Liz Hingley
Datos Biográficos
| ID | 642723 |
|---|---|
| NOMBRE | Liz Hingley |
| NOMBRES | Liz |
| APELLIDO | Hingley |
| FIRMA | HINGLEY L |
| AFILIACIONES | Shanghai Academy of Social Sciences |
| VERIFICADO | No |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 5 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2011 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 1 |
Eruptions
This paper considers the vision and practice of Indian born transmedia artist Poulomi Basu. It takes Basu's exhibition ‘Eruptions: a decade of creation' (SIDE Gallery 2021) as a starting point to explore her use of analogue and digital photography, film, print, and virtual reality (VR) as tools for collaboration and storytelling with women in India and Nepal. The artist's interview and accompanying images showcase the evolution of Basu’s work and…
A Key to Home
This paper considers how creative research mediated by mobile devices might contribute to upending inherited notions of refugee powerlessness and passivity in galleries and museums. A collaborative project, undertaken in 2019, explored the significance of SIM cards in forging a sense of security, identity, and belonging for Syrian refugees on a resettlement program in the U.K. This “opening up” the “body” of the smartphone in the process of creat…
Shanghai Sacred
(Re)locating sacredness in Shanghai
Shanghai is a metropolis that sees itself as the cradle of Chinese 'modernity', the birthplace of the revolutionary movement, and a hub of cultural and religious diversity - a multilayered identity enshrined in a number of 'sacred spaces'. This article focuses on the way sacredness continues to be engineered in today's Shanghai, mapping the religious landscape through the exploration of four dimensions - namely, 'landmarks', 'compounds', 'privacy…
Unmade Beds
Liz Hingley received the 2011 Getty Editorial Grant to complete her project The Jones Family, which explores the intergenerational cycle of deprivation within the context of a wealthy country. In this visual essay, she observes the significance of one particular item of material culture—the bed—in the everyday life of a low-income British family. Photographs are taken as points of departure to demonstrate how a close examination of the bed can re…
Photographer as researcher in the project ‘Under Gods
'Under Gods' explores the contemporary circumstances of diasporic urban faith communities along Soho Road in Birmingham, the site of some 30 religious centres and home to over 90 different nationalities. The project photographically traces the quotidian spiritual and material practices, as well as the communities, religious organisations, networks and transnational flows that shape this one street. Notes [1] The 'Under Gods' stories from Soho Roa…
Photographer/Researcher
This paper focuses on the unique methodology employed in the photographic project ‘“Under Gods”: Stories from Soho Road’. It looks at the photographer as a researcher who sees and draws upon the evolving relationship between themselves, their subjects and the urban environment - in this case the city of Birmingham, UK. This leads to a discussion of the process of fieldwork recently undertaken in Paris, which uses a written phenomenological method…
(Re)locating sacredness in Shanghai
Shanghai is a metropolis that sees itself as the cradle of Chinese 'modernity', the birthplace of the revolutionary movement, and a hub of cultural and religious diversity - a multilayered identity enshrined in a number of 'sacred spaces'. This article focuses on the way sacredness continues to be engineered in today's Shanghai, mapping the religious landscape through the exploration of four dimensions - namely, 'landmarks', 'compounds', 'privacy…
Unmade Beds
Liz Hingley received the 2011 Getty Editorial Grant to complete her project The Jones Family, which explores the intergenerational cycle of deprivation within the context of a wealthy country. In this visual essay, she observes the significance of one particular item of material culture—the bed—in the everyday life of a low-income British family. Photographs are taken as points of departure to demonstrate how a close examination of the bed can re…
Photographer/Researcher
This paper focuses on the unique methodology employed in the photographic project ‘“Under Gods”: Stories from Soho Road’. It looks at the photographer as a researcher who sees and draws upon the evolving relationship between themselves, their subjects and the urban environment - in this case the city of Birmingham, UK. This leads to a discussion of the process of fieldwork recently undertaken in Paris, which uses a written phenomenological method…
Photographer as researcher in the project ‘Under Gods
'Under Gods' explores the contemporary circumstances of diasporic urban faith communities along Soho Road in Birmingham, the site of some 30 religious centres and home to over 90 different nationalities. The project photographically traces the quotidian spiritual and material practices, as well as the communities, religious organisations, networks and transnational flows that shape this one street. Notes [1] The 'Under Gods' stories from Soho Roa…
Photographer/Researcher
This paper focuses on the unique methodology employed in the photographic project ‘“Under Gods”: Stories from Soho Road’. It looks at the photographer as a researcher who sees and draws upon the evolving relationship between themselves, their subjects and the urban environment - in this case the city of Birmingham, UK. This leads to a discussion of the process of fieldwork recently undertaken in Paris, which uses a written phenomenological method…
Unmade Beds
Liz Hingley received the 2011 Getty Editorial Grant to complete her project The Jones Family, which explores the intergenerational cycle of deprivation within the context of a wealthy country. In this visual essay, she observes the significance of one particular item of material culture—the bed—in the everyday life of a low-income British family. Photographs are taken as points of departure to demonstrate how a close examination of the bed can re…
(Re)locating sacredness in Shanghai
Shanghai is a metropolis that sees itself as the cradle of Chinese 'modernity', the birthplace of the revolutionary movement, and a hub of cultural and religious diversity - a multilayered identity enshrined in a number of 'sacred spaces'. This article focuses on the way sacredness continues to be engineered in today's Shanghai, mapping the religious landscape through the exploration of four dimensions - namely, 'landmarks', 'compounds', 'privacy…
Shanghai Sacred
A Key to Home
This paper considers how creative research mediated by mobile devices might contribute to upending inherited notions of refugee powerlessness and passivity in galleries and museums. A collaborative project, undertaken in 2019, explored the significance of SIM cards in forging a sense of security, identity, and belonging for Syrian refugees on a resettlement program in the U.K. This “opening up” the “body” of the smartphone in the process of creat…
Eruptions
This paper considers the vision and practice of Indian born transmedia artist Poulomi Basu. It takes Basu's exhibition ‘Eruptions: a decade of creation' (SIDE Gallery 2021) as a starting point to explore her use of analogue and digital photography, film, print, and virtual reality (VR) as tools for collaboration and storytelling with women in India and Nepal. The artist's interview and accompanying images showcase the evolution of Basu’s work and…
Art (6 obras) · Sociology (6 obras) · Aesthetics (5 obras) · Computer Science (3 obras) · Law (3 obras) · Political science (3 obras) · Social science (3 obras) · Anthropological Studies and Insights (2 obras) · Anthropology (2 obras) · Archaeology (2 obras)