Eloy Santos Vieira
Datos Biográficos
| ID | 6748465 |
|---|---|
| NOMBRE | Eloy Santos Vieira |
| NOMBRES | Eloy Santos |
| APELLIDO | Vieira |
| FIRMA | VIEIRA E S |
| AFILIACIONES | Universidade Federal de Sergipe |
| ORCID | 0000-0003-4989-8125 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAS | 3 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2014 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 1 |
Fan studies in Brazil
Fan Studies as an academic field has been significantly shaped by american researchers like Henry Jenkins (1992, 2006a, 2006b), who conceptualized fans as active participants who engage with media texts through creative production. Since its beginning, the internet has become central to Fan Studies, marking what Gray, Sandvoss, and Harrington (2007) call the “second wave” of research, with a focus on social media and digital fan practices. In Bra…
Ruptures, Dissent and Cancellation
Scholars working across fan studies, internet studies and politics have noted the increasing use of cancellation practices across media, politics and culture and within digital spaces. Cancel culture is “the withdrawal of any kind of support (viewership, social media follows, purchases of products endorsed by the person, etc.) for those who are assessed to have said or done something unacceptable or highly problematic, generally from a social jus…
Ideology and Affect in Political Polarization and Fandom Online
In recent years, scholarly attention has indicated the increased enmeshment of the political and entertainment media spheres, a change that has happened so gradually that it has not been as remarked upon as it should be. This is perhaps most observable in studies of community dynamics around both $2 and $2 . The backdrop of digital surveillance capitalism, and the specific platform affordances on which these communities exist and interact, exacer…
Muito além da ficção televisiva
Os conteúdos da indústria do entretenimento são pensados a partir de estratégias, sejam elas de lançamento ou de distribuição. Essas ações são parte da lógica que está em voga no cenário midiático desde o advento da cultura de massa. Porém, com o surgimento de elementos que extrapolam à lógica massiva, a internet e os ambientes digitais têm permitido cada vez mais que a instância da circulação ganhe espaço nas estratégias industriais, exemplo do …
The Political Economy of the Internet
The privatization of the Internet meant not simply a passage from a state-logic organization to an economic one but something more complex. The year 1995 marked a disruption when the National Science Foundation (NSF), the public agency that controlled and exploited the network, transferred its regulatory responsibilities to the private sector. Despite the system’s provision of free access to information, the Internet’s entire economic logic was m…
The Political Economy of the Internet
The privatization of the Internet meant not simply a passage from a state-logic organization to an economic one but something more complex. The year 1995 marked a disruption when the National Science Foundation (NSF), the public agency that controlled and exploited the network, transferred its regulatory responsibilities to the private sector. Despite the system’s provision of free access to information, the Internet’s entire economic logic was m…
The Political Economy of the Internet
The privatization of the Internet meant not simply a passage from a state-logic organization to an economic one but something more complex. The year 1995 marked a disruption when the National Science Foundation (NSF), the public agency that controlled and exploited the network, transferred its regulatory responsibilities to the private sector. Despite the system’s provision of free access to information, the Internet’s entire economic logic was m…
Muito além da ficção televisiva
Os conteúdos da indústria do entretenimento são pensados a partir de estratégias, sejam elas de lançamento ou de distribuição. Essas ações são parte da lógica que está em voga no cenário midiático desde o advento da cultura de massa. Porém, com o surgimento de elementos que extrapolam à lógica massiva, a internet e os ambientes digitais têm permitido cada vez mais que a instância da circulação ganhe espaço nas estratégias industriais, exemplo do …
Ideology and Affect in Political Polarization and Fandom Online
In recent years, scholarly attention has indicated the increased enmeshment of the political and entertainment media spheres, a change that has happened so gradually that it has not been as remarked upon as it should be. This is perhaps most observable in studies of community dynamics around both $2 and $2 . The backdrop of digital surveillance capitalism, and the specific platform affordances on which these communities exist and interact, exacer…
Fan studies in Brazil
Fan Studies as an academic field has been significantly shaped by american researchers like Henry Jenkins (1992, 2006a, 2006b), who conceptualized fans as active participants who engage with media texts through creative production. Since its beginning, the internet has become central to Fan Studies, marking what Gray, Sandvoss, and Harrington (2007) call the “second wave” of research, with a focus on social media and digital fan practices. In Bra…
Ruptures, Dissent and Cancellation
Scholars working across fan studies, internet studies and politics have noted the increasing use of cancellation practices across media, politics and culture and within digital spaces. Cancel culture is “the withdrawal of any kind of support (viewership, social media follows, purchases of products endorsed by the person, etc.) for those who are assessed to have said or done something unacceptable or highly problematic, generally from a social jus…
Digital Games and Media (3 obras) · Media Studies and Communication (3 obras) · Politics (3 obras) · The Internet (3 obras) · Asian Culture and Media Studies (2 obras) · Law (2 obras) · Political science (2 obras) · Social media (2 obras) · Social Media and Politics (2 obras) · Sociology (2 obras)