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Andre Bleikasten

Datos Biográficos

ID5701628
NOMBREAndre Bleikasten
NOMBRESAndre
APELLIDOBleikasten
FIRMABLEIKASTEN A
VERIFICADONo
TOTAL DE OBRAS7
TOTAL DE CITAS0
OBRAS COMO AUTOR7
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1978
AÑO MÁS RECIENTE DE PUBLICACIÓN2016
ÍNDICE H0
  • The Ink of Melancholy

    Andre Bleikasten•BOOK•Ink of Melancholy•2016

  • Y a-t-il une critique américaine

    Andre Bleikasten•ARTICLE•Revue française d’études…•1995

    Since the demise of the New Criticism in the sixties, literary theory has become a central and highly controversial issue in the American academy. European and especially French thinkers, from Derrida to Kristeva, have played a major part in the debates that have been raging over the function and meaning of literature, and American criticism has certainly gained from their questioning of traditional assumptions. It remains to be seen, however, wh…

  • Moby-Dick et la question du livre

    Andre Bleikasten•ARTICLE•Revue française d’études…•1991

    Moby-Dick and the Question of the Book In Moby-Dick, Melville pursued the old Western dream, revived in the 19th century by German Romanticism, of the liber mundi, the unique and absolute Book that would encompass the totality of knowledge. The world's text, however, can no longer be authenticated by God's signature, as it was in the Middle Ages. Its totality has broken into fragments ; the new Bible is nothing more than « the draught of a draugh…

  • The Ink of Melancholy

    David Minter, D W Minter et al.•ARTICLE•American Literature•1991

  • The Ink of Melancholy

    Andre Bleikasten•BOOK•The ink of melancholy•1990

    The period from the late 1920s to the early 1940s was in Faulkner's career one of prodigious fertility, and the creative outburst on which it opens-from The Sound and the Fury (1929) through As I Lay Dying (1930) and Sanctuary (1931) to Light in August (1932)-touches indeed on the miraculous. It is the four children of this miracle that André Bleikasten re-examines and re-evaluates in his substantial new book on Faulkner. But rather than approach…

  • Roman vrai, vrai roman ou l’indestructible récit

    Andre Bleikasten•ARTICLE•Revue française d’études…•1987

    Whether historical or literary, narrative discourse has lost a good deal of its credit. Out of concern with conceptual rigor, today's most innovative historians attempt to dispense with it, and the questioning of narrative has perhaps been even more radical with modern and postmodern writers. Yet neither historians nor novelists have given up narrating and probably could not do so without forfeiting their specificity. Far from having exhausted it…

  • The Most Splendid Failure

    Richard A Milum, Andre Bleikasten•ARTICLE•American Literature•1978

Sin obras prominentes en esta página.

  • The Most Splendid Failure

    Richard A Milum, Andre Bleikasten•ARTICLE•American Literature•1978

  • Roman vrai, vrai roman ou l’indestructible récit

    Andre Bleikasten•ARTICLE•Revue française d’études…•1987

    Whether historical or literary, narrative discourse has lost a good deal of its credit. Out of concern with conceptual rigor, today's most innovative historians attempt to dispense with it, and the questioning of narrative has perhaps been even more radical with modern and postmodern writers. Yet neither historians nor novelists have given up narrating and probably could not do so without forfeiting their specificity. Far from having exhausted it…

  • The Ink of Melancholy

    Andre Bleikasten•BOOK•The ink of melancholy•1990

    The period from the late 1920s to the early 1940s was in Faulkner's career one of prodigious fertility, and the creative outburst on which it opens-from The Sound and the Fury (1929) through As I Lay Dying (1930) and Sanctuary (1931) to Light in August (1932)-touches indeed on the miraculous. It is the four children of this miracle that André Bleikasten re-examines and re-evaluates in his substantial new book on Faulkner. But rather than approach…

  • Moby-Dick et la question du livre

    Andre Bleikasten•ARTICLE•Revue française d’études…•1991

    Moby-Dick and the Question of the Book In Moby-Dick, Melville pursued the old Western dream, revived in the 19th century by German Romanticism, of the liber mundi, the unique and absolute Book that would encompass the totality of knowledge. The world's text, however, can no longer be authenticated by God's signature, as it was in the Middle Ages. Its totality has broken into fragments ; the new Bible is nothing more than « the draught of a draugh…

  • The Ink of Melancholy

    David Minter, D W Minter et al.•ARTICLE•American Literature•1991

  • Y a-t-il une critique américaine

    Andre Bleikasten•ARTICLE•Revue française d’études…•1995

    Since the demise of the New Criticism in the sixties, literary theory has become a central and highly controversial issue in the American academy. European and especially French thinkers, from Derrida to Kristeva, have played a major part in the debates that have been raging over the function and meaning of literature, and American criticism has certainly gained from their questioning of traditional assumptions. It remains to be seen, however, wh…

  • The Ink of Melancholy

    Andre Bleikasten•BOOK•Ink of Melancholy•2016

Art (7 obras) · Literature (5 obras) · Cultural Insights and Digital Impacts (3 obras) · History (3 obras) · Philosophy (3 obras) · Philosophy (3 obras) · Psychology (3 obras) · Acoustics (2 obras) · Composite material (2 obras) · Epistemology (2 obras)

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