Rebecca Piovesan
Datos Biográficos
| ID | 634342 |
|---|---|
| NOMBRE | Rebecca Piovesan |
| NOMBRES | Rebecca |
| APELLIDO | Piovesan |
| FIRMA | PIOVESAN R |
| AFILIACIONES | University of Padua |
| ORCID | 0000-0002-8231-9845 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAS | 55 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2011 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 5 |
Production recipes of mortar-based materials from ancient Pompeii by quantitative image analysis approach
Make up in the grave
Comparison between different image acquisition methods for grain-size analysis and quantification of ceramic inclusions by digital image processing
Stones of the façade of the Sarno Baths, Pompeii
Characterising the unique polychrome sinopia under the Lod Mosaic, Israel
Minero‐petrographic Study of Cooking Ware and Pompeian Red Ware ( Rosso Pompeiano ) From Cuma (Southern Italy)
Excavations carried out in Cuma by the Centre Jean Bérard archaeologists have uncovered a large quantity of pottery. This study is focused on cooking ware and on internal red‐slip cookware, also known as Pompeian Red Ware ( Rosso Pompeiano ), dated from the first century bc to the first century ad . A comparison with the minero‐petrographic composition of beach sands collected along the Bay of Naples coastline highlights the provenance of the tem…
Fresco and Lime‐paint
Identification of the painting technique adopted by an artist is often debated in studies on the characterization, restoration and conservation of mural paintings. However, objective criteria to identify the two main lime‐based painting techniques, fresco and lime‐paint, have not yet been systematically verified on replicas. Replicas were painted following both fresco and lime‐painting techniques. A comparison of microstratigraphic sequences and …
The Temple of Venus (Pompeii)
The Temple of Venus (Pompeii)
Fresco and Lime‐paint
Identification of the painting technique adopted by an artist is often debated in studies on the characterization, restoration and conservation of mural paintings. However, objective criteria to identify the two main lime‐based painting techniques, fresco and lime‐paint, have not yet been systematically verified on replicas. Replicas were painted following both fresco and lime‐painting techniques. A comparison of microstratigraphic sequences and …
Stones of the façade of the Sarno Baths, Pompeii
Minero‐petrographic Study of Cooking Ware and Pompeian Red Ware ( Rosso Pompeiano ) From Cuma (Southern Italy)
Excavations carried out in Cuma by the Centre Jean Bérard archaeologists have uncovered a large quantity of pottery. This study is focused on cooking ware and on internal red‐slip cookware, also known as Pompeian Red Ware ( Rosso Pompeiano ), dated from the first century bc to the first century ad . A comparison with the minero‐petrographic composition of beach sands collected along the Bay of Naples coastline highlights the provenance of the tem…
Make up in the grave
Comparison between different image acquisition methods for grain-size analysis and quantification of ceramic inclusions by digital image processing
The Temple of Venus (Pompeii)
Fresco and Lime‐paint
Identification of the painting technique adopted by an artist is often debated in studies on the characterization, restoration and conservation of mural paintings. However, objective criteria to identify the two main lime‐based painting techniques, fresco and lime‐paint, have not yet been systematically verified on replicas. Replicas were painted following both fresco and lime‐painting techniques. A comparison of microstratigraphic sequences and …
Minero‐petrographic Study of Cooking Ware and Pompeian Red Ware ( Rosso Pompeiano ) From Cuma (Southern Italy)
Excavations carried out in Cuma by the Centre Jean Bérard archaeologists have uncovered a large quantity of pottery. This study is focused on cooking ware and on internal red‐slip cookware, also known as Pompeian Red Ware ( Rosso Pompeiano ), dated from the first century bc to the first century ad . A comparison with the minero‐petrographic composition of beach sands collected along the Bay of Naples coastline highlights the provenance of the tem…
Characterising the unique polychrome sinopia under the Lod Mosaic, Israel
Stones of the façade of the Sarno Baths, Pompeii
Comparison between different image acquisition methods for grain-size analysis and quantification of ceramic inclusions by digital image processing
Make up in the grave
Production recipes of mortar-based materials from ancient Pompeii by quantitative image analysis approach
Cultural Heritage Materials Analysis (8 obras) · Building materials and conservation (7 obras) · Archaeology (6 obras) · Conservation Techniques and Studies (5 obras) · Geology (5 obras) · Art (4 obras) · Geography (4 obras) · Materials Science (4 obras) · Fresco (3 obras) · Mineralogy (3 obras)