Nico De Klerk
Datos Biográficos
| ID | 5665705 |
|---|---|
| NOMBRE | Nico De Klerk |
| NOMBRES | Nico |
| APELLIDO | De Klerk |
| FIRMA | DE KLERK N |
| AFILIACIONES | Utrecht University |
| ORCID | 0009-0004-4673-5050 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 0 |
| OBRAS COMO AUTOR | 7 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2013 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 0 |
A war without representation a 1912 cinematographic reenactment of the 1898 Pedir expedition, Aceh
In 1911, the association ‘Koloniaal Instituut’ in Amsterdam decided to sponsor a series of information films about colonial Indonesia, at the time known as the Netherlands East-Indies. In February 1912, the institute commissioned J.C. Lamster, a captain in the colonial army, to make film records of a variety of topics, traditional as well as contemporary. The assignment came with detailed instructions: a list of topics that were to be recorded tr…
The Educational Dispositif
Introduction to the special issue on The Educational Dispositif
Dismantling the Dispositif
The following is a case study of a series of pioneering tests with visual teaching aids in elementary and secondary schools in the United States, conducted between 1920 and 1923. As it happened, these tests coincided with similar experiments in the Netherlands. Although unbeknown to each other, the innovative aspect of both studies consisted in taking their research into the classroom. With this measure experimenters in both countries hoped to co…
Home Away from Home
Wolfgang Fuhrmann. Imperial Projections
Opening the gates
In the following article I argue that the public presentations of film heritage institutes largely focus on feature-length, predominantly fiction films. This statement is based on a survey I did within the framework of my PhD research of public programming information on the websites of 24 film heritage institutes, in February 2014. The results of this survey clearly show that these institutes’ public, curatorial activities fall short of their mi…
Years of Image Control
Between February 1912 and February 1913, J.C. Lamster made a few dozen films for the Dutch Colonial Institute in the Netherlands East Indies. The films served as propaganda for audiences in Holland and were screened in non-theatrical venues, subordinated to introductions and explanations spoken before and during the films’ projection. The publication, in 2010, of a DVD and an accompanying book of Lamster’s work formed the occasion to reflect on t…
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Years of Image Control
Between February 1912 and February 1913, J.C. Lamster made a few dozen films for the Dutch Colonial Institute in the Netherlands East Indies. The films served as propaganda for audiences in Holland and were screened in non-theatrical venues, subordinated to introductions and explanations spoken before and during the films’ projection. The publication, in 2010, of a DVD and an accompanying book of Lamster’s work formed the occasion to reflect on t…
Opening the gates
In the following article I argue that the public presentations of film heritage institutes largely focus on feature-length, predominantly fiction films. This statement is based on a survey I did within the framework of my PhD research of public programming information on the websites of 24 film heritage institutes, in February 2014. The results of this survey clearly show that these institutes’ public, curatorial activities fall short of their mi…
Wolfgang Fuhrmann. Imperial Projections
Home Away from Home
The Educational Dispositif
Introduction to the special issue on The Educational Dispositif
Dismantling the Dispositif
The following is a case study of a series of pioneering tests with visual teaching aids in elementary and secondary schools in the United States, conducted between 1920 and 1923. As it happened, these tests coincided with similar experiments in the Netherlands. Although unbeknown to each other, the innovative aspect of both studies consisted in taking their research into the classroom. With this measure experimenters in both countries hoped to co…
A war without representation a 1912 cinematographic reenactment of the 1898 Pedir expedition, Aceh
In 1911, the association ‘Koloniaal Instituut’ in Amsterdam decided to sponsor a series of information films about colonial Indonesia, at the time known as the Netherlands East-Indies. In February 1912, the institute commissioned J.C. Lamster, a captain in the colonial army, to make film records of a variety of topics, traditional as well as contemporary. The assignment came with detailed instructions: a list of topics that were to be recorded tr…
Computer Science (3 obras) · Art (2 obras) · Art history (2 obras) · Digital and Traditional Archives Management (2 obras) · History (2 obras) · History (2 obras) · Mathematics education (2 obras) · Media studies (2 obras) · Philippine History and Culture (2 obras) · Political science (2 obras)