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David Sanjek

Datos Biográficos

ID640223
NOMBREDavid Sanjek
NOMBRESDavid
APELLIDOSanjek
FIRMASANJEK D
AFILIACIONESInstitute for Musicology
VERIFICADONo
TOTAL DE OBRAS24
TOTAL DE CITAS1
TOTAL COMO AUTOR23
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN1990
AÑO MÁS RECIENTE DE PUBLICACIÓN2014
ÍNDICE H1
  • Toussaint, Allen

    David Sanjek•CHAPTER•The new Grove dictionary of music…•2014

  • Performing rights societies

    Gavin Mcfarlane, David Sanjek•CHAPTER•The new Grove dictionary of music…•2014

  • Ridiculing the ‘White Bread Original’

    David Sanjek•ARTICLE•Cultural Studies•2006

    The 1994 US Supreme Court decision in Luther Campbell et al. v. Acuff-Rose Music, Inc., written by Justice David Souter, reversed a lower court decision and argued in favor of the rap group 2 Live Crew's playful critique of Roy Orbison's ‘Oh Pretty Woman’ by its function as parody. This essay seeks to contextualize that decision by showing the roots of 2 Live Crew's recording in the practice of ‘covering’ – the re-recording of an existent popular…

  • Do You Wanna Dance? Historical Narratives and American Popular Music

    Open Access•David Sanjek•ARTICLE•American Quarterly•2005

    Boogaloo: The Quintessence of American Popular Music. By Arthur Kempton. New York: Pantheon, 2003. Ann Arbor: University of Michigan Press, 2005. 498 pages. $27.50 (cloth). $19.95 (paper). Race Music: Black Cultures from Bebop to Hip-Hop. By Guthrie P. Ramsey Jr. Berkeley: University of California Press, 2003. 281 pages. $40.00 (cloth). $16.95 (paper). Stomp and Swerve: American Music Gets Hot, 1843–1924. By David Wondrich. Chicago: Chicago Revie…

  • Neville Brothers, the

    David Sanjek•CHAPTER•The new Grove dictionary of music…•2001

  • Instruments of Desire

    David Sanjek, Steve Waksman•ARTICLE•Journal of American History•2001

    Journal Article Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. By Steve Waksman. (Cambridge: Harvard University Press, 1999. x, 373 pp. $27.95, ISBN 0-67400065-X.) Get access David Sanjek David Sanjek BMI Archives, New York, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 4, March 2001, Pages 1578–1579, https://doi.org/10.2307/267488…

  • Navigating the “Channel”

    Open Access•David Sanjek•ARTICLE•Journal of Popular Music Studies•1999

  • Paying the cost to be the boss

    David Sanjek•ARTICLE•Popular Music & Society•1999

  • I Ain't Afraid of No Kids!” Douglas Rushkoff and the Ascendance of the Digital Sublime

    David Sanjek•ARTICLE•The Review of Education Pedagogy…•1998

  • One Size Does Not Fit All

    David Sanjek•ARTICLE•American Music•1997

    David Sanjek, One Size Does Not Fit All: The Precarious Position of the African American Entrepreneur in Post-World War II American Popular Music, American Music, Vol. 15, No. 4 (Winter, 1997), pp. 535-562

  • Funkentelechy vs. the Stockholm syndrome

    David Sanjek•ARTICLE•Popular Music & Society•1997•Referencias: 7

    (1997). Funkentelechy vs. the Stockholm syndrome: The place of industrial analysis in popular music studies. Popular Music and Society: Vol. 21, No. 1, pp. 73-92

  • Plenary Panel Don't Know Much About History

    Open Access•David Sanjek•ARTICLE•Journal of Popular Music Studies•1996

  • Upside Your Head! Rhythm and Blues on Central Avenue

    David Sanjek, Johnny Otis et al.•ARTICLE•American Music•1996

  • Film review

    David Sanjek•ARTICLE•Popular Music & Society•1996

    Nico Icon (1995, 75 minutes) Written and Directed by Susanne Ofteringer. With John Cale, Jackson Browne, Paul Morrissey, Viva, Billy Name, Tina Aumont, Jonas Mekas, Sterling Morrison. In English, German and French with English subtitles. Roxie Releasing

  • Dr. Hobbes's Parasites

    David Sanjek•ARTICLE•Cinema Journal•1996•Referencias: 1

    In the opening sequence of David Cronenberg's Scanners (1980), we find ourselves in the food court of a brightly lit shopping mall. A young man enters the scene, his protuberant eyes crisscrossing the tables as he searches for scraps of food. Two well-dressed, middle-aged women stare at him, disgusted that their environment should be violated by such a disreputable figure. One observes, Will you look at that fellow over there. I've never seen any…

  • Rhythm and Resistance

    David Sanjek, Ray Pratt et al.•ARTICLE•Journal of American Folklore•1996

  • Sounds of the South

    David Sanjek, Daniel W Patterson•ARTICLE•Journal of American Folklore•1996

  • Will Pop Eat Itself? Pop Music in the Soundbite Era

    David Sanjek, Jeremy J Beadle•ARTICLE•American Music•1995

  • The Bloody Heart of Rock ‘n’ Roll

    Open Access•David Sanjek•ARTICLE•The Journal of Popular Culture•1995•Referencias: 1

  • Blue Moon of Kentucky Rising Over the Mystery Train

    David Sanjek•ARTICLE•South Atlantic Quarterly•1995•Citada por: 1

    Research Article| January 01 1995 Blue Moon of Kentucky Rising Over the Mystery Train: The Complex Construction of Country Music David Sanjek David Sanjek Search for other works by this author on: This Site Google South Atlantic Quarterly (1995) 94 (1): 29–55. https://doi.org/10.1215/00382876-94-1-29 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation David Sanjek; Blue Moon of Kentucky Rising Over th…

  • Chicago Soul

    David Sanjek, Robert Pruter•ARTICLE•Ethnomusicology•1994

  • Pleasure and Principles

    Open Access•David Sanjek•ARTICLE•Journal of Popular Music Studies•1992

  • A department of their own

    David Sanjek•ARTICLE•Popular Music & Society•1992•Referencias: 8

  • Creative Consumption of Popular Culture[s]

    Open Access•David Sanjek, Eric Mottram et al.•ARTICLE•American Quarterly•1990

  • Blue Moon of Kentucky Rising Over the Mystery Train

    David Sanjek•ARTICLE•South Atlantic Quarterly•1995•Citada por: 1

    Research Article| January 01 1995 Blue Moon of Kentucky Rising Over the Mystery Train: The Complex Construction of Country Music David Sanjek David Sanjek Search for other works by this author on: This Site Google South Atlantic Quarterly (1995) 94 (1): 29–55. https://doi.org/10.1215/00382876-94-1-29 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation David Sanjek; Blue Moon of Kentucky Rising Over th…

  • Creative Consumption of Popular Culture[s]

    Open Access•David Sanjek, Eric Mottram et al.•ARTICLE•American Quarterly•1990

  • Pleasure and Principles

    Open Access•David Sanjek•ARTICLE•Journal of Popular Music Studies•1992

  • A department of their own

    David Sanjek•ARTICLE•Popular Music & Society•1992•Referencias: 8

  • Chicago Soul

    David Sanjek, Robert Pruter•ARTICLE•Ethnomusicology•1994

  • Will Pop Eat Itself? Pop Music in the Soundbite Era

    David Sanjek, Jeremy J Beadle•ARTICLE•American Music•1995

  • The Bloody Heart of Rock ‘n’ Roll

    Open Access•David Sanjek•ARTICLE•The Journal of Popular Culture•1995•Referencias: 1

  • Blue Moon of Kentucky Rising Over the Mystery Train

    David Sanjek•ARTICLE•South Atlantic Quarterly•1995•Citada por: 1

    Research Article| January 01 1995 Blue Moon of Kentucky Rising Over the Mystery Train: The Complex Construction of Country Music David Sanjek David Sanjek Search for other works by this author on: This Site Google South Atlantic Quarterly (1995) 94 (1): 29–55. https://doi.org/10.1215/00382876-94-1-29 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation David Sanjek; Blue Moon of Kentucky Rising Over th…

  • Plenary Panel Don't Know Much About History

    Open Access•David Sanjek•ARTICLE•Journal of Popular Music Studies•1996

  • Upside Your Head! Rhythm and Blues on Central Avenue

    David Sanjek, Johnny Otis et al.•ARTICLE•American Music•1996

  • Film review

    David Sanjek•ARTICLE•Popular Music & Society•1996

    Nico Icon (1995, 75 minutes) Written and Directed by Susanne Ofteringer. With John Cale, Jackson Browne, Paul Morrissey, Viva, Billy Name, Tina Aumont, Jonas Mekas, Sterling Morrison. In English, German and French with English subtitles. Roxie Releasing

  • Dr. Hobbes's Parasites

    David Sanjek•ARTICLE•Cinema Journal•1996•Referencias: 1

    In the opening sequence of David Cronenberg's Scanners (1980), we find ourselves in the food court of a brightly lit shopping mall. A young man enters the scene, his protuberant eyes crisscrossing the tables as he searches for scraps of food. Two well-dressed, middle-aged women stare at him, disgusted that their environment should be violated by such a disreputable figure. One observes, Will you look at that fellow over there. I've never seen any…

  • Rhythm and Resistance

    David Sanjek, Ray Pratt et al.•ARTICLE•Journal of American Folklore•1996

  • Sounds of the South

    David Sanjek, Daniel W Patterson•ARTICLE•Journal of American Folklore•1996

  • One Size Does Not Fit All

    David Sanjek•ARTICLE•American Music•1997

    David Sanjek, One Size Does Not Fit All: The Precarious Position of the African American Entrepreneur in Post-World War II American Popular Music, American Music, Vol. 15, No. 4 (Winter, 1997), pp. 535-562

  • Funkentelechy vs. the Stockholm syndrome

    David Sanjek•ARTICLE•Popular Music & Society•1997•Referencias: 7

    (1997). Funkentelechy vs. the Stockholm syndrome: The place of industrial analysis in popular music studies. Popular Music and Society: Vol. 21, No. 1, pp. 73-92

  • I Ain't Afraid of No Kids!” Douglas Rushkoff and the Ascendance of the Digital Sublime

    David Sanjek•ARTICLE•The Review of Education Pedagogy…•1998

  • Navigating the “Channel”

    Open Access•David Sanjek•ARTICLE•Journal of Popular Music Studies•1999

  • Paying the cost to be the boss

    David Sanjek•ARTICLE•Popular Music & Society•1999

  • Neville Brothers, the

    David Sanjek•CHAPTER•The new Grove dictionary of music…•2001

  • Instruments of Desire

    David Sanjek, Steve Waksman•ARTICLE•Journal of American History•2001

    Journal Article Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. By Steve Waksman. (Cambridge: Harvard University Press, 1999. x, 373 pp. $27.95, ISBN 0-67400065-X.) Get access David Sanjek David Sanjek BMI Archives, New York, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 4, March 2001, Pages 1578–1579, https://doi.org/10.2307/267488…

  • Do You Wanna Dance? Historical Narratives and American Popular Music

    Open Access•David Sanjek•ARTICLE•American Quarterly•2005

    Boogaloo: The Quintessence of American Popular Music. By Arthur Kempton. New York: Pantheon, 2003. Ann Arbor: University of Michigan Press, 2005. 498 pages. $27.50 (cloth). $19.95 (paper). Race Music: Black Cultures from Bebop to Hip-Hop. By Guthrie P. Ramsey Jr. Berkeley: University of California Press, 2003. 281 pages. $40.00 (cloth). $16.95 (paper). Stomp and Swerve: American Music Gets Hot, 1843–1924. By David Wondrich. Chicago: Chicago Revie…

  • Ridiculing the ‘White Bread Original’

    David Sanjek•ARTICLE•Cultural Studies•2006

    The 1994 US Supreme Court decision in Luther Campbell et al. v. Acuff-Rose Music, Inc., written by Justice David Souter, reversed a lower court decision and argued in favor of the rap group 2 Live Crew's playful critique of Roy Orbison's ‘Oh Pretty Woman’ by its function as parody. This essay seeks to contextualize that decision by showing the roots of 2 Live Crew's recording in the practice of ‘covering’ – the re-recording of an existent popular…

  • Toussaint, Allen

    David Sanjek•CHAPTER•The new Grove dictionary of music…•2014

  • Performing rights societies

    Gavin Mcfarlane, David Sanjek•CHAPTER•The new Grove dictionary of music…•2014

Art (19 obras) · History (12 obras) · Music History and Culture (12 obras) · Sociology (8 obras) · Art history (7 obras) · Aesthetics (6 obras) · Literature (6 obras) · Political science (6 obras) · Popular music (6 obras) · Visual arts (6 obras)

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