C Crone
Datos Biográficos
| ID | 67833 |
|---|---|
| NOMBRE | C Crone |
| NOMBRES | C |
| APELLIDO | Crone |
| FIRMA | CRONE C |
| AFILIACIONES | University of Copenhagen |
| ORCID | 0000-0003-0041-7327 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 6 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2019 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 1 |
Showing reality as it is? Frames and (in)visibilities in the Danish media’s visual coverage of the war on Gaza1
Over the past decades, the rapid and extensive dissemination of images from conflicts accompanied by a decline in control over global circulations have changed the way wars are being fought, covered and mediated. As conflicts increasingly unfold as struggles for public visibility, the choices made by established media outlets regarding which images to show – and which not to show – are as important as ever. Building on interviews with photo edito…
Reconstructing Baʾathist Syria through Cultural Heritage and State Media
This article analyzes Syrian state media coverage on the reconstruction of the citadel, the Umayyad Mosque and the old souq in Aleppo to investigate how the Syrian Baʾathist state is using destruction and reconstruction of significant cultural heritage to construct a post-war narrative. This narrative promotes an understanding of the Baʾathist state as the protector of Syrian cultural heritage and thus the protector of Syrian nationhood and civil…
Re-Collections
In visual terms the ongoing war in Syria has been one of the most well-documented that the world has ever witnessed. Accordingly Syria has for long been established as a topos for global reflection and concern. Despite an excess of visual documentation of this war, the actual processes through which some images have come to capture, embody and produce what Syria was, is, and is to become still need further thought and engagement. The central clai…
From uncanny to sensible pasts
Re-Narrating the Past, Producing the Present and Unlocking the Future
Regaining control of Aleppo was an important symbolic victory for the Syrian state army, which has opened the way for state-sanctioned narrations of ‘post-war’ Syria. To elucidate the workings of this narration, I explore the TV drama Haris al-Quds (2020) as a fascinating window into Syrian state ideology in Bashar al-Assad’s ‘post-war’ Syria. I argue that the Syrian state holds on to future visions of the past while re-narrating history to fine-…
Seeing the future through a rear-view mirror
This paper investigates secular bio-icons’ political revitalization, illustrating their application as critical interventions into contemporary political struggles in the Middle East. To elucidate this phenomenon, we introduce the concept politics of revitalization to address how memory entrepreneurs can manage the past in ways that legitimize their involvement in particular visions of the future, thereby holding the potential to consolidate the …
The Changing Identity of a Living Secular Icon
In December 2013, the pan-Arab TV station Al Mayadeen orchestrated a big public celebration of the former female fighter Jamila Bouhired. In this article, I analyze Al Mayadeen’s celebration of Bouhired as an iconization (Khalili 2009) and investigate how the TV station uses the icon Bouhired to facilitate a particular reading of the past that supports a contemporary political agenda. I investigate how secular icons can take form, develop, and no…
Re-Collections
In visual terms the ongoing war in Syria has been one of the most well-documented that the world has ever witnessed. Accordingly Syria has for long been established as a topos for global reflection and concern. Despite an excess of visual documentation of this war, the actual processes through which some images have come to capture, embody and produce what Syria was, is, and is to become still need further thought and engagement. The central clai…
From uncanny to sensible pasts
Re-Narrating the Past, Producing the Present and Unlocking the Future
Regaining control of Aleppo was an important symbolic victory for the Syrian state army, which has opened the way for state-sanctioned narrations of ‘post-war’ Syria. To elucidate the workings of this narration, I explore the TV drama Haris al-Quds (2020) as a fascinating window into Syrian state ideology in Bashar al-Assad’s ‘post-war’ Syria. I argue that the Syrian state holds on to future visions of the past while re-narrating history to fine-…
The Changing Identity of a Living Secular Icon
In December 2013, the pan-Arab TV station Al Mayadeen orchestrated a big public celebration of the former female fighter Jamila Bouhired. In this article, I analyze Al Mayadeen’s celebration of Bouhired as an iconization (Khalili 2009) and investigate how the TV station uses the icon Bouhired to facilitate a particular reading of the past that supports a contemporary political agenda. I investigate how secular icons can take form, develop, and no…
Seeing the future through a rear-view mirror
This paper investigates secular bio-icons’ political revitalization, illustrating their application as critical interventions into contemporary political struggles in the Middle East. To elucidate this phenomenon, we introduce the concept politics of revitalization to address how memory entrepreneurs can manage the past in ways that legitimize their involvement in particular visions of the future, thereby holding the potential to consolidate the …
Re-Narrating the Past, Producing the Present and Unlocking the Future
Regaining control of Aleppo was an important symbolic victory for the Syrian state army, which has opened the way for state-sanctioned narrations of ‘post-war’ Syria. To elucidate the workings of this narration, I explore the TV drama Haris al-Quds (2020) as a fascinating window into Syrian state ideology in Bashar al-Assad’s ‘post-war’ Syria. I argue that the Syrian state holds on to future visions of the past while re-narrating history to fine-…
Re-Collections
In visual terms the ongoing war in Syria has been one of the most well-documented that the world has ever witnessed. Accordingly Syria has for long been established as a topos for global reflection and concern. Despite an excess of visual documentation of this war, the actual processes through which some images have come to capture, embody and produce what Syria was, is, and is to become still need further thought and engagement. The central clai…
From uncanny to sensible pasts
Showing reality as it is? Frames and (in)visibilities in the Danish media’s visual coverage of the war on Gaza1
Over the past decades, the rapid and extensive dissemination of images from conflicts accompanied by a decline in control over global circulations have changed the way wars are being fought, covered and mediated. As conflicts increasingly unfold as struggles for public visibility, the choices made by established media outlets regarding which images to show – and which not to show – are as important as ever. Building on interviews with photo edito…
Reconstructing Baʾathist Syria through Cultural Heritage and State Media
This article analyzes Syrian state media coverage on the reconstruction of the citadel, the Umayyad Mosque and the old souq in Aleppo to investigate how the Syrian Baʾathist state is using destruction and reconstruction of significant cultural heritage to construct a post-war narrative. This narrative promotes an understanding of the Baʾathist state as the protector of Syrian cultural heritage and thus the protector of Syrian nationhood and civil…
History (6 obras) · Art (5 obras) · History (5 obras) · Sociology (5 obras) · Computer Science (4 obras) · Literature (4 obras) · Media studies (4 obras) · Political science (4 obras) · Ancient history (3 obras) · Jewish and Middle Eastern Studies (3 obras)