Raymond Ammann
Datos Biográficos
| ID | 628374 |
|---|---|
| NOMBRE | Raymond Ammann |
| NOMBRES | Raymond |
| APELLIDO | Ammann |
| FIRMA | AMMANN R |
| AFILIACIONES | Universität Innsbruck |
| VERIFICADO | No |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 3 |
| OBRAS COMO AUTOR | 7 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1996 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2018 |
| ÍNDICE H | 1 |
Middle Sepik music and musical instruments in the context of Melanesia
The ceremonial flutes and the large slit drums are the most significant musical instruments of the Sepik River region. The sculptures and decorations on the instruments link them to the mythical world and their sounds represent the voices of ancestor spirits. Furthermore, a detailed music analysis reveals the miscellaneous and complex ways of how the ceremonial music represents this society’s structure and its driving force. This contribution is …
Musiques du Vanuatu
Musiques du Vanuatu: Fêtes et mystères / Music of Vanuatu: Celebrations and Mysteries. 2013. INEDIT / Maison des Cultures du Monde W260147. Recorded and annotated by Alexandre François and Monika Stern. 24-page booklet and 128-page PDF booklet with notes in French, English, and Bislama. English translation by Brenda Prendergast François and Alexandre François. Colour photographs, map, bibliography/discography. CD, 41 tracks (73:39). Recorded in t…
The Sound of a Person
Konggap , sung melodic motifs that last only a few seconds embody the acoustic representation of a person among the Y upno people of P apua N ew G uinea and are a unique phenomenon in the P acific. The konggap forms a very complex system of personal identification and expression of social relationships; at the same time it connects the singer to the ancestral world. Every person in Y upno society possesses his or her own konggap, and Y upno peopl…
Steep Slopes, Music and Change in the Highlands of Papua New Guinea
Nouvelle-Calédonie / New Caledonia
Le rythme kanak
Un grand nombre de chants traditionnels et de danses des Kanak de Nouvelle-Caledonie sont accompagnes d’une musique generalement appelee « rythme kanak » ou, plus simplement, « le rythme ». Ce rythme ne se compose pas seulement de la musique des instruments percutes, comme le suggere son nom ; sa particularite se trouve dans la relation entre la musique des percussions et celle des sons de voix : chuintements, phrases d’exclamation, cris et siffl…
Ecoute le bambou qui pleure
Le rythme kanak
Un grand nombre de chants traditionnels et de danses des Kanak de Nouvelle-Caledonie sont accompagnes d’une musique generalement appelee « rythme kanak » ou, plus simplement, « le rythme ». Ce rythme ne se compose pas seulement de la musique des instruments percutes, comme le suggere son nom ; sa particularite se trouve dans la relation entre la musique des percussions et celle des sons de voix : chuintements, phrases d’exclamation, cris et siffl…
Middle Sepik music and musical instruments in the context of Melanesia
The ceremonial flutes and the large slit drums are the most significant musical instruments of the Sepik River region. The sculptures and decorations on the instruments link them to the mythical world and their sounds represent the voices of ancestor spirits. Furthermore, a detailed music analysis reveals the miscellaneous and complex ways of how the ceremonial music represents this society’s structure and its driving force. This contribution is …
Ecoute le bambou qui pleure
Le rythme kanak
Un grand nombre de chants traditionnels et de danses des Kanak de Nouvelle-Caledonie sont accompagnes d’une musique generalement appelee « rythme kanak » ou, plus simplement, « le rythme ». Ce rythme ne se compose pas seulement de la musique des instruments percutes, comme le suggere son nom ; sa particularite se trouve dans la relation entre la musique des percussions et celle des sons de voix : chuintements, phrases d’exclamation, cris et siffl…
Nouvelle-Calédonie / New Caledonia
The Sound of a Person
Konggap , sung melodic motifs that last only a few seconds embody the acoustic representation of a person among the Y upno people of P apua N ew G uinea and are a unique phenomenon in the P acific. The konggap forms a very complex system of personal identification and expression of social relationships; at the same time it connects the singer to the ancestral world. Every person in Y upno society possesses his or her own konggap, and Y upno peopl…
Steep Slopes, Music and Change in the Highlands of Papua New Guinea
Musiques du Vanuatu
Musiques du Vanuatu: Fêtes et mystères / Music of Vanuatu: Celebrations and Mysteries. 2013. INEDIT / Maison des Cultures du Monde W260147. Recorded and annotated by Alexandre François and Monika Stern. 24-page booklet and 128-page PDF booklet with notes in French, English, and Bislama. English translation by Brenda Prendergast François and Alexandre François. Colour photographs, map, bibliography/discography. CD, 41 tracks (73:39). Recorded in t…
Middle Sepik music and musical instruments in the context of Melanesia
The ceremonial flutes and the large slit drums are the most significant musical instruments of the Sepik River region. The sculptures and decorations on the instruments link them to the mythical world and their sounds represent the voices of ancestor spirits. Furthermore, a detailed music analysis reveals the miscellaneous and complex ways of how the ceremonial music represents this society’s structure and its driving force. This contribution is …
Art (5 obras) · History (4 obras) · Island Studies and Pacific Affairs (4 obras) · Geography (3 obras) · Humanities (3 obras) · Pacific and Southeast Asian Studies (3 obras) · Art history (2 obras) · Computer Science (2 obras) · Literature (2 obras) · Visual arts (2 obras)