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Douglas W Shadle

Datos Biográficos

ID5960692
NOMBREDouglas W Shadle
NOMBRESDouglas W
APELLIDOShadle
FIRMASHADLE D W
AFILIACIONESVanderbilt University
VERIFICADONo
TOTAL DE OBRAS7
TOTAL DE CITAS0
TOTAL COMO AUTOR7
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2011
AÑO MÁS RECIENTE DE PUBLICACIÓN2023
ÍNDICE H0
  • The Cambridge Companion to Amy Beach

    Open Access•Marian Wilson Kimber, Robin Rausch et al.•BOOK•Cambridge Companion to Amy Beach•2023

    Amy Beach was a pathbreaking composer and pianist who transcended the restrictions of nineteenth-century Boston to become America's most famous turn-of-the-century female composer and, later in her career, a prominent performing artist and promoter of music education. The Cambridge Companion to Amy Beach makes her life and music accessible to a new generation of listeners. It outlines her remarkable talent as a child prodigy, her marriage to a pr…

  • A Leap of Faith with Dr. Guthrie Ramsey

    Douglas W Shadle•ARTICLE•American Music•2023

    Reading Guthrie Ramsey's Who Hears Here?, a wave of memories pulled me back to the spring semester of 2005, my first year of graduate school at the University of North Carolina at Chapel Hill. Professor David García led an ethnomusicology seminar on music of the African diaspora, and I was one of four students. Our reading list covered a lot of terrain, from classics by J. H. Kwabena Nketia, Paul Berliner, and Samuel Floyd to recent material by R…

  • Sounding Together

    Douglas W Shadle•ARTICLE•Journal of the American…•2022

    Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, edited by Charles Hiroshi Garrett and Carol J. Oja, is easily one of the most rewarding essay collections I have ever read. In the introduction, Garrett and Oja make two complementary claims. First, they present the virtues (and potential pitfalls) of collaborative research and writing, arguing that working in teams “opens up new research vistas, enabling scholars to…

  • Capitalism and the Future of American Classical Music Scholarship

    Open Access•Douglas W Shadle•ARTICLE•American Music•2022

    Perhaps no historical composer has sparked more public interest in recent memory than Florence Price (1888–1953). Since 2018, when Alex Ross of the New Yorker and musicologist Micaela Baranello reported on the world premiere recording of Price's two violin concertos in expansive contextual essays, global performances of her music have skyrocketed, even despite the COVID-19 pandemic. As one scholar among many endeavoring to build on biographical w…

  • Making Music American

    Open Access•Douglas W Shadle•ARTICLE•Music and Letters•2021

    E. Douglas Bomberger’s Making Music American is a highly engaging and deftly researched account of American musical activities in the year 1917. This specific year is worthy of book-length treatment, he argues, because two pivotal events—the release of the first jazz record and the US government’s declaration of war—left indelible marks on American musical culture. Echoing the narrative structure of Hugh MacDonald’s Music in 1853: The Biography o…

  • Damrosch family

    H E Krehbiel, Richard Aldrich et al.•CHAPTER•The new Grove dictionary of music…•2014

  • Louis Moreau Gottschalk’s Pan-American Symphonic Ideal

    Douglas W Shadle, Douglas Shadle•ARTICLE•American Music•2011

    Research Article| December 01 2011 Louis Moreau Gottschalk's Pan-American Symphonic Ideal Douglas Shadle Douglas Shadle Search for other works by this author on: This Site Google American Music (2011) 29 (4): 443–471. https://doi.org/10.5406/americanmusic.29.4.0443 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Douglas Shadle; Louis Moreau Gottschalk's Pan-American Symphonic Ideal. American Music 1 January 2011; 29 (4): …

Sin obras prominentes en esta página.

  • Louis Moreau Gottschalk’s Pan-American Symphonic Ideal

    Douglas W Shadle, Douglas Shadle•ARTICLE•American Music•2011

    Research Article| December 01 2011 Louis Moreau Gottschalk's Pan-American Symphonic Ideal Douglas Shadle Douglas Shadle Search for other works by this author on: This Site Google American Music (2011) 29 (4): 443–471. https://doi.org/10.5406/americanmusic.29.4.0443 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Douglas Shadle; Louis Moreau Gottschalk's Pan-American Symphonic Ideal. American Music 1 January 2011; 29 (4): …

  • Damrosch family

    H E Krehbiel, Richard Aldrich et al.•CHAPTER•The new Grove dictionary of music…•2014

  • Making Music American

    Open Access•Douglas W Shadle•ARTICLE•Music and Letters•2021

    E. Douglas Bomberger’s Making Music American is a highly engaging and deftly researched account of American musical activities in the year 1917. This specific year is worthy of book-length treatment, he argues, because two pivotal events—the release of the first jazz record and the US government’s declaration of war—left indelible marks on American musical culture. Echoing the narrative structure of Hugh MacDonald’s Music in 1853: The Biography o…

  • Sounding Together

    Douglas W Shadle•ARTICLE•Journal of the American…•2022

    Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, edited by Charles Hiroshi Garrett and Carol J. Oja, is easily one of the most rewarding essay collections I have ever read. In the introduction, Garrett and Oja make two complementary claims. First, they present the virtues (and potential pitfalls) of collaborative research and writing, arguing that working in teams “opens up new research vistas, enabling scholars to…

  • Capitalism and the Future of American Classical Music Scholarship

    Open Access•Douglas W Shadle•ARTICLE•American Music•2022

    Perhaps no historical composer has sparked more public interest in recent memory than Florence Price (1888–1953). Since 2018, when Alex Ross of the New Yorker and musicologist Micaela Baranello reported on the world premiere recording of Price's two violin concertos in expansive contextual essays, global performances of her music have skyrocketed, even despite the COVID-19 pandemic. As one scholar among many endeavoring to build on biographical w…

  • The Cambridge Companion to Amy Beach

    Open Access•Marian Wilson Kimber, Robin Rausch et al.•BOOK•Cambridge Companion to Amy Beach•2023

    Amy Beach was a pathbreaking composer and pianist who transcended the restrictions of nineteenth-century Boston to become America's most famous turn-of-the-century female composer and, later in her career, a prominent performing artist and promoter of music education. The Cambridge Companion to Amy Beach makes her life and music accessible to a new generation of listeners. It outlines her remarkable talent as a child prodigy, her marriage to a pr…

  • A Leap of Faith with Dr. Guthrie Ramsey

    Douglas W Shadle•ARTICLE•American Music•2023

    Reading Guthrie Ramsey's Who Hears Here?, a wave of memories pulled me back to the spring semester of 2005, my first year of graduate school at the University of North Carolina at Chapel Hill. Professor David García led an ethnomusicology seminar on music of the African diaspora, and I was one of four students. Our reading list covered a lot of terrain, from classics by J. H. Kwabena Nketia, Paul Berliner, and Samuel Floyd to recent material by R…

Art (6 obras) · Art history (5 obras) · History (5 obras) · Music History and Culture (5 obras) · Musicology and Musical Analysis (4 obras) · Computer Science (3 obras) · Literature (3 obras) · Musical (3 obras) · Symphony (3 obras) · Citation (2 obras)

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