Margaretta M Lovell
Datos Biográficos
| ID | 680668 |
|---|---|
| NOMBRE | Margaretta M Lovell |
| NOMBRES | Margaretta M |
| APELLIDO | Lovell |
| FIRMA | LOVELL M M |
| AFILIACIONES | University of California, Berkeley |
| VERIFICADO | No |
| TOTAL DE OBRAS | 13 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 13 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1984 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2017 |
| ÍNDICE H | 0 |
The American School
An unusual number of books on eighteenth-century American painting were published in 2016. Among them, Susan Rather's The American School stands out for its high production values—perfectly calibrated color illustrations and marvelously detailed color bleeds embellish almost every page. The text picks up facets of the careers of John Singleton Copley, William Williams, Benjamin West, Gilbert Stuart, and Matthew Pratt, whose 1765 painting of a stu…
Money
The Age of Homespun
Mrs. Sargent, Mr. Copley, and the Empirical Eye
Making Furniture in Preindustrial America
Copley and the Case of the Blue Dress
Copley and the Case of the Blue Dress Margaretta M. Lovell (bio) Figures Click for larger view View full resolution Figure 1. John Singleton Copley (1738–1815), Mrs. Benjamin Pickman (Mary Toppan, 1744–1817), 1763. Oil on canvas; H. 50”, W. 40”. Yale University Art Gallery; bequest of Edith Malvina K. Wetmore. In 1763, when the Boston painter, John Singleton Copley painted the portrait of Mrs. Benjamin Pickman that now hangs in the Yale Art Galle…
Landscape and Memory
"Such Furniture as Will Be Most Profitable"
California
“California: A Place, a People, a Dream.” Oakland Museum, 1000 Oak St., Oakland, CA 94607 Margaretta M. Lovell Margaretta M. Lovell University of California, Berkeley Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 3, December 1990, Pages 960–965, https://doi.org/10.2307/2078996 Published: 01 December 1990
Folk Painting-An Oxymoron or a Threat to Folk Orthodoxy
The "Terre Inconnue" of the Colonial Face Colonial American Portraiture
Reading Eighteenth-Century American Family Portraits
Material Culture Studies in America . Thomas J. Schlereth
Sin obras prominentes en esta página.
Material Culture Studies in America . Thomas J. Schlereth
Reading Eighteenth-Century American Family Portraits
The "Terre Inconnue" of the Colonial Face Colonial American Portraiture
California
“California: A Place, a People, a Dream.” Oakland Museum, 1000 Oak St., Oakland, CA 94607 Margaretta M. Lovell Margaretta M. Lovell University of California, Berkeley Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 3, December 1990, Pages 960–965, https://doi.org/10.2307/2078996 Published: 01 December 1990
Folk Painting-An Oxymoron or a Threat to Folk Orthodoxy
"Such Furniture as Will Be Most Profitable"
Mrs. Sargent, Mr. Copley, and the Empirical Eye
Making Furniture in Preindustrial America
Copley and the Case of the Blue Dress
Copley and the Case of the Blue Dress Margaretta M. Lovell (bio) Figures Click for larger view View full resolution Figure 1. John Singleton Copley (1738–1815), Mrs. Benjamin Pickman (Mary Toppan, 1744–1817), 1763. Oil on canvas; H. 50”, W. 40”. Yale University Art Gallery; bequest of Edith Malvina K. Wetmore. In 1763, when the Boston painter, John Singleton Copley painted the portrait of Mrs. Benjamin Pickman that now hangs in the Yale Art Galle…
Landscape and Memory
The Age of Homespun
Money
The American School
An unusual number of books on eighteenth-century American painting were published in 2016. Among them, Susan Rather's The American School stands out for its high production values—perfectly calibrated color illustrations and marvelously detailed color bleeds embellish almost every page. The text picks up facets of the careers of John Singleton Copley, William Williams, Benjamin West, Gilbert Stuart, and Matthew Pratt, whose 1765 painting of a stu…
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