David Sanjek
Datos Biográficos
| ID | 640223 |
|---|---|
| NOMBRE | David Sanjek |
| NOMBRES | David |
| APELLIDO | Sanjek |
| FIRMA | SANJEK D |
| AFILIACIONES | Institute for Musicology |
| VERIFICADO | No |
| TOTAL DE OBRAS | 24 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 23 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1990 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2014 |
| ÍNDICE H | 1 |
Toussaint, Allen
Performing rights societies
Ridiculing the ‘White Bread Original’
The 1994 US Supreme Court decision in Luther Campbell et al. v. Acuff-Rose Music, Inc., written by Justice David Souter, reversed a lower court decision and argued in favor of the rap group 2 Live Crew's playful critique of Roy Orbison's ‘Oh Pretty Woman’ by its function as parody. This essay seeks to contextualize that decision by showing the roots of 2 Live Crew's recording in the practice of ‘covering’ – the re-recording of an existent popular…
Do You Wanna Dance? Historical Narratives and American Popular Music
Boogaloo: The Quintessence of American Popular Music. By Arthur Kempton. New York: Pantheon, 2003. Ann Arbor: University of Michigan Press, 2005. 498 pages. $27.50 (cloth). $19.95 (paper). Race Music: Black Cultures from Bebop to Hip-Hop. By Guthrie P. Ramsey Jr. Berkeley: University of California Press, 2003. 281 pages. $40.00 (cloth). $16.95 (paper). Stomp and Swerve: American Music Gets Hot, 1843–1924. By David Wondrich. Chicago: Chicago Revie…
Neville Brothers, the
Instruments of Desire
Journal Article Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. By Steve Waksman. (Cambridge: Harvard University Press, 1999. x, 373 pp. $27.95, ISBN 0-67400065-X.) Get access David Sanjek David Sanjek BMI Archives, New York, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 4, March 2001, Pages 1578–1579, https://doi.org/10.2307/267488…
Navigating the “Channel”
Paying the cost to be the boss
I Ain't Afraid of No Kids!” Douglas Rushkoff and the Ascendance of the Digital Sublime
One Size Does Not Fit All
David Sanjek, One Size Does Not Fit All: The Precarious Position of the African American Entrepreneur in Post-World War II American Popular Music, American Music, Vol. 15, No. 4 (Winter, 1997), pp. 535-562
Funkentelechy vs. the Stockholm syndrome
(1997). Funkentelechy vs. the Stockholm syndrome: The place of industrial analysis in popular music studies. Popular Music and Society: Vol. 21, No. 1, pp. 73-92
Plenary Panel Don't Know Much About History
Upside Your Head! Rhythm and Blues on Central Avenue
Film review
Nico Icon (1995, 75 minutes) Written and Directed by Susanne Ofteringer. With John Cale, Jackson Browne, Paul Morrissey, Viva, Billy Name, Tina Aumont, Jonas Mekas, Sterling Morrison. In English, German and French with English subtitles. Roxie Releasing
Dr. Hobbes's Parasites
In the opening sequence of David Cronenberg's Scanners (1980), we find ourselves in the food court of a brightly lit shopping mall. A young man enters the scene, his protuberant eyes crisscrossing the tables as he searches for scraps of food. Two well-dressed, middle-aged women stare at him, disgusted that their environment should be violated by such a disreputable figure. One observes, Will you look at that fellow over there. I've never seen any…
Rhythm and Resistance
Sounds of the South
Will Pop Eat Itself? Pop Music in the Soundbite Era
The Bloody Heart of Rock ‘n’ Roll
Blue Moon of Kentucky Rising Over the Mystery Train
Research Article| January 01 1995 Blue Moon of Kentucky Rising Over the Mystery Train: The Complex Construction of Country Music David Sanjek David Sanjek Search for other works by this author on: This Site Google South Atlantic Quarterly (1995) 94 (1): 29–55. https://doi.org/10.1215/00382876-94-1-29 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation David Sanjek; Blue Moon of Kentucky Rising Over th…
Chicago Soul
Pleasure and Principles
A department of their own
Creative Consumption of Popular Culture[s]
Blue Moon of Kentucky Rising Over the Mystery Train
Research Article| January 01 1995 Blue Moon of Kentucky Rising Over the Mystery Train: The Complex Construction of Country Music David Sanjek David Sanjek Search for other works by this author on: This Site Google South Atlantic Quarterly (1995) 94 (1): 29–55. https://doi.org/10.1215/00382876-94-1-29 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation David Sanjek; Blue Moon of Kentucky Rising Over th…
Creative Consumption of Popular Culture[s]
Pleasure and Principles
A department of their own
Chicago Soul
Will Pop Eat Itself? Pop Music in the Soundbite Era
The Bloody Heart of Rock ‘n’ Roll
Blue Moon of Kentucky Rising Over the Mystery Train
Research Article| January 01 1995 Blue Moon of Kentucky Rising Over the Mystery Train: The Complex Construction of Country Music David Sanjek David Sanjek Search for other works by this author on: This Site Google South Atlantic Quarterly (1995) 94 (1): 29–55. https://doi.org/10.1215/00382876-94-1-29 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation David Sanjek; Blue Moon of Kentucky Rising Over th…
Plenary Panel Don't Know Much About History
Upside Your Head! Rhythm and Blues on Central Avenue
Film review
Nico Icon (1995, 75 minutes) Written and Directed by Susanne Ofteringer. With John Cale, Jackson Browne, Paul Morrissey, Viva, Billy Name, Tina Aumont, Jonas Mekas, Sterling Morrison. In English, German and French with English subtitles. Roxie Releasing
Dr. Hobbes's Parasites
In the opening sequence of David Cronenberg's Scanners (1980), we find ourselves in the food court of a brightly lit shopping mall. A young man enters the scene, his protuberant eyes crisscrossing the tables as he searches for scraps of food. Two well-dressed, middle-aged women stare at him, disgusted that their environment should be violated by such a disreputable figure. One observes, Will you look at that fellow over there. I've never seen any…
Rhythm and Resistance
Sounds of the South
One Size Does Not Fit All
David Sanjek, One Size Does Not Fit All: The Precarious Position of the African American Entrepreneur in Post-World War II American Popular Music, American Music, Vol. 15, No. 4 (Winter, 1997), pp. 535-562
Funkentelechy vs. the Stockholm syndrome
(1997). Funkentelechy vs. the Stockholm syndrome: The place of industrial analysis in popular music studies. Popular Music and Society: Vol. 21, No. 1, pp. 73-92
I Ain't Afraid of No Kids!” Douglas Rushkoff and the Ascendance of the Digital Sublime
Navigating the “Channel”
Paying the cost to be the boss
Neville Brothers, the
Instruments of Desire
Journal Article Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. By Steve Waksman. (Cambridge: Harvard University Press, 1999. x, 373 pp. $27.95, ISBN 0-67400065-X.) Get access David Sanjek David Sanjek BMI Archives, New York, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 4, March 2001, Pages 1578–1579, https://doi.org/10.2307/267488…
Do You Wanna Dance? Historical Narratives and American Popular Music
Boogaloo: The Quintessence of American Popular Music. By Arthur Kempton. New York: Pantheon, 2003. Ann Arbor: University of Michigan Press, 2005. 498 pages. $27.50 (cloth). $19.95 (paper). Race Music: Black Cultures from Bebop to Hip-Hop. By Guthrie P. Ramsey Jr. Berkeley: University of California Press, 2003. 281 pages. $40.00 (cloth). $16.95 (paper). Stomp and Swerve: American Music Gets Hot, 1843–1924. By David Wondrich. Chicago: Chicago Revie…
Ridiculing the ‘White Bread Original’
The 1994 US Supreme Court decision in Luther Campbell et al. v. Acuff-Rose Music, Inc., written by Justice David Souter, reversed a lower court decision and argued in favor of the rap group 2 Live Crew's playful critique of Roy Orbison's ‘Oh Pretty Woman’ by its function as parody. This essay seeks to contextualize that decision by showing the roots of 2 Live Crew's recording in the practice of ‘covering’ – the re-recording of an existent popular…
Toussaint, Allen
Performing rights societies
Art (19 obras) · History (12 obras) · Music History and Culture (12 obras) · Sociology (8 obras) · Art history (7 obras) · Aesthetics (6 obras) · Literature (6 obras) · Political science (6 obras) · Popular music (6 obras) · Visual arts (6 obras)