David Maskell

Datos Biográficos

ID5772094
NOMBREDavid Maskell
NOMBRESDavid
APELLIDOMaskell
FIRMAMASKELL D
AFILIACIONESORIEL COLLEGE OXFORD
VERIFICADONo
TOTAL DE OBRAS9
TOTAL DE CITAS0
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1977
AÑO MÁS RECIENTE DE PUBLICACIÓN2002
ÍNDICE H0

  • Terence, Tabarin and Molière's Fourberies de Scapin

    David MaskellARTICLEFrench Studies2002

    1Oriel College, Oxford

  • Corneille's Examens Examined

    David Maskell, Duke MaskellARTICLEFrench Studies1997

    L'A. analyse simultanement Horace de Corneille, et la partie des Examens qui s'y rapporte. Il montre que ces Examens fonctionnent comme de petits drames mettant en scene des voix conflictuelles qui entrent egalement en conflit avec les voix de la piece dont elles traitent en ceci qu'elles vont apparaitre comme des reflexions posterieures et/ou anterieures a celle-ci. Les Examens ajoutent ainsi, en un veritable dialogue critique, des niveaux suppl…

  • Yale French studies. Baroque topographies

    David MaskellARTICLEHistory of European Ideas1993

  • Molière's l'ÉTourdi

    David MaskellARTICLEFrench Studies1992

    MOLIÈRE'S L'ÉTOURDI: SIGNS OF THINGS TO COME Get access DAVID MASKELL DAVID MASKELL ORIEL COLLEGEOXFORD Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLVI, Issue 1, January 1992, Pages 12–25, https://doi.org/10.1093/fs/XLVI.1.12 Published: 01 January 1992

  • Racine

    David MaskellBOOKRacine1991

    This study is the first systematic exploration of Racine's theatricality. It is based on a close examination of all Racine's plays and on evidence for performance of them from the seventeenth century to the present day. The author considers, with the help of illustrations, the relationship between verbal and visual effects. He shows how the decor in plays such as Andromaque, Britannicus, and Berenice is significant for the action, and indicates t…

  • Racine

    David MaskellBOOKRacine1991

  • Setting the Scene

    David MaskellCHAPTERRacine1991

    In the seventeenth century, theatres were constructed on narrow buildings primarily built for tennis; the seats were classified according to status quo, but whether they were seats for the aristocrats or the common people, no seats offered much possibility for viewing the plays in proper perspective. This chapter begins with an overview of the structures of theatres in the seventeenth century and discusses the different factors that affected prop…

  • Montaigne and the Victor of Montcontour

    David MaskellARTICLEFrench Studies1978

    Journal Article MONTAIGNE AND THE VICTOR OF MONTCONTOUR Get access DAVID MASKELL DAVID MASKELL NEWCASTLE UPON TYNE Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXXII, Issue 2, April 1978, Pages 129–144, https://doi.org/10.1093/fs/XXXII.2.129 Published: 01 April 1978

  • French Renaissance Scientific Poetry

    David Maskell, D WilsonARTICLEThe Modern Language Review1977