J Douglas Canfield

• Mavericks on the Border

  Melissa Hussain, Jack Canfield et al.•ARTICLE•Rocky Mountain Review of Language…•2002

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• Congreve, the Drama, and the Printed Word

  Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1991

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  Note to the reader Introduction 1. Drama and print 2. Publishers, pirates and the library text 3. The technologized muse 4. 'Asterisms' 5. Scandal's portraits 6. The dictionary and the monkey 7. Nature and art Conclusion Notes References Index

• Word as Bond in English Literature From the Middle Ages to the Restoration

  John P Zomchick, Jack Canfield et al.•ARTICLE•Eighteenth-Century Studies•1991

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• John Dryden

  Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1990

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• Restoration Comedy in Performance

  Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1988

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  Introduction and approach 2. The playhouse and the performance 3. The actor 4. The actress 5. Stage and sexual tactics 6. A mode of speech 7. The spirit of the performance Appendices Selected bibliography Index

• "Pope's "Essay on Man

  Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1985

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• The Ideology of Restoration Tragicomedy

  Jack Canfield, J Douglas Canfield•ARTICLE•ELH•1984•Citada por: 1•Referencias: 1

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  In a recent article, Laura S. Brown, adopting an argument made years ago by Eugene Waith about Fletcherian tragicomedy and adapting it to Restoration tragicomedy, argues that these plays too subordinate thematics to aesthetics, that they emphasize formal patterning to virtual renunciation of meaning.' This formal pattern in both and plots, Brown asserts, is that of 'intrigue, successful conclusion of which is all that really interests audience. T…

• Nicholas Rowe and Christian Tragedy

  Mark S Auburn, Jack Canfield et al.•ARTICLE•Eighteenth-Century Studies•1979

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• The Significance of the Restoration Rhymed Heroic Play

  Jack Canfield, J Douglas Canfield•ARTICLE•Eighteenth-Century Studies•1979

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  MIUCH HAS BEEN WRITTEN about the Restoration rhymed heroic play, the bulk portraying its significance only in terms of literary or theatre history, characterizing it as an outrageous experiment that failed. Most critics do not understand how anyone could have taken this bombastic stuff seriously. Some critics have gone so far to save for respectability those heroic plays of John Dryden as to view their significance as satirical.1 I should like to…

• The Jewel of Great Price

  Jack Canfield, J Douglas Canfield•ARTICLE•ELH•1975

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  Sleep, blest Pair, Secure from chance, long Ages out, While all the of fly o'er your Tomb.1 This speech by the Egyptian priest Serapion at the end of John Dryden's Allfor Love terminates what the major theme of the play but one that has gone virtually unnoticed in criticism until recently. In one of the most provocative articles ever published on the best English tragedy of the entire Restoration, eighteenth, and nineteenth centuries, Derek W. Hu…

• The Ideology of Restoration Tragicomedy

  Jack Canfield, J Douglas Canfield•ARTICLE•ELH•1984•Citada por: 1•Referencias: 1

  Añadir item

  In a recent article, Laura S. Brown, adopting an argument made years ago by Eugene Waith about Fletcherian tragicomedy and adapting it to Restoration tragicomedy, argues that these plays too subordinate thematics to aesthetics, that they emphasize formal patterning to virtual renunciation of meaning.' This formal pattern in both and plots, Brown asserts, is that of 'intrigue, successful conclusion of which is all that really interests audience. T…

• The Jewel of Great Price

  Jack Canfield, J Douglas Canfield•ARTICLE•ELH•1975

  Añadir item

  Sleep, blest Pair, Secure from chance, long Ages out, While all the of fly o'er your Tomb.1 This speech by the Egyptian priest Serapion at the end of John Dryden's Allfor Love terminates what the major theme of the play but one that has gone virtually unnoticed in criticism until recently. In one of the most provocative articles ever published on the best English tragedy of the entire Restoration, eighteenth, and nineteenth centuries, Derek W. Hu…

• Nicholas Rowe and Christian Tragedy

  Mark S Auburn, Jack Canfield et al.•ARTICLE•Eighteenth-Century Studies•1979

  Añadir item

• The Significance of the Restoration Rhymed Heroic Play

  Jack Canfield, J Douglas Canfield•ARTICLE•Eighteenth-Century Studies•1979

  Añadir item

  MIUCH HAS BEEN WRITTEN about the Restoration rhymed heroic play, the bulk portraying its significance only in terms of literary or theatre history, characterizing it as an outrageous experiment that failed. Most critics do not understand how anyone could have taken this bombastic stuff seriously. Some critics have gone so far to save for respectability those heroic plays of John Dryden as to view their significance as satirical.1 I should like to…

• The Ideology of Restoration Tragicomedy

  Jack Canfield, J Douglas Canfield•ARTICLE•ELH•1984•Citada por: 1•Referencias: 1

  Añadir item

  In a recent article, Laura S. Brown, adopting an argument made years ago by Eugene Waith about Fletcherian tragicomedy and adapting it to Restoration tragicomedy, argues that these plays too subordinate thematics to aesthetics, that they emphasize formal patterning to virtual renunciation of meaning.' This formal pattern in both and plots, Brown asserts, is that of 'intrigue, successful conclusion of which is all that really interests audience. T…

• "Pope's "Essay on Man

  Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1985

  Añadir item

• Restoration Comedy in Performance

  Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1988

  Añadir item

  Introduction and approach 2. The playhouse and the performance 3. The actor 4. The actress 5. Stage and sexual tactics 6. A mode of speech 7. The spirit of the performance Appendices Selected bibliography Index

• John Dryden

  Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1990

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• Congreve, the Drama, and the Printed Word

  Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1991

  Añadir item

  Note to the reader Introduction 1. Drama and print 2. Publishers, pirates and the library text 3. The technologized muse 4. 'Asterisms' 5. Scandal's portraits 6. The dictionary and the monkey 7. Nature and art Conclusion Notes References Index

• Word as Bond in English Literature From the Middle Ages to the Restoration

  John P Zomchick, Jack Canfield et al.•ARTICLE•Eighteenth-Century Studies•1991

  Añadir item

• Mavericks on the Border

  Melissa Hussain, Jack Canfield et al.•ARTICLE•Rocky Mountain Review of Language…•2002

  Añadir item

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