Aldona Kobus
Datos Biográficos
| ID | 6411111 |
|---|---|
| NOMBRE | Aldona Kobus |
| NOMBRES | Aldona |
| APELLIDO | Kobus |
| FIRMA | KOBUS A |
| AFILIACIONES | Nicolaus Copernicus University |
| ORCID | 0000-0001-6646-8640 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAS | 0 |
| OBRAS COMO AUTOR | 11 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2014 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 0 |
Panowie bracia
Artykuł przedstawia społeczno-kulturowe funkcje fantazmatu męskości w neosarmackiej twórczości Jacka Komudy. Punktem odniesienia w analizie neosarmatyzmu jako fantazmatu są badania Przemysława Czaplińskiego i Macieja Parkitnego na temat polskiego oświecenia i funkcji postaci warchoła w dyskursie politycznym i społecznym. Do analizy konstrukcji modelu męskości antybohaterskiej w twórczości Komudy wykorzystane zostały tezy wysunięte przez Filipa Ma…
Introduction. Phantasmatic Roots of the Present
The articles contained in the present volume are the aftermath of the conference Przeszo -fantazmat -fantazja.Symboliczne rekonstrukcje historii Polski [The Past -Phantasms -Fantasies.Symbolic Reconstructions of Poland's Past] that took place on 27-28 February 2025 at the Faculty of Humanities, Nicolaus Copernicus University in Toru.The two days of intense deliberations revealed a multitude of references to Polish history that actualize the past …
We, Slavs – Tools and Functions of (Re)Constructing Polish Pre-History in Fantasy Literature on the Example of Witold Jabłoński’s Cycle Słowiańska Apokalipsa
The article analyzes Witold Jabłoński’s historical fantasy cycle Słowiańska Apokalipsa [Slavic Apocalypse] (2013–2021) as an example of creating an image of preliterate and pre-Christian Polish past in pop cultural circulation. The cycle is inscribed into the genre of Slavic fantasy which, to a large degree, is based on the “phantasm of Slavic tradition” as identified by Maria Janion, which serves important function as a source of collective iden…
Do Be Afraid
The article analyzes contemporary folk horror podcast series The Silt Verses (2021–ongoing) in order to theorize how horror as a genre conveys the relationship with the sacred in contemporary culture, with the characteristics and functions of the sacred described by Roger Caillois in L’homme et le sacré. First, the article focuses on the folk horror aspect of the series, how it alters the sub-genre conventions and how it presents the monstrous sa…
Jak nawiedzają lesbijki. Homo-spektralność, tożsamość i trauma w niezależnych podcastach Midnight Radio (2018) i Weaver (2021)
The article presents the spectralisation of lesbian desire, i.e., the discursive production of the social invisibility of lesbians, through its presentation in two podcasts: Midnight Radio (2018) by Bobbie Parker and Weaver (2021) written and performed by Newton Sweeney. The issue of spectralisation combines uncanny studies with queer theory, developing the concept of the queer subject as a phantom emerging in heteronormative culture through the …
Introduction
Contemporary Folklore and Podcast Culture
Ceallaigh S. Maccath-Moran is a PhD candidate in the Folklore Department at Memorial University of Newfoundland, a writer, a poet and a musician. Ceallaigh’s research interests include animal rights activism as a public performance of ethical belief, which is the topic of her dissertation, and creative applications of folkloristic scholarship for storytellers. Her Folklore & Fiction podcast, “where folklore scholarship meets storytelling craft”, …
I Am in Eskew
Am in Eskew is the epitome of an independent podcast, written, produced and performed by two people – Jon Ware and Muna Hussen. It tells the story of David Ward (Jon Ware), a man trapped in the city of Eskew, where nightmares become real. The story offers manifold answers and interpretations, depending which genre and mode of reception we choose to follow. On a literal level it is a fantasy horror story about a cursed city that tortures its entra…
Mroczne strony” fandomu i „mroczne fandomy”. Przełamywanie wewnętrznych tabu fantropologii
Fan jako marka. O użyteczności fana dla przemysłu kulturowego
Recenzja: Anastasia Salter, Mel Stanfill, A Portrait of the Auteur as Fanboy. The Construction of Authorship in Transmedia Franchises, University Press of Mississippi, Jackson 2020
Ciemna strona miasta. Fantazmat miejski w urban legends i urban fantasy
c z e s n e g o f a n t a z m a t u wyraajcy fascynacj miastem, sposb odczytywania m i a s t a j a k o i k o n y odsaniajcej stopniowo kolejne warstwy swoich znacze, budowane przez nakadanie si na siebie ontologii rnych przekazw. Folklor miejski powsta i ewoluuje w rodowisku industrialnym, cho niekoniecznie wielkich aglomeracji miejskich, a rozwj mediw
Sin obras prominentes en esta página.
Ciemna strona miasta. Fantazmat miejski w urban legends i urban fantasy
c z e s n e g o f a n t a z m a t u wyraajcy fascynacj miastem, sposb odczytywania m i a s t a j a k o i k o n y odsaniajcej stopniowo kolejne warstwy swoich znacze, budowane przez nakadanie si na siebie ontologii rnych przekazw. Folklor miejski powsta i ewoluuje w rodowisku industrialnym, cho niekoniecznie wielkich aglomeracji miejskich, a rozwj mediw
Mroczne strony” fandomu i „mroczne fandomy”. Przełamywanie wewnętrznych tabu fantropologii
Fan jako marka. O użyteczności fana dla przemysłu kulturowego
Recenzja: Anastasia Salter, Mel Stanfill, A Portrait of the Auteur as Fanboy. The Construction of Authorship in Transmedia Franchises, University Press of Mississippi, Jackson 2020
Introduction
Contemporary Folklore and Podcast Culture
Ceallaigh S. Maccath-Moran is a PhD candidate in the Folklore Department at Memorial University of Newfoundland, a writer, a poet and a musician. Ceallaigh’s research interests include animal rights activism as a public performance of ethical belief, which is the topic of her dissertation, and creative applications of folkloristic scholarship for storytellers. Her Folklore & Fiction podcast, “where folklore scholarship meets storytelling craft”, …
I Am in Eskew
Am in Eskew is the epitome of an independent podcast, written, produced and performed by two people – Jon Ware and Muna Hussen. It tells the story of David Ward (Jon Ware), a man trapped in the city of Eskew, where nightmares become real. The story offers manifold answers and interpretations, depending which genre and mode of reception we choose to follow. On a literal level it is a fantasy horror story about a cursed city that tortures its entra…
Jak nawiedzają lesbijki. Homo-spektralność, tożsamość i trauma w niezależnych podcastach Midnight Radio (2018) i Weaver (2021)
The article presents the spectralisation of lesbian desire, i.e., the discursive production of the social invisibility of lesbians, through its presentation in two podcasts: Midnight Radio (2018) by Bobbie Parker and Weaver (2021) written and performed by Newton Sweeney. The issue of spectralisation combines uncanny studies with queer theory, developing the concept of the queer subject as a phantom emerging in heteronormative culture through the …
Do Be Afraid
The article analyzes contemporary folk horror podcast series The Silt Verses (2021–ongoing) in order to theorize how horror as a genre conveys the relationship with the sacred in contemporary culture, with the characteristics and functions of the sacred described by Roger Caillois in L’homme et le sacré. First, the article focuses on the folk horror aspect of the series, how it alters the sub-genre conventions and how it presents the monstrous sa…
Panowie bracia
Artykuł przedstawia społeczno-kulturowe funkcje fantazmatu męskości w neosarmackiej twórczości Jacka Komudy. Punktem odniesienia w analizie neosarmatyzmu jako fantazmatu są badania Przemysława Czaplińskiego i Macieja Parkitnego na temat polskiego oświecenia i funkcji postaci warchoła w dyskursie politycznym i społecznym. Do analizy konstrukcji modelu męskości antybohaterskiej w twórczości Komudy wykorzystane zostały tezy wysunięte przez Filipa Ma…
Introduction. Phantasmatic Roots of the Present
The articles contained in the present volume are the aftermath of the conference Przeszo -fantazmat -fantazja.Symboliczne rekonstrukcje historii Polski [The Past -Phantasms -Fantasies.Symbolic Reconstructions of Poland's Past] that took place on 27-28 February 2025 at the Faculty of Humanities, Nicolaus Copernicus University in Toru.The two days of intense deliberations revealed a multitude of references to Polish history that actualize the past …
We, Slavs – Tools and Functions of (Re)Constructing Polish Pre-History in Fantasy Literature on the Example of Witold Jabłoński’s Cycle Słowiańska Apokalipsa
The article analyzes Witold Jabłoński’s historical fantasy cycle Słowiańska Apokalipsa [Slavic Apocalypse] (2013–2021) as an example of creating an image of preliterate and pre-Christian Polish past in pop cultural circulation. The cycle is inscribed into the genre of Slavic fantasy which, to a large degree, is based on the “phantasm of Slavic tradition” as identified by Maria Janion, which serves important function as a source of collective iden…
Art (5 obras) · Literature (4 obras) · Radio, Podcasts, and Digital Media (4 obras) · Central European Literary Studies (3 obras) · Computer Science (3 obras) · Fantasy (3 obras) · Sociology (3 obras) · Digital Games and Media (2 obras) · History (2 obras) · Identity (music) (2 obras)