Christine Bold
Datos Biográficos
| ID | 645196 |
|---|---|
| NOMBRE | Christine Bold |
| NOMBRES | Christine |
| APELLIDO | Bold |
| FIRMA | BOLD C |
| AFILIACIONES | University of Guelph |
| VERIFICADO | No |
| TOTAL DE OBRAS | 19 |
| TOTAL DE CITAS | 2 |
| TOTAL COMO AUTOR | 19 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1987 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 1 |
“Vaudeville Indians†? on Global Circuits, 1880s-1930s
Drawing from little-known archives, Christine Bold brings to light forgotten histories of Indigenous performers in vaudeville and, by extension, popular culture and modernity. Vaudeville was both a forerunner of modern mass entertainment and a rich site of popular Indigenous performance and notions of Indianness at the turn of the twentieth century. Tracing the stories of artists Native to Turtle Island (North America) performing across the conti…
“Vaudeville Indians†? on Global Circuits, 1880s-1930s
Long Past Slavery
In Long Past Slavery Catherine A. Stewart asks a crucial question about the Federal Writers' Project (FWP): What was its role in the larger struggle for “black self-determination in cultural representation” (p. 60)? Her answer adroitly moves through the project's multiple frameworks—1930s ideologies, New Deal policies, federal and state bureaucracies organizing nearly six thousand unemployed writers countrywide, local relations and tensions—to ar…
Sharon Ann Musher. Democratic Art
The New Deal remains, as Sharon Ann Musher puts it, “the golden age” (213) of federal arts funding in the U.S. Beginning in May 1935, the Works Progress Administration (WPA) mounted work-relief projects (collectively known as Federal One) for almost forty thousand destitute writers, theater practitioners, musicians, and visual artists. Overlapping with that effort were the Treasury Department’s mural programs and the Resettlement Administration’s…
Boone and Crockett Writers
Chapter One traces how the dominant western formula emerged from the Boone and Crockett Club. It introduces eight key members, emphasizing the entwinement of hunting and writing in their lives. In 1893, Roosevelt and Grinnell initiated the Club’s book series whose voice, landscape, action, and racial hierarchy, along with its mission to lobby government and influence public opinion, all stamped the proto-western. Club members Wister, Chanler, Whi…
The Frontier Club
'The Frontier Club' is Christine Bold's name for the network of eastern aristocrats who created the western as we now most commonly know it. At the turn of the twentieth century, they yoked this most popular formula to their own elite causes - from big-game hunting to conservation, immigration restriction to Jim Crow segregation - and aligned themselves with cattle kings and 'quality' publishers. This book tells the story of that cultural sleight…
Using Narrative in Research
Narrative Beginnings Autobiography, Biography and Fiction What Is Narrative? Designing Research Projects with a Narrative Approach Ethics and a Narrative Approach Narrative Thinking Provoking and Sustaining Reflective Thought Collecting Narrative Data Analyzing Narrative Data Representative Constructions in Narrative Analysis Reporting Narrative Research
Nature, Class, and New Deal Literature
The Oxford History of Popular Print Culture
What did most people read? Where did they get it? Where did it come from? What were its uses in its readers’ lives? How was it produced and distributed? What were its relations to the wider world of print culture? How did it develop over time? These questions are central to this series of books devoted to the exploration of popular print culture in English from the beginning of the sixteenth century to the present. This volume explores a cornucop…
Doing early childhood research
Where Did the Black Rough Riders Go
The Spanish-American War was a key moment in the development of U.S. imperialism and the popular western. Its iconic figure was Roosevelt's rough rider—the Anglo-Saxon gentleman cowboy par excellence—who yoked frontier heroism to overseas militarism, in the process justifying American extra-continental expansionism and extending the ideological reach of the western. The black military presence in Cuba—and, subsequently, Puerto Rico and the Philip…
Feminist Memorializing and Cultural Countermemory
The WPA Guides
In 1935 the FDR administration put 40,000 unemployed artists to work in four federal arts projects. The main contribution of one unit, the Federal Writers Project, was the American Guide Series, a collectively composed set of guidebooks to every state, most regions, and many cities, towns, and villages across the United States. The WPA arts projects were poised on the cusp of the modern bureaucratization of culture. They occurred at a moment when…
The WPA Guides
Journal Article The WPA Guides: Mapping America. By Christine Bold. (Jackson: University Press of Mississippi, 1999. xvi, 246 pp. Cloth, $48.00, ISBN 1-57806-194-6. Paper, $20.00, ISBN 157806-195-4.) Get access James R. Shortridge James R. Shortridge University of Kansas, Lawrence, Kansas Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 4, March 2001, Pages 1544–1545, https://d…
Captain Jack Crawford
Journal Article Captain Jack Crawford: Buckskin Poet, Scout, and Showman Get access Captain Jack Crawford: Buckskin Poet, Scout, and Showman. By Miller Darlis A.. (Albuquerque: University of New Mexico Press, 1993. xvii + 363 pp. Illustrations, map, notes, bibliography, index. $39.95.) Christine Bold Christine Bold University of Guelph Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volume 26…
Postcolonialism, Politics of Gender, and American Studies
Versions of the following papers were presented at "North America and the Pacific Rim," the 1991 conference of the Canadian Association for American Studies, organized by professors Ann Cowan and Peter Buitenhuis of Simon Fraser University. In different ways, these essays challenge traditional assumptions about the territory and methodologies of American Studies. Each author engages what Henry Louis Gates Jr. calls "the colonial paradigm,"1 situa…
Selling the Wild West
Journal Article Selling the Wild West: Popular Western Fiction, 1860–1960 Get access Selling the Wild West: Popular Western Fiction, 1860–1960. By Bold Christine. (Bloomington: Indiana University Press, 1987. xvii + 215 pp. Illustrations, notes, bibliography, index. $27.50.) Bruce A. Rosenberg Bruce A. Rosenberg Brown University Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volume 20, Issue…
Selling the Wild West
Reality and Illusion in the West
Richard E. Lingenfelter. Death Valley and the Amargosa: A Land of Illusion. Berkeley: The University of California Press, 1986. viii + 664 pp. Illus. Carol Fairbanks, Prairie Women: Images in American and Canadian Fiction. New Haven: Yale University Press, 1986. xi + 300 pp. Illus. Will Baker. Mountain Blood. Athens: University of Georgia Press, 1986. xi + 175 pp. Illus. Richard Batman. James Pattie's West: The Dream and the Reality. Norman: The …
The Rough Riders at Home and Abroad
In the late nineteenth century, America displayed a new imperialistic mood and a heightened desire to impress her independence upon Europe when she embarked upon a number of military adventures in the Caribbean and Pacific. During the same period, there appeared a new popular hero — the "Rough Rider" — who derived from the Western frontier but expanded the field of heroic action well beyond the shores of America. The creation of this hero and the…
Postcolonialism, Politics of Gender, and American Studies
Versions of the following papers were presented at "North America and the Pacific Rim," the 1991 conference of the Canadian Association for American Studies, organized by professors Ann Cowan and Peter Buitenhuis of Simon Fraser University. In different ways, these essays challenge traditional assumptions about the territory and methodologies of American Studies. Each author engages what Henry Louis Gates Jr. calls "the colonial paradigm,"1 situa…
Selling the Wild West
Reality and Illusion in the West
Richard E. Lingenfelter. Death Valley and the Amargosa: A Land of Illusion. Berkeley: The University of California Press, 1986. viii + 664 pp. Illus. Carol Fairbanks, Prairie Women: Images in American and Canadian Fiction. New Haven: Yale University Press, 1986. xi + 300 pp. Illus. Will Baker. Mountain Blood. Athens: University of Georgia Press, 1986. xi + 175 pp. Illus. Richard Batman. James Pattie's West: The Dream and the Reality. Norman: The …
The Rough Riders at Home and Abroad
In the late nineteenth century, America displayed a new imperialistic mood and a heightened desire to impress her independence upon Europe when she embarked upon a number of military adventures in the Caribbean and Pacific. During the same period, there appeared a new popular hero — the "Rough Rider" — who derived from the Western frontier but expanded the field of heroic action well beyond the shores of America. The creation of this hero and the…
Selling the Wild West
Journal Article Selling the Wild West: Popular Western Fiction, 1860–1960 Get access Selling the Wild West: Popular Western Fiction, 1860–1960. By Bold Christine. (Bloomington: Indiana University Press, 1987. xvii + 215 pp. Illustrations, notes, bibliography, index. $27.50.) Bruce A. Rosenberg Bruce A. Rosenberg Brown University Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volume 20, Issue…
Postcolonialism, Politics of Gender, and American Studies
Versions of the following papers were presented at "North America and the Pacific Rim," the 1991 conference of the Canadian Association for American Studies, organized by professors Ann Cowan and Peter Buitenhuis of Simon Fraser University. In different ways, these essays challenge traditional assumptions about the territory and methodologies of American Studies. Each author engages what Henry Louis Gates Jr. calls "the colonial paradigm,"1 situa…
Captain Jack Crawford
Journal Article Captain Jack Crawford: Buckskin Poet, Scout, and Showman Get access Captain Jack Crawford: Buckskin Poet, Scout, and Showman. By Miller Darlis A.. (Albuquerque: University of New Mexico Press, 1993. xvii + 363 pp. Illustrations, map, notes, bibliography, index. $39.95.) Christine Bold Christine Bold University of Guelph Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volume 26…
The WPA Guides
Journal Article The WPA Guides: Mapping America. By Christine Bold. (Jackson: University Press of Mississippi, 1999. xvi, 246 pp. Cloth, $48.00, ISBN 1-57806-194-6. Paper, $20.00, ISBN 157806-195-4.) Get access James R. Shortridge James R. Shortridge University of Kansas, Lawrence, Kansas Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 4, March 2001, Pages 1544–1545, https://d…
Feminist Memorializing and Cultural Countermemory
The WPA Guides
In 1935 the FDR administration put 40,000 unemployed artists to work in four federal arts projects. The main contribution of one unit, the Federal Writers Project, was the American Guide Series, a collectively composed set of guidebooks to every state, most regions, and many cities, towns, and villages across the United States. The WPA arts projects were poised on the cusp of the modern bureaucratization of culture. They occurred at a moment when…
Where Did the Black Rough Riders Go
The Spanish-American War was a key moment in the development of U.S. imperialism and the popular western. Its iconic figure was Roosevelt's rough rider—the Anglo-Saxon gentleman cowboy par excellence—who yoked frontier heroism to overseas militarism, in the process justifying American extra-continental expansionism and extending the ideological reach of the western. The black military presence in Cuba—and, subsequently, Puerto Rico and the Philip…
The Oxford History of Popular Print Culture
What did most people read? Where did they get it? Where did it come from? What were its uses in its readers’ lives? How was it produced and distributed? What were its relations to the wider world of print culture? How did it develop over time? These questions are central to this series of books devoted to the exploration of popular print culture in English from the beginning of the sixteenth century to the present. This volume explores a cornucop…
Doing early childhood research
Using Narrative in Research
Narrative Beginnings Autobiography, Biography and Fiction What Is Narrative? Designing Research Projects with a Narrative Approach Ethics and a Narrative Approach Narrative Thinking Provoking and Sustaining Reflective Thought Collecting Narrative Data Analyzing Narrative Data Representative Constructions in Narrative Analysis Reporting Narrative Research
Nature, Class, and New Deal Literature
Boone and Crockett Writers
Chapter One traces how the dominant western formula emerged from the Boone and Crockett Club. It introduces eight key members, emphasizing the entwinement of hunting and writing in their lives. In 1893, Roosevelt and Grinnell initiated the Club’s book series whose voice, landscape, action, and racial hierarchy, along with its mission to lobby government and influence public opinion, all stamped the proto-western. Club members Wister, Chanler, Whi…
The Frontier Club
'The Frontier Club' is Christine Bold's name for the network of eastern aristocrats who created the western as we now most commonly know it. At the turn of the twentieth century, they yoked this most popular formula to their own elite causes - from big-game hunting to conservation, immigration restriction to Jim Crow segregation - and aligned themselves with cattle kings and 'quality' publishers. This book tells the story of that cultural sleight…
Sharon Ann Musher. Democratic Art
The New Deal remains, as Sharon Ann Musher puts it, “the golden age” (213) of federal arts funding in the U.S. Beginning in May 1935, the Works Progress Administration (WPA) mounted work-relief projects (collectively known as Federal One) for almost forty thousand destitute writers, theater practitioners, musicians, and visual artists. Overlapping with that effort were the Treasury Department’s mural programs and the Resettlement Administration’s…
Long Past Slavery
In Long Past Slavery Catherine A. Stewart asks a crucial question about the Federal Writers' Project (FWP): What was its role in the larger struggle for “black self-determination in cultural representation” (p. 60)? Her answer adroitly moves through the project's multiple frameworks—1930s ideologies, New Deal policies, federal and state bureaucracies organizing nearly six thousand unemployed writers countrywide, local relations and tensions—to ar…
“Vaudeville Indians†? on Global Circuits, 1880s-1930s
Drawing from little-known archives, Christine Bold brings to light forgotten histories of Indigenous performers in vaudeville and, by extension, popular culture and modernity. Vaudeville was both a forerunner of modern mass entertainment and a rich site of popular Indigenous performance and notions of Indianness at the turn of the twentieth century. Tracing the stories of artists Native to Turtle Island (North America) performing across the conti…
“Vaudeville Indians†? on Global Circuits, 1880s-1930s
History (12 obras) · Art (11 obras) · Sociology (9 obras) · Art history (7 obras) · History (6 obras) · Literature (6 obras) · Archaeology (5 obras) · Computer Science (5 obras) · Law (5 obras) · Media studies (5 obras)