | JONES F M |
| AFILIACIONES | University of Liverpool |
| VERIFICADO | No |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAS | 3 |
| OBRAS COMO AUTOR | 3 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1990 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2014 |
| ÍNDICE H | 1 |
Roman Gardens, Imagination, and Cognitive Structure
The article deals with the Roman garden and sets it in the context of identity, imagination, and cognitive development. Although the implications of the argument are empire-wide, the focus here is primarily on the urban gardens of the city of Rome ca. 60 b.c .- a.d . 60. The person experiencing one garden sees through it other gardens, real, historical, or poetic. ‘The garden’ and representations of the garden become places for thinking about lit…
The Caged Bird In Roman Life And Poetry; Metaphor, Cognition, And Value
This paper considers the domestic caged bird as a cultural artefact in Rome, identifying it as a specifically Roman phenomenon related to Roman habits of acquisition, collection, and display. It further considers the aesthetic aspects of the caged bird and how it impacted on social and mental space both directly and through the media of painting and literature. In this respect the caged bird is considered in relation to accessible metaphoric read…
The Persona and the Addressee in Juvenal Satire 11
The approach to the Satires of Juvenal via the persona theory is well-known and has been productive. Somewhat less notice has been given to the fact that a considerable number of the satires have their persona moulded around another character, an addressee or an interlocutor, or sometimes an important narrative figure. Such characters ‘justify’ the persona , which can now be seen as a kind of ad hominem irony. This matter is intricately linked wi…
Roman Gardens, Imagination, and Cognitive Structure
The article deals with the Roman garden and sets it in the context of identity, imagination, and cognitive development. Although the implications of the argument are empire-wide, the focus here is primarily on the urban gardens of the city of Rome ca. 60 b.c .- a.d . 60. The person experiencing one garden sees through it other gardens, real, historical, or poetic. ‘The garden’ and representations of the garden become places for thinking about lit…
The Caged Bird In Roman Life And Poetry; Metaphor, Cognition, And Value
This paper considers the domestic caged bird as a cultural artefact in Rome, identifying it as a specifically Roman phenomenon related to Roman habits of acquisition, collection, and display. It further considers the aesthetic aspects of the caged bird and how it impacted on social and mental space both directly and through the media of painting and literature. In this respect the caged bird is considered in relation to accessible metaphoric read…
The Persona and the Addressee in Juvenal Satire 11
The approach to the Satires of Juvenal via the persona theory is well-known and has been productive. Somewhat less notice has been given to the fact that a considerable number of the satires have their persona moulded around another character, an addressee or an interlocutor, or sometimes an important narrative figure. Such characters ‘justify’ the persona , which can now be seen as a kind of ad hominem irony. This matter is intricately linked wi…
The Caged Bird In Roman Life And Poetry; Metaphor, Cognition, And Value
This paper considers the domestic caged bird as a cultural artefact in Rome, identifying it as a specifically Roman phenomenon related to Roman habits of acquisition, collection, and display. It further considers the aesthetic aspects of the caged bird and how it impacted on social and mental space both directly and through the media of painting and literature. In this respect the caged bird is considered in relation to accessible metaphoric read…
Roman Gardens, Imagination, and Cognitive Structure
The article deals with the Roman garden and sets it in the context of identity, imagination, and cognitive development. Although the implications of the argument are empire-wide, the focus here is primarily on the urban gardens of the city of Rome ca. 60 b.c .- a.d . 60. The person experiencing one garden sees through it other gardens, real, historical, or poetic. ‘The garden’ and representations of the garden become places for thinking about lit…
Art (3 obras) · Classical Antiquity Studies (3 obras) · Aesthetics (2 obras) · Argument (complex analysis (2 obras) · Historical and Literary Studies (2 obras) · Humanities (2 obras) · Literature (2 obras) · Philosophy (2 obras) · Philosophy (2 obras) · Ancient Mediterranean Archaeology and History (1 obra)