Elizabeth Willson Gordon
Datos Biográficos
| ID | 6704048 |
|---|---|
| NOMBRE | Elizabeth Willson Gordon |
| NOMBRES | Elizabeth Willson |
| APELLIDO | Gordon |
| FIRMA | GORDON E W |
| AFILIACIONES | The King's University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2022 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 0 |
Virginia Woolf’s Common Readers in Paris
In this article, we analyze historical, biographical, geolocational, and book distribution data from the *Shakespeare and Company Project* to understand Virginia Woolf’s readership in Paris in the 1920s and 1930s. The lending library cards from Sylvia Beach’s archive reveal the names of Woolf’s readers, and include important information about their reading habits and professional lives. The article uses a mixed-methods approach, combining histori…
Digital critical archives, copyright, and feminist praxis
With the continued proliferation of digitized materials, critical attention to the ideologies informing the creation of digital archives remains crucial. How are digital archives made and what are their goals? How do different participants in the process work together in collaborative teams towards shared ideals? This paper outlines the methodological and political considerations that underlie the creation of a critical digital archive of histori…
Sin obras prominentes en esta página.
Digital critical archives, copyright, and feminist praxis
With the continued proliferation of digitized materials, critical attention to the ideologies informing the creation of digital archives remains crucial. How are digital archives made and what are their goals? How do different participants in the process work together in collaborative teams towards shared ideals? This paper outlines the methodological and political considerations that underlie the creation of a critical digital archive of histori…
Virginia Woolf’s Common Readers in Paris
In this article, we analyze historical, biographical, geolocational, and book distribution data from the *Shakespeare and Company Project* to understand Virginia Woolf’s readership in Paris in the 1920s and 1930s. The lending library cards from Sylvia Beach’s archive reveal the names of Woolf’s readers, and include important information about their reading habits and professional lives. The article uses a mixed-methods approach, combining histori…
History (2 obras) · Art (1 obras) · Autobiographical and Biographical Writing (1 obras) · Citizen journalism (1 obras) · Computer Science (1 obras) · Critical theory (1 obras) · Cultural heritage (1 obras) · Custodians (1 obras) · Digital and Traditional Archives Management (1 obras) · Diverse Musicological Studies (1 obras)