Benjamin Steege
Datos Biográficos
| ID | 5961008 |
|---|---|
| NOMBRE | Benjamin Steege |
| NOMBRES | Benjamin |
| APELLIDO | Steege |
| FIRMA | STEEGE B |
| AFILIACIONES | Max Planck Institute for the History of Science |
| VERIFICADO | No |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2012 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2017 |
| ÍNDICE H | 0 |
Antipsychologism in Interwar Musical Thought
When the philosopher and critic José Ortega y Gasset (1883–1955) diagnosed the literature and music of the post-First-World-War generation as an art of 'dehumanization', he singled out Claude Debussy as a formative exemplar. But what exactly would a 'dehumanized' music sound like? More difficult, what attitude are we to adopt towards a poetics that ostensibly defined itself in opposition to lived human experience? Lesser known than Ortega, but eq…
“The Nature of Harmony”
This article provides and introduction and translation of Riemann's “The Nature of Harmony”. The translation in this article provides an easy access to an important Riemann's own theoretical evolution, which was written at the moment when a budding psychological perspective was beginning to supersede Riemann's earlier acoustical and physiological perspective. Just as Riemann attempts to place his theoretical program within a historical trajectory…
Helmholtz and the Modern Listener
Sin obras prominentes en esta página.
“The Nature of Harmony”
This article provides and introduction and translation of Riemann's “The Nature of Harmony”. The translation in this article provides an easy access to an important Riemann's own theoretical evolution, which was written at the moment when a budding psychological perspective was beginning to supersede Riemann's earlier acoustical and physiological perspective. Just as Riemann attempts to place his theoretical program within a historical trajectory…
Helmholtz and the Modern Listener
Antipsychologism in Interwar Musical Thought
When the philosopher and critic José Ortega y Gasset (1883–1955) diagnosed the literature and music of the post-First-World-War generation as an art of 'dehumanization', he singled out Claude Debussy as a formative exemplar. But what exactly would a 'dehumanized' music sound like? More difficult, what attitude are we to adopt towards a poetics that ostensibly defined itself in opposition to lived human experience? Lesser known than Ortega, but eq…
Art (3 obras) · Philosophy (3 obras) · Epistemology (2 obras) · Helmholtz free energy (2 obras) · History (2 obras) · Linguistics (2 obras) · Literature (2 obras) · Musical (2 obras) · Musicology and Musical Analysis (2 obras) · Physics (2 obras)