Thomas Calkins
Datos Biográficos
| ID | 6560732 |
|---|---|
| NOMBRE | Thomas Calkins |
| NOMBRES | Thomas |
| APELLIDO | Calkins |
| FIRMA | CALKINS T |
| AFILIACIONES | Erasmus University Rotterdam |
| ORCID | 0000-0003-4060-6480 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2019 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 1 |
‘The real win is doing this for a living’
Studies of the music industry have traditionally prioritized its creative dimensions, especially musicians’ activities. When ‘non-creative’ aspects of music creation are examined, they are typically approached through musicians’ own ‘non-creative’ activities. Despite the insistence of scholars to consider both art worlds and ‘humdrum inputs’, less is known about music managers. As a result, their working lives and experiences remain underexplored…
Bridging nodes
Taste in music, literature, and the arts has been a rich site for studying the relationship between culture and stratification for decades. This work consistently finds that socioeconomic status shapes the volume of culture consumed, yet questions about the breadth of musical tastes remain. The effects of race/ethnicity inequality also remain understudied in most of the existing research, the effects of which often serve as controls, but are not …
Signals and noise
Research has illustrated how some cultural forms that were once excluded from higher education institutions become incorporated over time through a process known as “cultural legitimation.” While this process has been well documented for arts forms such as jazz and film, less is known about artforms in the middle of this process, as definitional boundaries and educational aims remain in flux. To better understand this, we ask: how do music educat…
From host to guest settings
Over the past decades the number of music festivals has increased substantially – a trend often referred to as “festivalization” – especially within urban areas. While scholars have noted the socio-cultural and economic importance of music festivals for cities, how the process of festivalization has developed within urban space over time is less well known. Because of this our understanding of music festivals as a changing socio-cultural form, as…
Race, music, and technological change
Urban scholars have consistently demonstrated how cultural consumption and production have long shaped (and have been shaped by) the cityscape. However, less is known about the impacts of digitization and residential segregation on the distribution of cultural spaces over time. Because of this, scholars lack a testable theory of the spatio-cultural impact of digitization. To address this, I examine the distribution of music retailers, one of the …
The female nude and the naked guy
More than Sound
Music consumption imbues a city's neighborhoods with a character all their own, contributing to a vibrant and dynamic map of urban cultures. Brick–and–mortar music retailers remain an important site for this consumption, persisting despite challenges posed by digitization. But the landscape of contemporary cultural consumption has been shaped by urban inequality over time. Using a unique dataset of record store locations derived from city directo…
More than Sound
Music consumption imbues a city's neighborhoods with a character all their own, contributing to a vibrant and dynamic map of urban cultures. Brick–and–mortar music retailers remain an important site for this consumption, persisting despite challenges posed by digitization. But the landscape of contemporary cultural consumption has been shaped by urban inequality over time. Using a unique dataset of record store locations derived from city directo…
More than Sound
Music consumption imbues a city's neighborhoods with a character all their own, contributing to a vibrant and dynamic map of urban cultures. Brick–and–mortar music retailers remain an important site for this consumption, persisting despite challenges posed by digitization. But the landscape of contemporary cultural consumption has been shaped by urban inequality over time. Using a unique dataset of record store locations derived from city directo…
The female nude and the naked guy
Race, music, and technological change
Urban scholars have consistently demonstrated how cultural consumption and production have long shaped (and have been shaped by) the cityscape. However, less is known about the impacts of digitization and residential segregation on the distribution of cultural spaces over time. Because of this, scholars lack a testable theory of the spatio-cultural impact of digitization. To address this, I examine the distribution of music retailers, one of the …
Signals and noise
Research has illustrated how some cultural forms that were once excluded from higher education institutions become incorporated over time through a process known as “cultural legitimation.” While this process has been well documented for arts forms such as jazz and film, less is known about artforms in the middle of this process, as definitional boundaries and educational aims remain in flux. To better understand this, we ask: how do music educat…
From host to guest settings
Over the past decades the number of music festivals has increased substantially – a trend often referred to as “festivalization” – especially within urban areas. While scholars have noted the socio-cultural and economic importance of music festivals for cities, how the process of festivalization has developed within urban space over time is less well known. Because of this our understanding of music festivals as a changing socio-cultural form, as…
‘The real win is doing this for a living’
Studies of the music industry have traditionally prioritized its creative dimensions, especially musicians’ activities. When ‘non-creative’ aspects of music creation are examined, they are typically approached through musicians’ own ‘non-creative’ activities. Despite the insistence of scholars to consider both art worlds and ‘humdrum inputs’, less is known about music managers. As a result, their working lives and experiences remain underexplored…
Bridging nodes
Taste in music, literature, and the arts has been a rich site for studying the relationship between culture and stratification for decades. This work consistently finds that socioeconomic status shapes the volume of culture consumed, yet questions about the breadth of musical tastes remain. The effects of race/ethnicity inequality also remain understudied in most of the existing research, the effects of which often serve as controls, but are not …
Cultural Industries and Urban Development (4 obras) · Music History and Culture (4 obras) · Sociology (4 obras) · Art (3 obras) · Social and Cultural Dynamics (3 obras) · Visual arts (3 obras) · Advertising (2 obras) · Business (2 obras) · Demography (2 obras) · Diverse Music Education Insights (2 obras)