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Naomi Greene

Datos Biográficos

ID613475
NOMBRENaomi Greene
NOMBRESNaomi
APELLIDOGreene
FIRMAGREENE N
AFILIACIONESCedars-Sinai Medical Center
ORCID0000-0003-4045-7817
VERIFICADOSí
TOTAL DE OBRAS18
TOTAL DE CITAS3
TOTAL COMO AUTOR18
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1967
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H1
  • The Childbirth Experience Survey (CBEX)

    Open Access•Samia Saeb, Lisa M Korst et al.•ARTICLE•Maternal and Child Health Journal•2025

    CBEX survey data is currently being utilized in hospitals to inform childbirth-specific quality improvement initiatives. By capturing detailed voluntary participant responses, CBEX provides the opportunity to document and explore nuanced aspects of the childbirth experience and subtleties that may be contributing to maternal dissatisfaction

  • Capacity-Building for Collecting Patient-Reported Outcomes and Experiences (PRO) Data Across Hospitals

    Open Access•Samia Saeb, Lisa M Korst et al.•ARTICLE•Maternal and Child Health Journal•2023

    The implementation of PRO data collection in a quality improvement learning collaborative was dependent on multiple organizational capacities for the achievement of project milestones

  • Exploring correlates of support for restricting breast cancer awareness marketing on alcohol containers among women

    Open Access•Naomi Greene, Camella J Rising et al.•ARTICLE•International Journal of Drug…•2023

  • A Tale of the Cold War

    Open Access•Naomi Greene•ARTICLE•Modern Judaism - A Journal of…•2018•Referencias: 2

  • From Fu Manchu to Kung Fu Panda

    Naomi Greene, Sheldon H Lu•BOOK•From Fu Manchu to Kung Fu Panda•2014

    Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith’s silent classic Broken Blossoms (1919) and ending with the computer-animated Kung Fu Panda (2008), this book explores China’s changing role in the American imagination as seen in American films. It analyzes a series of influential films that suggest the welter of intense and conflicting impulses that have surrounde…

  • From Fu Manchu to Kung Fu Panda

    Naomi Greene, Sheldon Hsiao-Peng Lu et al.•BOOK•From Fu Manchu to Kung Fu Panda•2014•Citada por: 1

    Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith's silent classic "Broken Blossoms" (1919) and ending with the computer-animated "Kung Fu Panda" (2008), this book explores China's changing role in the American imagination. Taking viewers into zones that frequently resist logical expression or more orthodox historical investigation, the films suggest the welter of …

  • Maternal Psychosocial Adversity During Pregnancy Is Associated With Length of Gestation and Offspring Size at Birth

    Marion Tegethoff, Naomi Greene et al.•ARTICLE•Psychosomatic Medicine•2010

    OBJECTIVE: To study in a large-scale cohort with prospective data the associations of psychosocial adversities during pregnancy with length of gestation and offspring size at birth. METHODS: We defined a priori two types of psychosocial adversity during pregnancy: life stress (perceived burdens in major areas of life) and emotional symptoms (e.g. anxiety). Measures of offspring size at birth, including body weight, body length, abdominal and head…

  • L'Imaginaire de l'Écran/Screen Imaginary

    Naomi Greene•ARTICLE•French Studies•2006

    Journal Article L'Imaginaire de l'Écran/Screen Imaginary Get access Naomi Greene Naomi Greene University of California at Santa Barbara Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume LX, Issue 1, January 2006, Pages 160–161, https://doi.org/10.1093/fs/kni363 Published: 01 January 2006

  • Landscapes of Loss

    Open Access•Lars Peterson, Naomi Greene•ARTICLE•South Central Review•2000

  • Landscapes of Loss

    Leah Dianne Hewitt, Naomi Greene•ARTICLE•SubStance•2000

    This ambitious work, written in a lucid prose, sets out to show how French films after World War II depict a postwar malaise concerning France's national identity, through the portrayal of key moments from its past. Greene sees France's "obsession" with history over the last half century as actually an emphasis on memory over history, on fiction over fact. According to Greene, this turn away from "concrete realities" (frequently the most horrible…

  • Landscapes of Loss

    Naomi Greene•BOOK•Landscapes of Loss•1999

    In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past:…

  • New Novel, New Wave, New Politics

    Open Access•Naomi Greene, Lynn A Higgins•ARTICLE•South Central Review•1997

  • Pier Paolo Pasolini

    Joseph Francese, Naomi Greene•ARTICLE•Italica•1992

  • Artaud and Film

    Naomi Greene•ARTICLE•Cinema Journal•1984

    Any discussion of Artaud's work in film must bear upon a number of different, but interlocking issues: his cinematic theories, his relation to other filmmakers and artistic movements of the 1920's, the place occupied by his cinematic activities within his whole oeuvre, his role as an actor, the nature of his screenplays and especially of his only screenplay actually made into a film-La coquille et le clergyman-which was directed by Germaine Dulac…

  • Esthetics and Politics in Cinematic Language

    Naomi Greene•ARTICLE•SubStance•1974•Citada por: 1

    France one of the most debated -and perhaps most controversial -issues in literary criticism has been the rapport between literary structures and social and economic ones. In certain circles, it became almost axiomatic to equate realism with capitalism. It took some time before a similar equation between realism and capitalism entered the world of cinema. True, such an equation had already been made in the 1920's: Dziga Vertov and other Soviet Fu…

  • Antonin Artaud

    Sanché de Gramont, Eric Sellin et al.•ARTICLE•diacritics•1971

  • Antonin Artaud

    Naomi Greene•BOOK•Antonin Artaud•1971

  • Antonin Artaud

    Naomi Greene•ARTICLE•Yale French Studies•1967•Citada por: 1

  • From Fu Manchu to Kung Fu Panda

    Naomi Greene, Sheldon Hsiao-Peng Lu et al.•BOOK•From Fu Manchu to Kung Fu Panda•2014•Citada por: 1

    Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith's silent classic "Broken Blossoms" (1919) and ending with the computer-animated "Kung Fu Panda" (2008), this book explores China's changing role in the American imagination. Taking viewers into zones that frequently resist logical expression or more orthodox historical investigation, the films suggest the welter of …

  • Esthetics and Politics in Cinematic Language

    Naomi Greene•ARTICLE•SubStance•1974•Citada por: 1

    France one of the most debated -and perhaps most controversial -issues in literary criticism has been the rapport between literary structures and social and economic ones. In certain circles, it became almost axiomatic to equate realism with capitalism. It took some time before a similar equation between realism and capitalism entered the world of cinema. True, such an equation had already been made in the 1920's: Dziga Vertov and other Soviet Fu…

  • Antonin Artaud

    Naomi Greene•ARTICLE•Yale French Studies•1967•Citada por: 1

  • Antonin Artaud

    Naomi Greene•ARTICLE•Yale French Studies•1967•Citada por: 1

  • Antonin Artaud

    Sanché de Gramont, Eric Sellin et al.•ARTICLE•diacritics•1971

  • Antonin Artaud

    Naomi Greene•BOOK•Antonin Artaud•1971

  • Esthetics and Politics in Cinematic Language

    Naomi Greene•ARTICLE•SubStance•1974•Citada por: 1

    France one of the most debated -and perhaps most controversial -issues in literary criticism has been the rapport between literary structures and social and economic ones. In certain circles, it became almost axiomatic to equate realism with capitalism. It took some time before a similar equation between realism and capitalism entered the world of cinema. True, such an equation had already been made in the 1920's: Dziga Vertov and other Soviet Fu…

  • Artaud and Film

    Naomi Greene•ARTICLE•Cinema Journal•1984

    Any discussion of Artaud's work in film must bear upon a number of different, but interlocking issues: his cinematic theories, his relation to other filmmakers and artistic movements of the 1920's, the place occupied by his cinematic activities within his whole oeuvre, his role as an actor, the nature of his screenplays and especially of his only screenplay actually made into a film-La coquille et le clergyman-which was directed by Germaine Dulac…

  • Pier Paolo Pasolini

    Joseph Francese, Naomi Greene•ARTICLE•Italica•1992

  • New Novel, New Wave, New Politics

    Open Access•Naomi Greene, Lynn A Higgins•ARTICLE•South Central Review•1997

  • Landscapes of Loss

    Naomi Greene•BOOK•Landscapes of Loss•1999

    In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past:…

  • Landscapes of Loss

    Open Access•Lars Peterson, Naomi Greene•ARTICLE•South Central Review•2000

  • Landscapes of Loss

    Leah Dianne Hewitt, Naomi Greene•ARTICLE•SubStance•2000

    This ambitious work, written in a lucid prose, sets out to show how French films after World War II depict a postwar malaise concerning France's national identity, through the portrayal of key moments from its past. Greene sees France's "obsession" with history over the last half century as actually an emphasis on memory over history, on fiction over fact. According to Greene, this turn away from "concrete realities" (frequently the most horrible…

  • L'Imaginaire de l'Écran/Screen Imaginary

    Naomi Greene•ARTICLE•French Studies•2006

    Journal Article L'Imaginaire de l'Écran/Screen Imaginary Get access Naomi Greene Naomi Greene University of California at Santa Barbara Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume LX, Issue 1, January 2006, Pages 160–161, https://doi.org/10.1093/fs/kni363 Published: 01 January 2006

  • Maternal Psychosocial Adversity During Pregnancy Is Associated With Length of Gestation and Offspring Size at Birth

    Marion Tegethoff, Naomi Greene et al.•ARTICLE•Psychosomatic Medicine•2010

    OBJECTIVE: To study in a large-scale cohort with prospective data the associations of psychosocial adversities during pregnancy with length of gestation and offspring size at birth. METHODS: We defined a priori two types of psychosocial adversity during pregnancy: life stress (perceived burdens in major areas of life) and emotional symptoms (e.g. anxiety). Measures of offspring size at birth, including body weight, body length, abdominal and head…

  • From Fu Manchu to Kung Fu Panda

    Naomi Greene, Sheldon H Lu•BOOK•From Fu Manchu to Kung Fu Panda•2014

    Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith’s silent classic Broken Blossoms (1919) and ending with the computer-animated Kung Fu Panda (2008), this book explores China’s changing role in the American imagination as seen in American films. It analyzes a series of influential films that suggest the welter of intense and conflicting impulses that have surrounde…

  • From Fu Manchu to Kung Fu Panda

    Naomi Greene, Sheldon Hsiao-Peng Lu et al.•BOOK•From Fu Manchu to Kung Fu Panda•2014•Citada por: 1

    Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith's silent classic "Broken Blossoms" (1919) and ending with the computer-animated "Kung Fu Panda" (2008), this book explores China's changing role in the American imagination. Taking viewers into zones that frequently resist logical expression or more orthodox historical investigation, the films suggest the welter of …

  • A Tale of the Cold War

    Open Access•Naomi Greene•ARTICLE•Modern Judaism - A Journal of…•2018•Referencias: 2

  • Capacity-Building for Collecting Patient-Reported Outcomes and Experiences (PRO) Data Across Hospitals

    Open Access•Samia Saeb, Lisa M Korst et al.•ARTICLE•Maternal and Child Health Journal•2023

    The implementation of PRO data collection in a quality improvement learning collaborative was dependent on multiple organizational capacities for the achievement of project milestones

  • Exploring correlates of support for restricting breast cancer awareness marketing on alcohol containers among women

    Open Access•Naomi Greene, Camella J Rising et al.•ARTICLE•International Journal of Drug…•2023

  • The Childbirth Experience Survey (CBEX)

    Open Access•Samia Saeb, Lisa M Korst et al.•ARTICLE•Maternal and Child Health Journal•2025

    CBEX survey data is currently being utilized in hospitals to inform childbirth-specific quality improvement initiatives. By capturing detailed voluntary participant responses, CBEX provides the opportunity to document and explore nuanced aspects of the childbirth experience and subtleties that may be contributing to maternal dissatisfaction

Art (13 obras) · History (8 obras) · Literature (8 obras) · Political science (7 obras) · Politics (7 obras) · Law (6 obras) · Aesthetics (5 obras) · Art history (5 obras) · Cinema and Media Studies (5 obras) · French Historical and Cultural Studies (5 obras)

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