Jenn Cole
Datos Biográficos
| ID | 6809871 |
|---|---|
| NOMBRE | Jenn Cole |
| NOMBRES | Jenn |
| APELLIDO | Cole |
| FIRMA | COLE J |
| AFILIACIONES | Trent University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 15 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 15 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2020 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 1 |
Materialities
Performing Archives on the Road
Relational Indigenous Performance Writing
Introduction
On This Path Together
A review of representation of Indigenous performance by Indigenous artists and authors in the first 200 issues of Canadian Theatre Review that emphasizes intergenerational responsibility and collective labour toward thriving Indigenous performance communities
On This Path Together
Ecologies of Embodiment
Csenge Kolozsvari, "Bodylandscapes I." (10:58). A proposition for remembering the ecological ways of belonging, a feeling into other ways of knowing, connecting into the vastness that surrounds us and moves across us, becoming-environment once again. // Anja Plonka, Marko Stefanovic, and Rasmus Nordholt-Frieling, "Breathing Gaia: Searching for Kinship Around Walensee" (8:28). The video essay creates a speculative-utopian body and existence of hum…
Moving Together to Reclaim and Resist
Ambient Audio: Sounds of the city, traffic
Introduction
Jiimaan, That Teaching Sister
The author reflects on what she has been learning about archives through beginning to work with a wiigwaasi jiimaan/birchbark canoe using traditional Anishinaabe technique and protocol. She articulates a performance practice with jiimaan intended to raise awareness of Indigenous presence in her home territory and the inspirited nature of many beings in archives. She thinks through how this practice enacts cultural reclamation, knowledge transmiss…
Telling It Back Different but the Same
Soundings
Dwellings
Shanty Songs and Echoing Rocks
This article examines the experiences of Indigenous participants in performance traditions emerging from the timber industry, in the contexts of settler-colonial resource extraction and Algonquin resistance and cosmologies, in Kiji Sibi Algonquin territory. Decolonial performance histories of the Kiji Sibi/Ottawa River necessarily engage histories of early contact, logging, and the construction of hydroelectric dams and nuclear facilities. As the…
Making memory sovereign/making sovereign memory
This article foregrounds the activist memory projects of four Indigenous women artists, recorded as part of a digital storytelling project in 2018. These memory projects collectively represent a refusal of settler colonial frameworks and a grounding in Indigenous knowledges, which challenge institutional understandings of the archive and dominant conceptions of memory. Through close reading and analysis, we argue that these storytellers’ practice…
Making memory sovereign/making sovereign memory
This article foregrounds the activist memory projects of four Indigenous women artists, recorded as part of a digital storytelling project in 2018. These memory projects collectively represent a refusal of settler colonial frameworks and a grounding in Indigenous knowledges, which challenge institutional understandings of the archive and dominant conceptions of memory. Through close reading and analysis, we argue that these storytellers’ practice…
Shanty Songs and Echoing Rocks
This article examines the experiences of Indigenous participants in performance traditions emerging from the timber industry, in the contexts of settler-colonial resource extraction and Algonquin resistance and cosmologies, in Kiji Sibi Algonquin territory. Decolonial performance histories of the Kiji Sibi/Ottawa River necessarily engage histories of early contact, logging, and the construction of hydroelectric dams and nuclear facilities. As the…
Making memory sovereign/making sovereign memory
This article foregrounds the activist memory projects of four Indigenous women artists, recorded as part of a digital storytelling project in 2018. These memory projects collectively represent a refusal of settler colonial frameworks and a grounding in Indigenous knowledges, which challenge institutional understandings of the archive and dominant conceptions of memory. Through close reading and analysis, we argue that these storytellers’ practice…
Dwellings
Moving Together to Reclaim and Resist
Ambient Audio: Sounds of the city, traffic
Introduction
Jiimaan, That Teaching Sister
The author reflects on what she has been learning about archives through beginning to work with a wiigwaasi jiimaan/birchbark canoe using traditional Anishinaabe technique and protocol. She articulates a performance practice with jiimaan intended to raise awareness of Indigenous presence in her home territory and the inspirited nature of many beings in archives. She thinks through how this practice enacts cultural reclamation, knowledge transmiss…
Telling It Back Different but the Same
Soundings
Ecologies of Embodiment
Csenge Kolozsvari, "Bodylandscapes I." (10:58). A proposition for remembering the ecological ways of belonging, a feeling into other ways of knowing, connecting into the vastness that surrounds us and moves across us, becoming-environment once again. // Anja Plonka, Marko Stefanovic, and Rasmus Nordholt-Frieling, "Breathing Gaia: Searching for Kinship Around Walensee" (8:28). The video essay creates a speculative-utopian body and existence of hum…
Introduction
On This Path Together
A review of representation of Indigenous performance by Indigenous artists and authors in the first 200 issues of Canadian Theatre Review that emphasizes intergenerational responsibility and collective labour toward thriving Indigenous performance communities
On This Path Together
Performing Archives on the Road
Relational Indigenous Performance Writing
Materialities
Art (8 obras) · Sociology (6 obras) · Visual arts (6 obras) · History (5 obras) · Indigenous (5 obras) · Anthropology (4 obras) · Indigenous Health, Education, and Rights (4 obras) · Philosophy (4 obras) · Aesthetics (3 obras) · Computer Science (3 obras)